In The Press

Article courtesy of Post

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Josh Petok has been working as a freelance colorist on TV, movies, commercials and music videos for over 18 years. His work includes MasterChef, Lego Masters and The Courtship…

Article courtesy of Broadcast

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Electric Theatre Collective has installed Filmlight’s FLUX Store storage at its Whitechapel studio…

Article courtesy of Digital Media World

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“Above all, Tim and I wanted to create a genuine feeling for the time. The entire movie was shot handheld, and almost always at the children’s eye level,”…

Article courtesy of Post Perspective

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Light Iron supervising colourist Ian Vertovec provided the final colour grade for the film Devotion, working closely with the film’s DP, Erik Messerschmidt, ASC…

Article courtesy of Digital Media World

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John Daro is a Lead Digital Intermediate (DI) colourist at Warner Post Production Creative Services…

Article courtesy of Digital Studio ME

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Directed by S.S. Rajamouli, RRR (Rise Roar Revolt) is reported to be the most expensive film ever made in Indian cinema…

Article courtesy of Film TV Video

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Interview mit Colorist Aljoscha Hoffmann, der für das Grading von »Das Glaszimmer« bei den FilmLight Colour Awards mit dem Spotlight-Award ausgezeichnet wurde…

Article courtesy of Televisual

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Televisual takes a closer look at the five colourists nominated for the 2022 Spotlight award (recognising the talents who have contributed to the creative impact of a low-budget feature or television movie)…