The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities where they can be accurately read and rendered – without purchasing a licence.
Fast, creative non-linear grading system in the finishing suite.
Premier colour correction directly within Avid.
Premier colour correction directly within NUKE.
Professional deliverables that take the colour pipeline from shoot through post.
On-set preview with real-time application of LUTs & looks.
High-precision instruments for artists.
“Always do your version of what the client wants. That’s what makes you stand out as a colourist.”
Gene Curley, Nice Shoes »
“In cinematography the first image doesn’t have to be perfect, it just has to be the starting point.”
Vittorio Storaro, Cinematographer »
“The best part about Baselight is that there is no clear-cut way to do one thing; there’s a lot of depth to the creativity.
Anthony Raffaele, Technicolor PostWorks »
“I definitely love the tracking in Baselight; it is so fast and accurate. I also enjoy all the intricate window shapes.”
Jill Bogdanowicz, Deluxe »
“I look at a shot and then I find the best part of it, the part that represents a photograph, and I go from there.”
Beau Leon, Framestore, LA »
“The films that have the time or motivation to experiment – they are always the most fulfilling. To try and find what could be.”
Peter Doyle, Technicolor, London »
Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.