With over 12 years in the industry, I bring a blend of cinematography and post-production experience to every project. I began in the camera department, working across several countries before moving into DIT and on-set colour work—developing a strong understanding of how creative intent is shaped on set and carried through post.

Since transitioning full-time into grading, I’ve helped define the look of features and high-end TV productions, and refined multiple DI and DFD workflows as technical supervisor.

Now freelancing, I focus on both dailies and final grades—combining technical precision with a respect for the cinematographer’s intent, offering in-suite and remote grading from London for projects worldwide.