Yearly Archives: 2014
FilmLight boosts on-set and near-set production; adds host of functionality to Baselight flagship colour grading system
New HDR capabilities, direct DCP deliverables, ProRes, productivity gains and more
FilmLight will be exhibiting a broad range of new functionality for the first time at IBC2014 (Amsterdam, 12–16 September), designed to seamlessly integrate with today’s evolving workflows. Daylight, the … Continue reading →
FilmLight establishes unique partnerships at IBC2014
Key developers in the post and broadcast industry illustrate their partnerships with FilmLight throughout IBC2014 with collaborative demonstrations and distinctive presentations – exhibiting tools for the entire production process from on-set to delivery. In each location, the focus is on … Continue reading →
Windmill Lane upgrades Baselight to deliver 4K grading and high performance dailies
Busy Dublin facility moves to the latest FilmLight hardware and software to boost productivity
Windmill Lane, the leading post-production facility in Ireland, has recently overhauled its colour grading department, upgrading its entire FilmLight infrastructure. The facility has replaced its existing … Continue reading →
Beyoncé’s visual album graded at Nice Shoes
Beyoncé’s recent full-length album launched simultaneously with fourteen music videos. Dubbed “The Visual Album”, Beyoncé turned to Nice Shoes colourists Ron Sudul, Lenny Mastrandrea and VFX artists Vin Roma, Jason Farber, Russ Bigsby and Kevan Lee to make her new … Continue reading →
FilmLight focuses on evolving workflows at IBC2014
Creativity and quality teamed with practicality and efficiency
FilmLight, the leading innovator in colour grading and post-production workflows, is using its presence at IBC2014 (Amsterdam, 12–16 September) to demonstrate how its technology helps broadcasters, movie producers and creative studios shorten … Continue reading →
ITV Studios adds to production values on popular drama with innovative FilmLight workflows
New home for Coronation Street introduces tight integration between
Baselight grading and Avid editing
As part of its move to a new production base, ITV’s popular continuing drama, Coronation Street, has implemented a new grading workflow based around FilmLight technology. … Continue reading →
Baselight sets the look for Clint Eastwood’s Jersey Boys
Warner Bros. relies on Baselight for dailies and DI, creating a characteristic period feel for musical
Adapted from the stage hit, Jersey Boys is the musical story of Frankie Valli and The Four Seasons. For his movie adaptation, director Clint … Continue reading →
Baselight for FCP brings world class colour grading to the heart of Guanajuato International Film Festival
This week sees the start of the 17th Guanajuato International Film Festival, or GIFF, which takes place in San Miguel de Allende and Guanajuato Capital in Mexico from July 25 to August 3.
One of the programme highlights is the … Continue reading →
FilmLight hires industry experts to help customers implement leading workflow solutions
Daniele Siragusano and Ram Krishna Tripathi provide invaluable customer support and expertise
FilmLight today announced that it has added two highly experienced figures from the world of post-production to its team. Daniele Siragusano and Ram Krishna Tripathi Samaveda will provide … Continue reading →
House of Cards gets 4K finish with FilmLight’s Baselight
The second series of House of Cards, Netflix’s hugely popular political drama, was released on 14 February and made available to subscribers in 4K Ultra HD. Encore, a Deluxe Entertainment Services company, handled the show’s post production, with Lead Colourist … Continue reading →
Imagica builds new facility around Baselight
Post house in Pinewood Iskandar Malaysia Studios offers first uncompromised grading suite in Malaysia with Baselight
Imagica South East Asia is building a new post house on the campus of Pinewood Iskandar Malaysia Studios, the joint venture between the UK … Continue reading →
‘We Are Monster’ created on Baselight
Splice grades Best British Feature nominee at upcoming Edinburgh International Film Festival awards
We Are Monster, a feature film written and produced by Terra Rossa Films Entertainment and graded on Baselight by Splice, has been nominated for the Michael Powell … Continue reading →
Press Contact
Recent Posts
Categories
- Events
- FilmLight Colour Awards
- FilmLight Colour Awards 2022
- Graded on Baselight
- In The Press
- Meet The Colourist
- News Articles
- Press Releases
