Article courtesy of British Cinematographer
Following its second successful event in 2022, FilmLight will shortly be inviting entries for the 2023 FilmLight Colour Awards.
In The Press
Submissions for FilmLight Colour Awards 2023 to open May 1st
April 19, 2023
NAB 2023 – Colour Grading in the Cloud With FilmLight’s Peter Postma and AWS’ Marlon Campos
April 18, 2023
Article courtesy of Below The Line
An SMPTE panel of colour grading experts discussed the current state of cloud-based colour grading – FilmLight manager/director, Americas Peter Postma…
Jodie Davidson – “A Life In Colour”
April 15, 2023
Article courtesy of TVB Europe
Jodie Davidson, senior colourist at Picture Shop in London, reveals how she got her start in the industry, and why she loves collaborating with director Joanna Hogg.
SMPTE Hollywood Connects Cloud Workflows at NAB Show
April 4, 2023
Article courtesy of NAB AMPLIFY
“Remote Collaborations — Color Grading in the Cloud” features panelists representing AWS, the Colorist Society (CSI), and FilmLight…
Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’
March 20, 2023
Article courtesy of Digital Media World
The movie was graded on Baselight in London by colourist Adam Dolniak at Splice, who took the job as his inaugural animation project…
Modern broadcast workflows #3: Collaboration in modern post-production
March 14, 2023
Article courtesy of Broadcast
The final instalment of our series on modern broadcast workflows examines how departments can work together across the post-production workflow…
Doug Delaney on Colour Grading Animated Film Entergalactic
March 9, 2023
Article courtesy of postPerspective
Delaney handled the colour grading on the Netflix animated special Entergalactic – a music television special created by American musician and actor Kid Cudi.
Modern broadcast workflows #2: IT in modern broadcast
March 7, 2023
Article courtesy of Broadcast
The second instalment of the FilmLight series takes a look at IT systems in post-production…
His Dark Materials S3: The Grade
March 1, 2023
Article courtesy of UK Screen Alliance
Picture Shop Colourist Sam Chynoweth, graded the series in UHD SDR and HDR using FilmLight’s Baselight…
Bringing colour to Bardo, False Chronicle of a Handful of Truths
February 28, 2023
Article courtesy of British Cinematographer
The 2023 Oscar-nominated movie, Bardo, False Chronicle of a Handful of Truths, was graded on Baselight at Harbor in Los Angeles, by colourist Damien Vandercruyssen…
Modern broadcast workflows #1: Colour in post-production
February 28, 2023
Article courtesy of Broadcast
The first in a three part series providing insight into the current broadcast environment, by Daniele Siragusano and Andy Minuth…
Colorist Chat: Berlin-Based Freelancer Marina Starke
February 14, 2023
Article courtesy of postPerspective
Post Perspective talks to freelance colourist Marina Starke, who was nominated in two categories at the 2022 FilmLight Colour Awards (Spotlight and Music Video)…
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