Yearly Archives: 2014
35th London Critics’ Circle Film Awards
The countdown to the annual London Critics’ Circle Film Awards has begun. Baselight was well-represented with nominees in FILM OF THE YEAR, FOREIGN LANGUAGE FILM OF THE YEAR, BRITISH FILM OF THE YEAR and DOCUMENTARY OF THE YEAR.
Leading the … Continue reading →
postPerspective: Quick Chat with FilmLight co-founder Wolfgang Lempp
From Randi Altman’s postPerspective – PostPerspective talks to our Wolfgang Lempp about R&D priorities, broadening DI toolsets and more…
Quick Chat with Wolfgang LemppIn what has become a semi-regular column here at postPerspective, we have taken to doing short … Continue reading →
ICG Magazine: World of Color
Digital color correction is the now the global standard. But there are many subtle aesthetic differences beyond the post suites of Hollywood.
In this article from ICG Magazine, Pauline Rogers talks to a range of highly talented and well-respected colour-correction … Continue reading →
Swiss broadcaster RTS doubles grading capacity for television productions with additional Baselight
Radio Télévision Suisse (RTS), the French-language public broadcaster in Switzerland, has added a Baselight ONE system with Slate control panel to handle its in-house productions. Headquartered in Geneva, RTS produces a wide variety of news, sport, entertainment and documentary television … Continue reading →
FilmLight’s renderless, collaborative colour pipeline on show at SATIS 2014
Productivity and creativity for television production
FilmLight will use the 2014 SATIS exhibition (Portes de Versailles, Paris, 18 – 20 November) to demonstrate how sophisticated, highly cost-effective colour grading can be used to both improve the look and speed up … Continue reading →
FilmLight end-to-end 4K workflows at Inter BEE 2014
Demonstration of fully-featured grading and finishing at high frame rate 4K
With the Japanese market moving rapidly towards advanced television formats, FilmLight will show its total pipeline solution at Inter BEE 2014 (Makuhari Messe, Chiba City, Japan, 19–21 November). Innovative … Continue reading →
Congratulations to the ASC CDL team
At last Friday’s HPA Awards, the American Society of Cinematographers: Color Decision List (ASC CDL) picked up the prestigious HPA Judges Award for Creativity and Innovation in Post Production.
From left to right, the ASC CDL team: Greg Ciaccio, Peter … Continue reading →
FilmLight Discusses Colour from Set to Screen at Camerimage 2014
Daniele Siragusano, FilmLight’s workflow specialist, leads session on productive and creative workflows
FilmLight today announced that it will host a workshop entitled ‘BLG: Colour from Set to Screen’ at Camerimage 2014, the International Film Festival of the Art of Cinematography … Continue reading →
Denzel Washington thriller finished on Baselight
Sony Pictures Colorworks completes final grade of The Equalizer in facility’s 4K DI theatres
The Equalizer, the new thriller from director Antoine Fuqua and starring Denzel Washington, was graded on Baselight at Colorworks, the finishing facility on the Sony Pictures … Continue reading →
FilmLight Demonstrates Latest Colour Pipeline Solutions at CAPER 2014
Comprehensive grading solutions at every stage on display in Argentina
FilmLight, alongside its Argentine reseller IPLUSB, is using CAPER 2014 to demonstrate its latest colour grading solutions, designed to seamlessly integrate with today’s evolving workflows (IPLUSB stand, A38, Costa Salguero … Continue reading →
postPerspective: FilmLight at IBC2014
From Randi Altman’s postPerspective – read Chris Ryan (Nice Shoes) on FilmLight’s offering at IBC2014…
IBC Blog: color grading, end to end post, moreBy Chris Ryan
FilmLight
Nice Shoes currently uses FilmLight’s Baselight system for color grading, so … Continue reading →
IBC2014 Round-up
Thank you to everyone who dropped by the FilmLight stand at this year’s IBC. We had a great show. If you weren’t able to make it – or you’d like a reminder about what we were showing – here’s where … Continue reading →
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