Professional colourists choose Baselight

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

End-to-end workflow

Professional integration

Communicate colour

The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities where they can be accurately read and rendered – without purchasing a licence.

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The professional solution –
with innovative v5 colour tools across the range


Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.


Professional deliverables that take the colour pipeline from shoot through post.


Interactive look research and colour correction right from the start.

Grading Panels

High-precision instruments for artists.

What Baselight colourists say

“Forcing myself to approach jobs differently and seeing how it works - not falling into a routine - is how I keep learning.”

Julian Biard, Carbon, Chicago »

“Being an overwhelmingly visual person, the Baselight UI – and in particular the layer management – is a real positive.”

Clinton Homuth, Artjail »

“Broadcast timescales can be very tight. The Baselight approach makes the very best of the time available.”

Tom Nicol & Mike Trevett, BBC Street Post »

“At first be sure this is really what you want to do, because the competition is hard and the working hours can be crazy.”

Julien von Schultzendorff, nhb studios »

“My eye for photography translates into my grading work from a creative point of view as well as a technical one.”

Nick Dalby, UNIT Studios, London »

“I have to say, the reliability and solidity of Baselight always helps me get through those stressful days.”

Jérôme Cloutier, MELS, Montreal »

Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

‘Woman’ – the voice of women across the world.

Directed by Anastasia Mikova and Yann Arthus-Bertrand, Woman is a remarkable documentary, which brings to the screen almost 2000 women, from 50 countries.

Case Study »
Capturing ‘The Painted Bird’ in black and white.

FilmLight talked with DoP Vladimír Smutný and UPP Senior Colourist David Koubik during CAMERIMAGE about their collaboration on ‘The Painted Bird’.

Case Study »
Grading and finishing ‘Gemini Man’: 120fps, 4K, high dynamic range 3D.

The latest movie from director Ang Lee presented a huge challenge for post, as it was shot and finished in 3D at 120 frames per second, using specially modified ARRI cameras shooting at 3.2K.

Case Study »
Finishing ‘Captain Marvel’.

A conversation with colourist Doug Delaney.

Case Study »
The Mill brings VFX and colour into a new level.

Internationally-renowned visual effects and content creation studio The Mill has recently invested in a number of BLG for Flame licences from FilmLight.

Case Study »

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