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In The Press

Ein halbes Dutzend Baselight, bitte!

Article courtesy of Digital Production Germany

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Ein halbes Dutzend Baselight, bitte! > Half a dozen Baselight, please! Daniele Siragusano talks everything Baselight 6.0 in Digital Production Germany magazine…

FilmLight Colour Awards Winners

Article courtesy of Digital Media World

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The winners of the 2023 FilmLight Colour Awards talk about their projects and their very different creative and practical approaches to colour grading…

Colour grading meets machine learning

Article courtesy of British Cinematographer

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Martin Tlaskal shares how the company has been using machine learning to empower colourists and help them stay on the cutting edge of the latest technology…

FilmLight Appoints Restar Communications in Japan

Article courtesy of Content + Technology

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FilmLight has appointed Restar Communications Corporation as its local reseller in Japan, with immediate effect…

Sexy Beast: Anatomy of a Grade in 02’27”

Article courtesy of Televisual

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Sexy Beast: Anatomy of a Grade in 02’27” from Ross Baker, Head of Grading, Molinare…

Whetting the Palette: Colouring The Taste of Things

Article courtesy of ASC

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Colorist Yov Moor helps cinematographer Jonathan Ricquebourg, AFC set the visual table for this romantic slice of culinary cinema…

Baselight colour grade brings cinematic realism to ‘A Piece of Sky’

Article courtesy of Digital Media World

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Timo Inderfurth graded A Piece of Sky, Best Film award winner at the 2023 Swiss Film Awards, playing a central role in the visual atmosphere of this story set in the Swiss Alps…

FilmLight releases Baselight 6.0

Article courtesy of Televisual

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FilmLight has released the latest version of its Baselight grading software, Baselight 6.0 following an extensive beta programme…

BTS: creating the look for Priscilla

Article courtesy of Televisual

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The movie reunited Coppola with cinematographer and colourist duo, Philippe Le Sourd and Damien van der Cruyssen at HARBOR…

Finessing Killers of the Flower Moon at Company 3

Article courtesy of ASC

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Cinematographer Rodrigo Prieto, ASC, AMC worked with senior colorist Yvan Lucas of Company 3 on the film’s lookup tables (LUTS) and grading.

Post-production uncovered: Sky Post on Hatton (Sky Documentaries)

Article courtesy of Broadcast

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Responsible for bringing the colour together for this emotive series, was Sky Post Production’s colourist, Mark Mulcaster, who was recently shortlisted for the Broadcast Tech Innovation awards in the ‘Excellence in Grading (Non-Scripted)’ category for his work on Hatton…

 

‘Barbie’ Collects Colour Grading Honour at Camerimage

Article courtesy of The Hollywood Reporter

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The third annual awards — organised by FilmLight, the maker of the Baselight colour grading system, in collaboration with Camerimage — were presented Sunday at the EnergaCamerimage cinematography film festival in Toruń, Poland…

 

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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