IBC2018 Colour Day
16 September 2018
This intensive day of live presentations and practical discussions is designed to guide colourists, DoPs and the wider production and post industry through the opportunities and challenges that HDR and new delivery formats bring, via demonstrations of the exceptional colour management and finishing toolset in the latest version of FilmLight’s colour grading system, Baselight v5.
Each session will run for 1 hour, including a Q&A at the end.
Pre-register now. Use the form on the right to let us know you're interested, and you'll get access to tickets 24 hours before the rest of our mailing list.
Times to be confirmed. When final registration opens you'll be able to select tickets for the specific session(s) you'd like to attend.
These leading colourists will present their individual journeys in colour, as well as the creative hints and tips they have honed over successful careers - all live on Baselight…
Senior Colourist, Technicolor, Hollywood
Renowned colourist Maxine Gervais worked on this year’s commercial and critical Marvel Studios hit, Black Panther, sci-fi feature Meg, and most recently Sony Pictures’ Alpha, set in the Ice Age.
In this exclusive session, Maxine will share the technical and creative aspects of the colour development on these three projects, working with acclaimed cinematographers, directors and VFX teams. She will show how Baselight X helped her achieve these three distinctive looks.
Colourist, St Louis, Paris
A native Parisian, Sylvain Canaux started his career at post house St Louis where he quickly gained recognition for his work on beauty grading for high end commercials and photographers, such as Chanel , Yves St Laurent & Dior.
Using Baselight v5, Sylvain will illustrate the challenges of moving between colour spaces and show how these challenges can be met through a combination of colour science and artistic skills.
Freelance Colourist/Editor, New York City
Initially a member of the Technicolor-PostWorks team, Mike Nuget recently decided to branch out on his own, and he has been applying his skills in colour grading, editorial finishing, and visual effects to film and television projects as well as documentaries.
At IBC, Mike will share his recent experiences live using the new Baselight 5 for Avid tools, with a focus on Base Grade, Texture Equaliser, Boost Contrast, and other new features.
Image Engineer, FilmLight, Munich
Daniele Siragusano utilises his experience and workflow expertise as an Image Engineer at FilmLight, helping existing and potential customers achieve the best productivity and creativity in their own unique setups.
A key speaker at many of the masterclasses that have formed the FilmLight global colour tour, here Daniele will focus more on the first principles of natural colours and texture including the fundamental differences between the real world and modern HDR wide gamut image reproduction. This technical session gets deeper into the management of colour spaces and completes a day where colourists have shared their craft drawing on real experience.
Note that we will be videoing this event for later distribution. The video will focus on the speakers but audience members may appear on camera. By signing up you give authority for FilmLight to freely distribute any recorded material from the event.
16 September 2018
RAI Convention Centre
Fill out this form to be notified as soon as tickets become available.