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Baselight in the cloud on display in London

Thank you to everyone who joined us recently for our product event in our new look London HQ.

Alongside the presentations on Baselight 7 and Nara, we provided a continuous live demonstration of Baselight running in AWS, using REMOTE to stream to a … Continue reading →

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A Tapestry of a Legendary Land – powered by Baselight 6.0

“A Tapestry of a Legendary Land”, also known as “Only the Cyan and Green” directed by Zhou Liya / Han Zhen, released at the 2024 National Day festival, currently rated 8.0 on douban.com, is considered to be the best new film of the national day archives reputation.
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FilmLight Colour Awards: George Miller on Colour

The FilmLight Colour Awards 2024 jury recently gathered ahead of casting their final votes for this year’s nominees. During the discussion, George Miller, 2024 Jury Guest of Honour, talked to Jury President, Mandy Walker, and other jurors, about his evolving … Continue reading →

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UPF is leading a European project to improve energy efficiency and savings by the media and audiovisual sector through artificial intelligence

The Emerald project is driven by an interdisciplinary consortium of seven European partners, coordinated by UPF and comprising Trinity College Dublin, the BBC and the following four technology providers: Brainstorm Multimedia, Disguise Systems, FilmLight GmbH, and MOG Technologies. Given the … Continue reading →

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Colour in the cloud

Peter Postma, Managing Director Americas, FilmLight

VFX and editing have been possible in the cloud for a while, but colour correction presents some unique challenges.

At a Showcase Theatre session at IBC2022, Katrina King, Content Production Media & Entertainment, AWS, … Continue reading →

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Colour in modern broadcast post-production

How would you design a state-of-the-art post-production workflow for broadcast today? Public broadcaster SWR in Germany faced this challenge in 2021.
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IT in modern broadcast

How would you design a state-of-the-art post-production workflow for broadcast today? Public broadcaster SWR in Germany faced this challenge in 2021.
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Collaboration in modern post-production

How would you design a state-of-the-art post-production workflow for broadcast today? Public broadcaster SWR in Germany faced this challenge in 2021.
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Modern broadcast workflows #1: Colour in post-production

Article courtesy of Broadcast

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The first in a three part series providing insight into the current broadcast environment,  by Daniele Siragusano and Andy Minuth…

 … Continue reading →
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‘A Thousand and One’ takes top prize at Sundance 2023

Congratulations to all involved in the creation of A Thousand and One, winner of the ‘U.S. Grand Jury Prize: Dramatic’ award at this year’s Sundance Film Festival.

The film tells the story of unapologetic and free-spirited Inez who, convinced … Continue reading →

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FilmLight Colour Awards Winners Ceremony. EnergaCAMERIMAGE. Sunday 13 November

Celebrating the art of colour at EnergaCAMERIMAGE

Winners Ceremony

Sunday 13th November 2022, 4PM
Seminar Room

‘‘It’s time colourists were brought out into the limelight from the darkrooms.’’
K K Senthil Kumar, Cinematographer

In its second year, FilmLight is again hosting … Continue reading →

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Look Development Masterclass at EnergaCAMERIMAGE. Monday 14 November

Look Development

Monday 14 November, 11:00-13:00, Seminar Room

You cannot have an image without a look: a motion picture camera is different to the human eye. This means as soon as you take an image, you have altered reality.

This is even … Continue reading →

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
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