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Professional colourists choose Baselight

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

End-to-end workflow

Professional integration



Communicate colour

The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities where they can be accurately read and rendered – without purchasing a licence.


The professional solution

Baselight

Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.

Daylight

Professional deliverables that take the colour pipeline from shoot through post.

Prelight

Interactive look research and colour correction right from the start.

Grading Panels

High-precision instruments for artists.



What Baselight colourists say

“The challenge was not only to design the look but also to ensure that the colour narrative flows along with the story.”

Rahul Purav, Futureworks »

“In cinematography the first image doesn’t have to be perfect, it just has to be the starting point.”

Vittorio Storaro, Cinematographer »

“With Baselight, I feel kind of limitless and incredibly confident.”

Andy Minuth, 1000Volt Post Production »

“With Baselight I feel paradoxically free from the machine.”
 

Olivier Fontenay, Sydney »

“You can push so much with Baselight without breaking the image. It’s very subtle and intuitive. And tracking is superb.”

Yoomin Lee, Jogger Studios »

“Colour grading includes both a technical dimension and an artistic dimension that interact with each other.”

Sébastien Mingam, Mikros Image »



Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

Dialing it up to 11 – grading LEGO Batman.

Case Study » Animal Logic logo
Grading and mastering Billy Lynn – the ultimate challenge.

Case Study »
A look at Clint Eastwood’s Sully with Colourist Maxine Gervais.

Case Study »
Frame by Frame: 4K, ACES and creativity in colour.

Case Study » Frame by Frame logo
Baselight Ka-booms in Belfast: rapidly growing post house adds Baselight grading suite for new BBC broadcast project, Can’t Touch This.

Case Study » Ka-boom logo

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