Truelight Colour Spaces
Note: This page contains revised versions of the colour space packages, including new tags for Baselight v5. We strongly recommend that you update to use these versions of the colour space packages even if you are using an earlier version of Baselight.
If you are using Baselight v5 and are looking for a new version of a package and cannot find it here, it may be because Baselight v5 incorporates that package already.
If you need to access the older versions, visit Legacy.
Adding Truelight colour spaces
Once you have downloaded the colour spaces that you would like to add to your repository, unzip them and save them in /usr/fl/etc/colourspaces.
| Additional cameras package |
This package contains various additional camera colour spaces. The colour spaces were made based on experimental measurements under daylight.
Colour spaces covered in this package:
- BMD: Film / CinemaPocket
- BMD: Film / Production Camera 4K
- Canon: CineStyle / 5D Mark2
- Canon: Natural Picture Profile / 5D Mark3
- DJI: DCineLike / Phantom3 Pro
- GoPro: Protunes / GoPro 3Plus
- Panasonic: CineD / GH4
Note: These colour spaces contain minimal sample points and have undergone minimal testing. Changes in camera firmware are not tracked, so future updates to cameras may not agree with the measurements taken when these colour spaces were created (May 2016). |
| ARRI Look Library |
The ARRI Look Library is a look package provided by ARRI. This package allows you to apply the ARRI Look Library in a scene-referred grading workflow. The looks cover the full ARRI Log-C dynamic range; therefore, you can use them for HDR projects. Two look libraries are available: one is applied in LogC3, the newer one in LogC4. The looks between both libraries do not match. Please communicate clearly which version you are using.
To achieve the intended look, you must apply an ARRI DRT Family on output: ALF-2 for the LogC3 library, REVEAL for the LogC4 library. Alternatively, you can use a scene look below (e.g. C-302 ARRI-2018) to emulate the look of the DRT with the T-CAM DRT.
In ARRI cameras, each look has a ‘strength setting’ with the values one, two and three, where one is the softest application of the look, and three is the strongest. The camera appends this value to the look’s name (e.g. ARRI_LL_6420_Early_Morning_3). To achieve the same result, you must use the look’s Amount parameter with 0.33, 0.66 and 1.0, respectively.
Once you have downloaded the looks, unzip them and save them in /usr/fl/looks/ (no subfolders). |
| ARRI REVEAL DRT family |
This DRT family is based on ARRI’s REVEAL colour science, introduced with the ARRI ALEXA 35 camera. This package includes DRTs for the following viewing conditions:
- 48 nits dark surround
- 100 nits dim surround
- 100 nits bright surround
- 1000 nits dim surround
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| BMD: BMD Film Gamma / BMD Wide GamutRGB |
| These colour spaces can be used for images encoded with BMD Film Gamma / BMD Wide GamutRGB, both Gen4 and Gen5. |
| Canon rationalised package |
| This set of Truelight Colour Spaces is an updated and rationalised version of colour spaces for Canon cinema cameras. The 10 colour spaces in this package cover the EOS C100, C200, C300, C500, C700, -1D C, XC15,XC10, ME200 and ME20 recording modes. They cover five primaries (Rec709, P3, P3 + BT2020 and CinemaGamut), three OETF (Canon Log 1, Canon Log 2 and Canon Log 3) and, for some of them, two light spectra (tungsten and daylight). |
| Fujifilm: F-Log Colour Spaces |
| These colour spaces can be used for shots recorded with Fujifilm’s X-Series cameras that support F-Log/F-Log2 recording. |
| Linear package |
| This set of Truelight Colour Spaces provides linear light colour spaces with different sets of primaries, which is useful for VFX workflows. |
| RED creative looks |
| This is a set of scene-referred looks provided by RED. The looks are applied automatically in the intended scene-referred space and are therefore qualified for HDR projects. |
| RED IPP2 package |
This is version 1.13 of the new IPP2 colour science from RED. This package includes a DRT family for the following viewing conditions:
- 48 nits dark surround
- 100 nits dim surround
- 1000 nits dim surround
- 2000 nits dim surround
- 4000 nits dim surround
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| Truelight Colour Spaces OCIO config |
This package allows you to synchronise T-CAM v2 colour management workflows between FilmLight products and software packages that support OCIO.
The OCIO viewing transforms are based on TCAMv2.
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| Truelight Colour Spaces Autodesk Flame Colour Policy |
This package allows you to synchronise T-CAM v2 colour management workflows between FilmLight products and Autodesk Flame.
The viewing transforms are based on TCAMv2.
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Technical Assistance
If you require technical assistance, please read the product documentation first. If your question is not answered in the documentation, or you require further assistance with documents and downloads, please email your query to Baselight Support.
We aim to respond to technical queries within 48 hours. For urgent technical assistance, get in touch with your local contact.
Available packages
