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In The Press

Careers: Colorist Josh Petok

Article courtesy of Post

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Josh Petok has been working as a freelance colorist on TV, movies, commercials and music videos for over 18 years. His work includes MasterChef, Lego Masters and The Courtship

ETC installs storage for longform and episodic expansion

Article courtesy of Broadcast

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Electric Theatre Collective has installed Filmlight’s FLUX Store storage at its Whitechapel studio…

Aljoscha Hoffmann Tells the Story in Colour for ‘Dear Mr Führer’

Article courtesy of Digital Media World

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“Above all, Tim and I wanted to create a genuine feeling for the time. The entire movie was shot handheld, and almost always at the children’s eye level,”…

Colorist Chat: Ian Vertovec on Creating Natural Look of Devotion

Article courtesy of Post Perspective

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Light Iron supervising colourist Ian Vertovec provided the final colour grade for the film Devotion, working closely with the film’s DP, Erik Messerschmidt, ASC…

John Daro Masters the Power of Colour from Science to Storytelling

Article courtesy of Digital Media World

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John Daro is a Lead Digital Intermediate (DI) colourist at Warner Post Production Creative Services…

RRR movie: Behind the grading of the multi-Oscar-nominated Telugu blockbuster

Article courtesy of Digital Studio ME

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Directed by S.S. Rajamouli, RRR (Rise Roar Revolt) is reported to be the most expensive film ever made in Indian cinema…

Aljoscha Hoffmann: Spotlight-Gewinner der FilmLight Colour Awards

Article courtesy of Film TV Video

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Interview mit Colorist Aljoscha Hoffmann, der für das Grading von »Das Glaszimmer« bei den FilmLight Colour Awards mit dem Spotlight-Award ausgezeichnet wurde…

FilmLight Colour Awards: Spotlight on the five nominees

Article courtesy of Televisual

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Televisual takes a closer look at the five colourists nominated for the 2022 Spotlight award (recognising the talents who have contributed to the creative impact of a low-budget feature or television movie)…

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