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Meet The Colourist

Meet The Colourist Special Interview: Wes Anderson brings ‘The French Dispatch’ to Cannes

Gareth Spensley, Company 3, London

“I think colour is considered at all levels of a Wes Anderson film – through costume design, production design, props and of course cinematography – culminating in the colours that are delivered to the grading Continue reading →
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Meet The Colourist Special Interview: Peter Bernaers and Veerle Zeelmaekers colour La Croisette

“We can read each other’s grades in an instant and analyse what is the intention, what works and what needs improvement. That way we increase each other’s work.”

Colourists Peter Bernaers and Veerle Zeelmaekers, based in Belgium, are partners in … Continue reading →

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Meet The Colourist: Dave Ludlam, Luddy Colour, London

“The jobs that win you awards might become the ones that define your name and reputation over time, but the saying in the business is that you are only as good as your last job. Over time you cement many Continue reading →
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Meet The Colourist: Gilles Granier & Fabien Napoli, Le Labo, Paris

“We have no trouble discussing our working methods – we regularly realise that we use the Baselight tools very differently. I think we walk away every time with two to three tips and tricks each.”

Gilles Granier and Fabien Napoli … Continue reading →

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Meet The Colourist: Ana Escorse, Lead Colourist, Feather, Toronto

“I think that when you find yourself in any place that has a lot of opportunities you don’t take things for granted. That perspective is what fuels my hunger, my work ethic, my decision making. And I’m happy I have it.”Continue reading →
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Meet The Colourist: Artem Leonov, Senior Colourist, Artyficial, Moscow

“I’ve not just finally chosen to invest in a Baselight system. It was the first professional grading system I worked on, and at the time it already set the bar quite high in comparison to other tools.”

Artyficial is one … Continue reading →

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Meet The Colourist: Aljoscha Hoffmann, Colourist, CinePostproduction, Munich

“I’ve been working on Baselight for nearly ten years now and it is definitely my favourite grading tool. I really like its colour management and its very, very stable performance. When the Base Grade tool came up, it was really Continue reading →
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Meet The Colourist: Naotaka Takahashi, Senior Colourist, L’espace Vision, Tokyo

“By constantly working on a variety of projects, I can maintain a fresh eye for colour. And by meeting all kinds of people in this line of work, I’ve been able to adopt other perspectives that I would have never Continue reading →
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Meet The Colourist: Yvan Lucas, DI Colourist, Los Angeles

“Think about continuity as the basis of colour grading. Perfect continuity is what makes a good colourist.”

Yvan Lucas is a veteran DI colourist with a unique international story. His career spans over 30 years and has involved working in … Continue reading →

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Meet The Colourist: Nick Dalby, UNIT Studios, London

“I feel that a music video should be just as interesting and eye catching when watched without the music, just as the music should be enjoyed without the video.”

Nick Dalby has been with UNIT Studios in London for over … Continue reading →

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Meet The Colourist: Julien von Schultzendorff, nhb studios, Germany

“Growing up, it was clear to me that I would become a cinematographer as well. But then around the age of 18 I discovered colour grading. It hit me right away – I knew this was what I wanted to do.”Continue reading →
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Meet The Colourist: Sam Chynoweth, Technicolor London

“Baselight feels intuitive and it is quick to pick up and learn. That said, there is a sophistication and depth behind Baselight that enables real flexibility; the list of what can be finished in the system grows with each release.Continue reading →
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