Article courtesy of The Hollywood Reporter
Joker DP Lawrence Sher, ASC, has been named president of the jury for this year’s FilmLight Colour Awards…
‘Joker’ DP Lawrence Sher Named FilmLight Color Awards Jury Chair
July 24, 2023
Article courtesy of The Hollywood Reporter
Joker DP Lawrence Sher, ASC, has been named president of the jury for this year’s FilmLight Colour Awards…
Color and Collaboration on Disney’s The Little Mermaid
July 17, 2023
Article courtesy of postPerspective
“Hatzer credits FilmLight’s Baselight system in helping streamline the colour process on this massive VFX undertaking. Baselight enabled Hatzer to draw multiple windows around characters, roto and track them, and bring up the colour very subtly…”
Living the dream
July 14, 2023
Article courtesy of ICG
Company 3 colourist, Yvan Lucas, graded Barbie. “We tweaked the test images in Baselight within the PPL to find the perfect pink, blue, red et cetera. When we had it, I used that information to generate the Techno Barbie LUT.”
Keeping heads above water – The Little Mermaid
July 5, 2023
Article courtesy of British Cinematographer
“We had to integrate and blend the colour space of the two worlds before the grade,” says Michael Hatzer, who built an ACES workflow that did just that in Baselight at Picture Shop…
RENCONTRE AVEC JACQUI LORAN, CEO DE FILMLIGHT ET DAPHNÉ POLSKI, PRODUCER & MARKETING MANAGER
July 4, 2023
Article courtesy of Lapins Bleu
Our French training partner interviews FilmLight Director, Jacqui Loran, and Producer/Marketing Manager, Daphne Polski, about Baselight and its place in the industry…
The Jury: In Colour
June 26, 2023
Article courtesy of Televisual
We caught up with a few of this year’s jury members about their relationship with colour and asked them what they’re looking for in this year’s award entries…
A Spotlight on colour grading for smaller budget productions
June 20, 2023
Article courtesy of Creative Cow
The Spotlight award seeks to find the unsung talents in the industry, who have contributed to the creative impact of a lower budget (less than $3 million USD) feature film or television movie…
Greig Fraser ACS ASC on colour and seeking “new vision” in this year’s Colour Award entries
June 13, 2023
Article courtesy of British Cinematographer
Greig Fraser ACS ASC, award-winning cinematographer, discusses his relationship with colour and what he’s looking for from entries in this year’s FilmLight Colour Awards…
Windmill Lane Future-Proofs Colour Pipeline with FilmLight’s FLUX Store
June 5, 2023
Article courtesy of Little Black Book
Ireland’s leading facility upgrades existing Baselight TWO systems and adds FLUX Store for improved workflow, optimised speed and extra security…
Jennifer Mendes, Colourist, Loudness Films
May 31, 2023
Article courtesy of Creative Cow
Jennifer Mendes is a colourist at Loudness Films in Portugal. She talks us through her journey to becoming a colourist, her relationship with colour and more…
Colourist Chat: Studio Feather’s Ana Escorse
May 3, 2023
Article courtesy of postPerspective
Interview with the talented 2022 FilmLight Colour Awards winner (music video), and 2023 jury member, Ana Escorse…
Creating three-dimensional images for La Última
May 2, 2023
Article courtesy of TVB Europe
Colourist Raúl Lavado explains how he created emotions with colour for Spain’s first original Disney Plus series..