Download Prelight, Baselight Editions or Daylight today
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Prelight is available for Mac. |
Baselight Editions is available for NUKE (Windows, Mac & Linux) and Avid (Windows & Mac). |
Daylight is available for Mac. |
| Free Licence | Free Licence | 14-Day Trial |
| 14-Day Trial | 30-Day Trial | 3-Month Rental |
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Professional colourists choose Baselight
Best toolset
Ultimate control surfaces
Support that delivers
Unrivalled colour science
End-to-end workflow
Professional integration
Communicate colour
The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities
where they can be accurately read and rendered – without purchasing a licence.
The professional solution –
with innovative v5 colour tools across the range
Baselight
Fast, creative non-linear grading system in the finishing suite.
Baselight for Avid
Premier colour correction directly within Avid.
Baselight for NUKE
Premier colour correction directly within NUKE.
Daylight
Professional deliverables that take the colour pipeline from shoot through post.
Prelight
Interactive look research and colour correction right from the start.
Grading Panels
High-precision instruments for artists.
What Baselight colourists say
“Forcing myself to approach jobs differently and seeing how it works - not falling into a routine - is how I keep learning.”
Julian Biard, Carbon, Chicago »
“Being an overwhelmingly visual person, the Baselight UI – and in particular the layer management – is a real positive.”
Clinton Homuth, Artjail »
“Broadcast timescales can be very tight. The Baselight approach makes the very best of the time available.”
Tom Nicol & Mike Trevett, BBC Street Post »
“At first be sure this is really what you want to do, because the competition is hard and the working hours can be crazy.”
Julien von Schultzendorff, nhb studios »
“My eye for photography translates into my grading work from a creative point of view as well as a technical one.”
Nick Dalby, UNIT Studios, London »
“I have to say, the reliability and solidity of Baselight always helps me get through those stressful days.”
Jérôme Cloutier, MELS, Montreal »
Our client stories
Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.
The latest movie from director Ang Lee presented a huge challenge for post, as it was shot and finished in 3D at 120 frames per second, using specially modified ARRI cameras shooting at 3.2K.
Case Study »
Finishing ‘Captain Marvel’.
A conversation with colourist Doug Delaney.
Case Study »
The Mill brings VFX and colour into a new level.Internationally-renowned visual effects and content creation studio The Mill has recently invested in a number of BLG for Flame licences from FilmLight.
Case Study »
On-set colour for ‘Alpha’.Case Study »
Ka-boom enhances period dramas with modern Baselight colour workflows.Case Study »
