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Press Releases

Industry creatives and leading associations embrace the FilmLight Colour Awards

FilmLight recently launched a new event honouring colourists and the art of colour worldwide, with winners due to be celebrated at EnergaCAMERIMAGE 2021 in Poland. The programme has met with spontaneous acclaim. Colourists, renowned cinematographers and directors, and other professionals … Continue reading →

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FilmLight releases Baselight 5.3 Editions for Avid and NUKE

Baselight 5.3 enhancements boost colour correction within your editing or VFX workflow

FilmLight today announced the release of Baselight 5.3 Editions for Avid and NUKE. Baselight Editions provide the same core toolset as the full Baselight system, with the same … Continue reading →

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FilmLight launches global Colour Awards

Company aims to celebrate the art of the colourist in new awards programme launching this summer

FilmLight, the leader in colour management technology, has announced a new programme of awards which will honour colourists and the art of colour worldwide. … Continue reading →

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FilmLight strengthens its position in Russia

English version | Русская версия


To support the rapidly growing market for content creation in Russia, FilmLight has recently extended its reach in the country by welcoming two new customers, as well as performing a full system upgrade for the … Continue reading →

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FilmLight releases Baselight 5.3

New features developed to promote control, creativity, confidence and collaboration

FilmLight today announced Baselight 5.3, the latest release of the company’s renowned colour grading platform.

This release includes many improvements to boost control throughout the grading process, such as Partial … Continue reading →

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illuminate upgrades to Baselight for HDR and 4K

Los Angeles post-production and production studio illuminate Hollywood (aka HTV) has added a second Baselight TWO colour grading workstation to their broad portfolio of services. Both Baselight systems use the Blackboard 2 control panel for the ultimate proficiency for their colourists.… Continue reading →

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Berlin Film Festival winners finished with Baselight

There is No Evil and Delete History prize winners completed at Optical Art in Germany and Color in Paris

At the 70th Berlinale, the 2020 Berlin Film Festival, the Golden Bear was won by There is No Evil, directed … Continue reading →

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FilmLight teams up with ARRI in Paris creative community

First 2020 Colour Day hosted in Paris on 28 January

Following the appointment of Matthieu Straub as the company’s technical and operational consultant to France and the Benelux countries in the summer of 2019, FilmLight is delighted to announce that … Continue reading →

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Baselight helps to polish ‘Uncut Gems’

Uncut Gems is the latest movie from directing duo, the Safdie Brothers. The movie tells the story of a charismatic New York City jeweller and gambler (Adam Sandler), and is set in the diamond industry of New York. So it … Continue reading →

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Technicolor uses Baselight to create light and shade in ‘His Dark Materials’

Colourist Jean-Clément Soret integrates CGI and atmospheric shooting

One of the most awaited drama series of 2019, His Dark Materials, produced by Bad Wolf for BBC and HBO, was finished at Technicolor in London. With a story set in … Continue reading →

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Directors Cut upgrades to Baselight for HDR and 4K

Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as … Continue reading →

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Power of Baselight X on display at the heart of Inter BEE

Yoko Kimura joins to spearhead sales and marketing in region

FilmLight is to demonstrate the state of the art in creative colour and efficient workflows for production and post on its booth at Inter BEE 2019 (13–15 November, Makuhari Messe, … Continue reading →

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