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Meet The Colourist

Meet The Colourist: Yvan Lucas, DI Colourist, Los Angeles

“Think about continuity as the basis of colour grading. Perfect continuity is what makes a good colourist.” Yvan Lucas is a veteran DI colourist with a unique international story. His career spans over 30 years and has involved working in… Continue reading →
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Meet The Colourist: Nick Dalby, UNIT Studios, London

“I feel that a music video should be just as interesting and eye catching when watched without the music, just as the music should be enjoyed without the video.” Nick Dalby has been with UNIT Studios in London for over… Continue reading →
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Meet The Colourist: Julien von Schultzendorff, nhb studios, Germany

“Growing up, it was clear to me that I would become a cinematographer as well. But then around the age of 18 I discovered colour grading. It hit me right away – I knew this was what I wanted to do.”Continue reading →
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Meet The Colourist: Sam Chynoweth, Technicolor London

“Baselight feels intuitive and it is quick to pick up and learn. That said, there is a sophistication and depth behind Baselight that enables real flexibility; the list of what can be finished in the system grows with each release.Continue reading →
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Meet The Colourist: Kyle Stroebel, Refinery, Cape Town

“What I really enjoy about Baselight is there are just limitless ways you can achieve the look. I feel my control of the curve has such versatility from a variety of tools, that when dealing with the varying light tones Continue reading →
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Meet The Colourist: Adam Dolniak, Head of Picture, Splice, London

“Every grade session is essentially a compromise between what you can achieve in the given timeframe and your vision for the finished product. Baselight steps in to bridge that gap so that you can achieve great results quickly without having Continue reading →
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Meet The Colourist: David Basta, Senior Colourist, Lumeni Productions, Glendale CA

“Baselight’s power and flexibility enables our art department to interface seamlessly with our DI theatres to produce efficient, cost-effective results. This dynamic workflow means that our clients can make interactive changes to graphics, effects, and colour while reviewing their projects Continue reading →
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Meet The Colourist: Simon Astbury, Head of Colour, Digital Domain Shanghai

“Be a geek about your industry, cameras, lighting, lenses. Watch movies, ads and everything that’s good. Study art and artists, if only to have common points of reference. Remember that the grading part is only a portion of what makes Continue reading →
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Meet The Colourist: Swapnil Patole, Senior Colourist/DI Head of Department, Famous Studios, Mumbai

“As a colourist, visually stunning images are more addictive than technical aspects of colour grading. I always try to grade in an eccentric way, as I have always believed that your work as an artist is more recognised when you approach it differently. Swapnil is… Continue reading →
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Meet The Colourist: Mike Nuget, Freelance Colourist/Editor, New York City

“There were days when I would be on both the Avid and Baselight simultaneously and moving projects back and forth multiple times a day. But I didn’t have to finish colour in one system or the other – the colour Continue reading →
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