Yearly Archives: 2009

FilmLight, a leading provider of digital film and video technology, announced today that Mexican-based commercial post-production facility Lomas Post has invested in a Baselight ONE colour grading system. The company prides itself as a ‘one-stop shop solution’ specialising in … Continue reading →

Colorado’s longest running post-house, Crosspoint, required a dedicated colour grading system that would complete their services from start-to-finish, offering clients a non-linear SD to 2K workflow. The company selected Baselight, which enabled Crosspoint to fulfill their needs and ensure high … Continue reading →

Sony Pictures Technologies has chosen FilmLight’s Baselight colour grading system and Truelight colour management to be installed in a dedicated post-production facility at Sony Pictures Entertainment’s Culver City headquarters. The systems include editorial, grading and finishing and will form … Continue reading →

Toronto-based post-production company Posterboy Inc. has become the first customer worldwide to purchase the recently launched Baselight Transfer system (BLT) from FilmLight. A cost effective, digital telecine tool, the BLT enables seamless integration of REDCODE Raw source into standard … Continue reading →

Los Angeles based post-production infrastructure specialist—Film + Data Design have selected FilmLight’s complete product range for a yet to be named client. The total investment worth $2.6 million included—three Baselight colour grading systems, two Northlight pin-registered film scanners and … Continue reading →

In late February, FilmLight hosted an event in LA for the Editors Guild, focussing on the Baselight colour grading system and its open system integration with Avid and Final Cut Pro.

At this event, Peter Postma demonstrated “non-linear” colour … Continue reading →

World-leading visual effects company—The Mill have added a third Baselight EIGHT colour grading system to the two Baselight EIGHTs already installed in London. The company selected the system for its New York facility, which already includes seven Flame suites, three … Continue reading →

A year on from acquiring their first Baselight FOUR system, Windmill Lane Ltd, the largest post-production house in Ireland, has purchased a second Baselight colour grading system. The company, who have a diverse portfolio and receive work for many feature … Continue reading →

Prime Focus London has completed post production on Anton Corbijn’s latest film, Linear. The project is a companion piece to U2’s new album No Line On The Horizon and will be available in special album formats including digipak and box … Continue reading →

A complete, high performance digital telecine solution for RED-based projects

FilmLight, a leading provider of digital film and video technology, today announced the introduction of Baselight Transfer (BLT), a low cost near-set and post-production solution for rapidly viewing, grading, … Continue reading →

Leading facilities select Northlight, Baselight and Truelight as their products of choice

FilmLight, a leading provider of digital film and video technology, announced an excellent start to 2009, with sixteen leading studios and facilities around the world opting for … Continue reading →

Company has decided to focus its efforts on worldwide events

FilmLight, a leading provider of digital film and video technology, announced today that the company will not be exhibiting at the National Association of Broadcasters Convention (NAB) in Las … Continue reading →