News Articles

From TVBEurope:  Colour My World Jenny Priestley visits boutique visual effects facility Youngster to find out how their colourist and creative artists are using FilmLight’s Baselight to colour grade content. “We can email BLGs around to your heart’s content… Continue reading →

From American Cinematographer:  Back in Time: Making ‘Once Upon a Time… in Hollywood’ Robert Richardson, ASC and a number of his collaborators — including renowned colourist Yvan Lucas — discuss their approach to writer-director Quentin Tarantino’s period tale of … Continue reading →

Congratulations to the winners of this year’s Cannes Film Festival. Eight of the movies in competition were finished on Baselight, among them the winner of the Palme D’or, Joon-ho Bong’s Parasite graded by Kevin Kang at Dexter The Eye, and… Continue reading →

Daniele Siragusano, Image Engineer at FilmLight, presented two seminars at the International Cinematography Days in Stuttgart earlier this year. Watch below, or go to Tutorials > Truelight Colour Spaces for these videos and more. From Photons captured by a Camera … Continue reading →

From TVB Europe: Molinare’s senior colourist Asa Shoul returned for series two of The Crown. He talks to Jenny Priestley about adding colour to the 1950s and 60s. FOR THOSE OF US THAT DON’T KNOW, WHAT EXACTLY DOES … Continue reading →

From postPerspective: The action of AMC’s zombie-infused Fear the Walking Dead this season is set in a brittle, drought-plagued environment, which becomes progressively more parched as the story unfolds. So when production was about to commence, the show’s principals… Continue reading →

By James Milne, FilmLight’s Lead Developer on Prelight Prelight & Prelight ON-SET 4.4m1 are now available. Visit our Web Store to buy or try. When the industry moved to digital cameras, the temptation was to think that it would be… Continue reading →