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Yearly Archives: 2015

NEW Meet The Colourist: Cem Ozkilicci, Alter Ego, Toronto

Meet Cem Ozkilicci, Senior Colourist at Alter Ego in Toronto. Cem Ozkilicci started in colour over 10 years ago. Previously a Flame artist, he worked with Senior Colourist Rob Lingelbach at a post house in Istanbul where he learned first… Continue reading →
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FilmLight’s colour science insight welcomed by Europe’s most advanced grading theatre

Rotor builds 4K HFR grading and mixing room as part of a seamless set-to-screen, render-free workflow Rotor Film, the post production provider founded in 2011 and housed in the historic Studio Babelsberg in Potsdam, just launched the most advanced grading… Continue reading →
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NEW Meet The Colourist: Peter Doyle, Technicolor, London

Meet Peter Doyle, Supervising Visual Colourist at Technicolor in London. Peter Doyle is one of film industry’s most distinguished supervising colourists, performing magic when colour grading for Academy Award-winning cinematographers and directors such as Andrew Lesnie and Bruno Delbonnel, Peter… Continue reading →
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Storyline brings VFX and grading closer with Baselight

Leading Norwegian production and post company adopts OpenEXR-based BLG workflow Storyline Studios, Norway’s biggest and most experienced post-production company, recently installed Baselight colour grading systems, along with Baselight for NUKE plug-ins to provide strong workflow links between effects and finishing.… Continue reading →
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FilmLight delivers end-to-end colour control at Arab Telemedia Group

FLIP, Daylight, Baselight for Avid and Baselight TWO combine for fast and efficient colour pipeline Emmy Award winning and MENA region leading production company Arab Telemedia Group has added an integrated Baselight colour pipeline to its production and post workflows.… Continue reading →
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FilmLight delivers HDR and Ultra HD 4K content at Inter BEE 2015

To answer the growing demand for advanced television formats among Japanese post facilities and broadcasters, FilmLight is showcasing its HDR colour technology at Inter BEE 2015 (Makuhari Messe, Chiba City, Japan, 18–20 November). Leading post house GoodJob, based in Osaka,… Continue reading →
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FilmLight and Sony take customers on a worldwide 4K HDR series of events

FilmLight strengthens collaborative colour pipeline with industry-leading partner Sony Anticipating that high dynamic range (HDR) 4K is a next evolutionary step for production and post, FilmLight and Sony have mounted a series of events across the globe to showcase their… Continue reading →
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Growing success for Baselight Editions free-to-read and -render

Now available, Avid and NUKE free plugins allow colour grade to be imposed in real time; simple upgrade to full node-locked or floating licences if required FilmLight has already transformed collaborative post-production with Baselight Editions, a series of plugins which… Continue reading →
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True colours of ‘The Americans’ created on Baselight

Technicolor PostWorks New York and colourist Crowley shaped a special look for top spy drama When it came to grading The Americans, where the central characters live a double life, colourist John Crowley knew he would need to create some… Continue reading →
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British Arrows Craft Awards 2015 – 100% Baselight for Best Colourist

The British Arrows has announced the shortlist for the Craft Awards 2015. We at FilmLight are very proud that the nominees for Best Colourist are 100% Baselight. Aubrey Woodiwiss for Dunlop Tyres, Forever Forward
Made for Leo Burnett, Frankfurt by… Continue reading →
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