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Professional colourists choose Baselight

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

End-to-end workflow

Professional integration



Communicate colour

The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities where they can be accurately read and rendered – without purchasing a licence.


The professional solution

Baselight

Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.

Daylight

Professional deliverables that take the colour pipeline from shoot through post.

FLIP

On-set preview with real-time application of LUTs & looks.

Grading Panels

High-precision instruments for artists.



What Baselight colourists say

“Colour gave me a new way to communicate feelings into image form. Transforming images is an art.”

Reínaldo Perdomo Alarcon, Canal RCN »

“What’s not to like about Baselight?! I’ve worked with a variety of software, and there is nothing that serves me better.”

Maxine Gervais, WB MPI, Burbank »

“We are always trying to find ways to work more efficiently. That’s where FilmLight’s colour pipeline has been really helpful.”

Fernando Medellin, Oxido, Mexico City »

“I don’t think a colourist should have any one set style. After all, a chef doesn’t cook each meal they prepare in the same way.”

Senem Pehlivan Yagan, Imaj, Istanbul »

“If I'm trying to achieve an effect that requires going deep into the guts of the system, FilmLight is always eager to help.”

Pankaj Bajpai, Deluxe’s Encore Hollywood »

“The films that have the time or motivation to experiment – they are always the most fulfilling. To try and find what could be.”

Peter Doyle, Technicolor, London »



Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

Baselight Ka-booms in Belfast: rapidly growing post house adds Baselight grading suite for new BBC broadcast project, Can’t Touch This.

Case Study » Ka-boom logo
Television comedy Lerchenberg implements FilmLight’s innovative colour solutions across its production-post process.

Case Study » ZDF logo
Alter Ego leads the way in film grading and compositing in the high-end Canadian commercial marketplace.

Case Study » Alter Ego logo
Fifty Fifty utilises FilmLight’s renderless Baselight/Avid workflow to finish BBC documentary.

Case Study »
Fifty Fifty logo
Technicolor-PostWorks New York goes render-free between Baselight and Avid.

Case Study » Technicolor logo

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