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In The Press

‘Joker’ DP Lawrence Sher Named FilmLight Color Awards Jury Chair

Article courtesy of The Hollywood Reporter

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Joker DP Lawrence Sher, ASC, has been named president of the jury for this year’s FilmLight Colour Awards…

Color and Collaboration on Disney’s The Little Mermaid

Article courtesy of postPerspective

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“Hatzer credits FilmLight’s Baselight system in helping streamline the colour process on this massive VFX undertaking. Baselight enabled Hatzer to draw multiple windows around characters, roto and track them, and bring up the colour very subtly…”

Living the dream

Article courtesy of ICG

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Company 3 colourist, Yvan Lucas, graded Barbie. “We tweaked the test images in Baselight within the PPL to find the perfect pink, blue, red et cetera. When we had it, I used that information to generate the Techno Barbie LUT.”

Keeping heads above water – The Little Mermaid

Article courtesy of British Cinematographer

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“We had to integrate and blend the colour space of the two worlds before the grade,” says Michael Hatzer, who built an ACES workflow that did just that in Baselight at Picture Shop…

RENCONTRE AVEC JACQUI LORAN, CEO DE FILMLIGHT ET DAPHNÉ POLSKI, PRODUCER & MARKETING MANAGER

Article courtesy of Lapins Bleu

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Our French training partner interviews FilmLight Director, Jacqui Loran, and Producer/Marketing Manager, Daphne Polski, about Baselight and its place in the industry…

The Jury: In Colour

Article courtesy of Televisual

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We caught up with a few of this year’s jury members about their relationship with colour and asked them what they’re looking for in this year’s award entries…

A Spotlight on colour grading for smaller budget productions

Article courtesy of Creative Cow

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The Spotlight award seeks to find the unsung talents in the industry, who have contributed to the creative impact of a lower budget (less than $3 million USD) feature film or television movie…

Greig Fraser ACS ASC on colour and seeking “new vision” in this year’s Colour Award entries

Article courtesy of British Cinematographer

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Greig Fraser ACS ASC, award-winning cinematographer, discusses his relationship with colour and what he’s looking for from entries in this year’s FilmLight Colour Awards…

Windmill Lane Future-Proofs Colour Pipeline with FilmLight’s FLUX Store

Article courtesy of Little Black Book

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Ireland’s leading facility upgrades existing Baselight TWO systems and adds FLUX Store for improved workflow, optimised speed and extra security…

Jennifer Mendes, Colourist, Loudness Films

Article courtesy of Creative Cow

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Jennifer Mendes is a colourist at Loudness Films in Portugal. She talks us through her journey to becoming a colourist, her relationship with colour and more…

Colourist Chat: Studio Feather’s Ana Escorse

Article courtesy of postPerspective

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Interview with the talented 2022 FilmLight Colour Awards winner (music video), and 2023 jury member, Ana Escorse…

Creating three-dimensional images for La Última

Article courtesy of TVB Europe

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Colourist Raúl Lavado explains how he created emotions with colour for Spain’s first original Disney Plus series..

Press Contact

We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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