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Professional colourists choose Baselight

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

End-to-end workflow

Professional integration



Communicate colour

The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities where they can be accurately read and rendered – without purchasing a licence.

Find out more »


The professional solution –
with innovative v5 colour tools across the range

Baselight

Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.

Daylight

Professional deliverables that take the colour pipeline from shoot through post.

Prelight

Interactive look research and colour correction right from the start.

Grading Panels

High-precision instruments for artists.



What Baselight colourists say

“To achieve the look I wanted within the tight time frame – that’s where Baselight and Blackboard really come into their own.”

Adam Dolniak, Splice, London »

“What I really enjoy about Baselight is there are just limitless ways you can achieve the look.”

Kyle Stroebel, Refinery »

“It’s Baselight that’s the gold standard I look for. It makes me sigh with relief when I see it sitting there.”

Matthew Troughton, Creativity Media »

“Film colour grading is another form of storytelling tools that I can use to communicate with the audience.”

Jin Young Park, Dexter The Eye, Seoul »

“Baselight’s support for multi-channel EXR has had a massive impact on the workflow of animated features.”

Sam Chynoweth, Technicolor London »

“After 14 years working as a colourist on many different systems, with Baselight I feel like I’m finally at home.”

Nikola Stefanovic, MPC Shanghai »



Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

Finishing ‘Captain Marvel’.

A conversation with colourist Doug Delaney.

Case Study »
The Mill brings VFX and colour into a new level.

Internationally-renowned visual effects and content creation studio The Mill has recently invested in a number of BLG for Flame licences from FilmLight.

Case Study »
On-set colour for ‘Alpha’.

Case Study »
Ka-boom enhances period dramas with modern Baselight colour workflows.

Case Study »
Mining the archives for ‘First Man’.

Case Study »

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