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Colour Online: Springing forward with Baselight 5.3. Thursday, April 22

Springing forward with Baselight 5.3 – well, in the Northern Hemisphere anyway.

FilmLight’s Patrick Morgan, Product Specialist, and Daniele Siragusano, Image Engineer, join forces to show you the new and enhanced features for Baselight 5.3 that our R&D team has … Continue reading →

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Meet The Colourist: Artem Leonov, Senior Colourist, Artyficial, Moscow

“I’ve not just finally chosen to invest in a Baselight system. It was the first professional grading system I worked on, and at the time it already set the bar quite high in comparison to other tools.”

Artyficial is one … Continue reading →

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▶️ Colour Online: Creating the look for Netflix’s ‘Tribes of Europa’. Friday, March 5

with Stephan Kuch, Colourist at PANOPTIMO, DoP Christian Rein, and Andy Minuth, FilmLight Colour Workflow Specialist

In this exclusive discussion, FilmLight interviews the talent behind the new sci-fi TV series from Netflix. Released on February 19, Tribes of Europa tells … Continue reading →

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FilmLight strengthens its position in Russia

English version | Русская версия


To support the rapidly growing market for content creation in Russia, FilmLight has recently extended its reach in the country by welcoming two new customers, as well as performing a full system upgrade for the … Continue reading →

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FilmLight releases Baselight 5.3

New features developed to promote control, creativity, confidence and collaboration

FilmLight today announced Baselight 5.3, the latest release of the company’s renowned colour grading platform.

This release includes many improvements to boost control throughout the grading process, such as Partial … Continue reading →

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▶️ Colour Online: Colour at Camerimage 2020. Thursday, December 10

Presenting the outstanding colour and talent behind the best movies from Camerimage 2020

In this exclusive discussion, FilmLight interviews the colourists behind some of the biggest hits of the 2020 Camerimage International Film Festival.

We introduce you to five films graded on … Continue reading →

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illuminate upgrades to Baselight for HDR and 4K

Los Angeles post-production and production studio illuminate Hollywood (aka HTV) has added a second Baselight TWO colour grading workstation to their broad portfolio of services. Both Baselight systems use the Blackboard 2 control panel for the ultimate proficiency for their colourists.… Continue reading →

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▶️ Colour Online: Developing Digital Images. Tuesday, October 27

with Andy Minuth, FilmLight Colour Workflow Specialist

In this new live webinar, Andy Minuth demonstrates best practice for developing digitally acquired images and for building a layer stack.

Andy will focus on establishing a robust and creatively encouraging environment, where … Continue reading →

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Meet The Colourist: Aljoscha Hoffmann, Colourist, CinePostproduction, Munich

“I’ve been working on Baselight for nearly ten years now and it is definitely my favourite grading tool. I really like its colour management and its very, very stable performance. When the Base Grade tool came up, it was really Continue reading →
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▶️ Colour Online: Advanced Copy and Paste Techniques. Thursday, September 10

with FilmLight’s Andy Minuth

Baselight has a whole host of powerful features to help you copy grades and parameters quickly and easily across the Baselight timeline. Join us for this webinar, where Andy Minuth will demonstrate how to make the … Continue reading →

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▶️ Colour Online: Daylight, operación y automatización de flujos de trabajo. Martes, Agosto 4

Con la colaboración de Victor Reyes & Francisco Monje de FilmLight

Daylight es un producto de FilmLight para el manejo & administración de media, con un gran poder de procesamiento de dailies.

Este webinar te llevará de la mano para … Continue reading →

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Meet The Colourist: Naotaka Takahashi, Senior Colourist, L’espace Vision, Tokyo

“By constantly working on a variety of projects, I can maintain a fresh eye for colour. And by meeting all kinds of people in this line of work, I’ve been able to adopt other perspectives that I would have never Continue reading →
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