Professional colourists choose Baselight

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

End-to-end workflow

Professional integration

Communicate colour

The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities where they can be accurately read and rendered – without purchasing a licence.

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The professional solution –
with innovative v5 colour tools across the range


Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.


Professional deliverables that take the colour pipeline from shoot through post.


Interactive look research and colour correction right from the start.

Grading Panels

High-precision instruments for artists.

What Baselight colourists say

“Forcing myself to approach jobs differently and seeing how it works - not falling into a routine - is how I keep learning.”

Julian Biard, Carbon, Chicago »

“Being an overwhelmingly visual person, the Baselight UI – and in particular the layer management – is a real positive.”

Clinton Homuth, Artjail »

“Broadcast timescales can be very tight. The Baselight approach makes the very best of the time available.”

Tom Nicol & Mike Trevett, BBC Street Post »

“Film colour grading is another form of storytelling tools that I can use to communicate with the audience.”

Jin Young Park, Dexter The Eye, Seoul »

“Baselight’s support for multi-channel EXR has had a massive impact on the workflow of animated features.”

Sam Chynoweth, Technicolor London »

“I have to say, the reliability and solidity of Baselight always helps me get through those stressful days.”

Jérôme Cloutier, MELS, Montreal »

Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

Finishing ‘Captain Marvel’.

A conversation with colourist Doug Delaney.

Case Study »
The Mill brings VFX and colour into a new level.

Internationally-renowned visual effects and content creation studio The Mill has recently invested in a number of BLG for Flame licences from FilmLight.

Case Study »
On-set colour for ‘Alpha’.

Case Study »
Ka-boom enhances period dramas with modern Baselight colour workflows.

Case Study »
Mining the archives for ‘First Man’.

Case Study »

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