Yearly Archives: 2009

Installation includes three Baselight EIGHT systems for new 4K DI grading theatres

FilmLight today announces delivery of seven Baselight colour grading systems to Sony Pictures Entertainment. The systems will be installed at its newly-built digital intermediate facilities on the … Continue reading →

New Colour Grading Service Allows Post House Plans to Expand into Features

Mexico City post house Oxido has acquired a Baselight ONE from FilmLight enabling it to offer colour grading services for the first time. The company’s principal aim … Continue reading →

Los Angeles Studio Also Builds a DI Theatre

New Hat has become the first Los Angeles post house to build a non-linear workflow for grading commercial advertising and other short form media based on FilmLight’s Baselight colour grading system. … Continue reading →

Medialab Technology, one of the leading providers of post-production services for commercials in France, is among the first facilities worldwide to adopt Baselight Kompressor—the new technology from FilmLight that allows its Baselight colour grading systems to share direct access … Continue reading →

Post House Preparing a “True” 4K Master of Spielberg’s “Minority Report”

LaserPacific Media Corporation, one of the leading providers of post production services in Los Angeles, has built a new end-to-end 4K workflow for mastering and re-mastering feature films based … Continue reading →

German television producer Grundy UFA has become the first company in Europe to implement newly-developed file sharing technology from FilmLight as part of a “tapeless” workflow for HD television production.

Producers of such popular German soaps as Gute Zeiten, … Continue reading →

Colour Management System Used to Set Looks During Production

FilmLight’s colour management system Truelight On-Set is currently being used by the CBS television series Criminal Minds to set preliminary colour values during production. The system allows cinematographer Greg St. … Continue reading →

Leading a growing trend amongst creative editorial post houses, Chainsaw, based in Hollywood, California, has bought a Baselight HD to integrate with its non-linear post production workflow. To support this latest acquisition, Chainsaw recently hired Andy Lichtstein to be its … Continue reading →

When boutique facility ‘One Of Us’ decided to expand their service offering they looked no further than FilmLight’s colour grading system—Baselight. It was the ‘obvious choice’ for a company who already had many years previous experience with Baselight, knowing … Continue reading →

Oriental Post, in cooperation with Kantana Laboratories, has implemented FilmLight’s industry leading Truelight Colour Management technology throughout their DI, video post-production and film laboratory facilities. The company, which provides film scanning and recording, television transfer, editorial visual effects and … Continue reading →

Leaading South East Asian post-production company chooses Baselight for new facility expansion

Oriental Post Vietnam Co. Ltd., has purchased a Baselight HD colour grading system for deployment in their new post-production facility in Ho Chi Minh City, Vietnam. The system … Continue reading →

Nice Shoes, the New York commercial post facility, has recently invested more than $3 million to upgrade its colour-correction rooms from their long-standing da Vinci suites to brand-new Baselight EIGHT systems.

Some 30 percent of the facility’s business is projects … Continue reading →