Yearly Archives: 2008

The legendary kingdom of Camelot, complete with its fire-breathing dragons, winged griffins, sword-wielding knights and “youthful” sorcerer, is brought magically to life in Merlin, a new family-oriented drama produced by Shine for the BBC. The show, which tells the … Continue reading →

Evolutions, the largest independent post-production facility in the UK, has purchased a Baselight HD colour grading system and upgraded its existing Baselight FOUR from FilmLight as part of a new £1 million expansion. The system will be installed in … Continue reading →

FilmLight’s Baselight colour grading system recently played a crucial role in the restoration of The Godfather and The Godfather, Part II and the creation of a new Digital Intermediate of the Director Cut of Part III for Paramount Home … Continue reading →

Visual Impact, a supplier of professional broadcast technology with offices in UK, Europe and South Africa, has purchased a Baselight HD colour grading system from FilmLight for use at its Visuals HDHUB facility in Cape Town. The new Baselight … Continue reading →

Facility Becomes the First in the Balkans to Offer 4K Scanning

Restart Production, a post-house in located in Ljubljana, Slovenia has purchased a Northlight 2 2K|4K film scanner from FilmLight. The company, which provides film restoration, digital intermediate and … Continue reading →

PostFactory, Berlin, has added digital intermediate colour grading for feature films to its service offering through the purchase of a Baselight HD system from FilmLight. They system will be installed in an all-new DI grading theatre, purpose built to … Continue reading →

Baselight’s first facility adds three more

Seeking to capitalise on the current boom in Dutch film and television production, Amsterdam-based post-house Filmmore has purchased three new Baselight colour grading systems from FilmLight.

In 2002, Filmmore, then known as 50 … Continue reading →

AatonK to Launch at IBC

FilmLight, a developer of film scanning, colour grading and colour management technology, has formed a strategic partnership with France’s Aaton, a pioneering manufacturer of motion picture equipment, to market the new AatonK 2K|4K ultra … Continue reading →

Parallel GPU, “Cloud” Connectivity, RED Support, Spirit Control and more!

At the upcoming International Broadcast Convention (IBC) in Amsterdam, FilmLight will demonstrate a series of groundbreaking enhancements to Baselight, the industry’s leading non-linear colour grading system. They include Parallel … Continue reading →

As part of its current effort to support its growing position in the US commercial market, FilmLight has appointed Fred Medina to the post of Vice President of West Coast Sales. Medina, who arrives from a similar position with … Continue reading →

Richard Senior to Support Clients across the Asia Pacific Region

FilmLight, a leading provider of digital film and video technology, has appointed Richard Senior as Product Specialist. Senior will provide installation assistance, technical support and training for the entire … Continue reading →

Expanding it’s comprehensive offering for Australia’s burgeoning film, television and commercials markets, Sydney post-production house the LaB has acquired a Northlight 2 film scanner and Baselight FOUR and Baselight HD colour grading systems.

The Northlight scanner and Baselight FOUR form … Continue reading →