In The Press

The FilmLight Colour Awards have named “Mad Max” saga director, writer and producer George Miller as jury guest of honour and Oscar-nominated cinematographer Mandy Walker (“Elvis”) as jury president. 

Cinematographer Mandy Walker talks to Definition about all things colour, as she prepares to judge the FilmLight Colour Awards 2024… 

TV series ‘Shōgun’ was graded remotely at The Mill by colourist Elodie Ichter. With creative freedom to create a look entirely from scratch, she drew on history for a rich, colourful effect…

Chris has been a colourist for the last 20+ years, based out of the San Francisco Bay Area. He has balanced his commercial and music video work with his love for narrative and documentary projects…

Colourist Eric Whipp talks about working remotely with his team between LA, Toronto and Sydney to build the looks on Baselight that tell the story of the new Mad Max film, Furiosa…

The colour for the series was completed on Baselight by Company 3 colourists Jean-Clément Soret (episodes 1-3) and Matthieu Toullet (episodes 4-8)…

The movie, which was released at the end of 2023 and shot by DoP Willie Berrios, was one of the first movies to be graded on Baselight 6.0 – by senior colourist, Edgar Lebron at Reaktor Post in Puerto Rico…

The color grading, overseen by Gareth Bishop on Baselight at Dirty Looks, plays a pivotal role in conveying the mood and atmosphere of the story…

The FilmLight Colour Awards return for the fourth year in 2024 with an additional new category dedicated to rising talent…

FilmLight has chosen Jigsaw24 Media as the first global and exclusive UK partner for its new content management product, Nara…

FilmLight’s Nara gives post-production facilities, VFX houses and other media professionals immediate access to media from anywhere, easing collaboration and review…

Toronto’s Rodeo FX has expanded its offerings into colour grading with the recent opening of a new Baselight grading suite, which will be led by senior colourist Ana Escorse…