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Daylight allows leading Mexican facility to offer colour management from locatio...
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LA facility, SHED Santa Monica, built around Generation VI for optimum colour\r\nF...

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Professional colourists choose Baselight

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

End-to-end workflow

Professional integration



Communicate colour

The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).


The professional solution

Baselight

Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.

Daylight

Professional deliverables that take the colour pipeline from shoot through post.

FLIP

On-set preview with real-time application of LUTs & looks.

Grading Panels

High-precision instruments for artists.



What Baselight colourists say

“An artisan needs the right tools to create the best results. Baselight is my tool of choice and I am grateful for it everyday.”

Nico Ilies, Technicolor Montreal »

“For Fury Road, Baselight is probably the only system that could do what we wanted at the fast pace we needed.”

Eric Whipp, Alter Ego, Toronto »

“What’s not to like about Baselight?! I’ve worked with a variety of software, and there is nothing that serves me better.”

Maxine Gervais, WB MPI, Burbank »

“Baselight is so precise that you can reach a degree of perfection. No other system works to that degree of finesse.”

Jean-Clement Soret, MPC, London »

“Whenever someone asks me what the difference is between Baselight and other systems, the first thing I say is power.”

Andrea Chlebak, Skylab, Vancouver »

“I’m at the pilot seat of a Baselight system, the most powerful software base in the market. Creativity is the only limit.”

Saulo Silva, TV Globo SA, Brazil »



Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

Alter Ego leads the way in film grading and compositing in the high-end Canadian commercial marketplace.

Case Study » Alter Ego logo
Fifty Fifty utilises FilmLight’s renderless Baselight/Avid workflow to finish BBC documentary.

Case Study »
Fifty Fifty logo
Technicolor-PostWorks New York goes render-free between Baselight and Avid.

Case Study » Technicolor logo
3sixtymedia implements renderless workflow with Baselight.

Case Study » 3sixtymedia logo
A look at American Sniper, with Maxine Gervais, lead Digital Intermediate Colourist at Warner Bros. Motion Picture Imaging (MPI).

Video Case Study » Warner Bros MPI logo

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