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League of Angels (graded by Mike Friedland)

Germany’s nhb expands its reach with Baselight

Post house nhb creates connected workflows for remote grading across Germany, London and the USA Full service post-production house nhb has recently opened two new facilities, adding a second studio in Hamburg, nhbNEXT, and extending its reach into Munich. These… Continue reading →
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walkingdead

postPerspective: Fear the Walking Dead: Encore colorist teams with DPs for parched look

From postPerspective: The action of AMC’s zombie-infused Fear the Walking Dead this season is set in a brittle, drought-plagued environment, which becomes progressively more parched as the story unfolds. So when production was about to commence, the show’s principals… Continue reading →
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Masahiro Nagashima

L’espace Vision adds FilmLight grading and high-speed media server

Powerful FLUX Store boosts Baselight productivity in Tokyo facility Top Tokyo post house L’espace Vision is marking its 30th anniversary by adding a powerful grading suite from FilmLight. As well as a Baselight TWO workstation, with the new version 5.0… Continue reading →
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Pinewood 0034

Pinewood Digital expands use of FilmLight’s Daylight workflow

FilmLight dailies tool provides grading foundation and practical deliverables for Pinewood Digital in the UK and North America Pinewood Digital, the specialist front-end dailies division of Pinewood Studios Group, is a pioneering user of Daylight and recently extended its investment… Continue reading →
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bl5_gradingsuite

FilmLight releases Baselight 5.0 ahead of IBC2017

Rest of product range to follow soon with next generation colour from 5.0 At IBC2017, FilmLight is celebrating the formal release of Baselight 5.0, as well as exhibiting the 5.0 colour tools across its entire product range. Offering over 50… Continue reading →
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tulipfever2

Technicolor takes Tulip Fever into the Dutch golden age with Baselight

Colourist Jean-Clément Soret underscores the old master look Technicolor in London has completed the finishing on Tulip Fever, a romantic period drama from The Weinstein Company and directed by Justin Chadwick. As well as performing the grade, conform and… Continue reading →
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baselightfornuke5ui

Latest Baselight for NUKE ensures perfect colour compliance in VFX

Dedicated 5.0 toolkit for animators and compositors allied to render-free colour FilmLight, the leading colour science and grading specialist, is introducing a powerful new version of Baselight for NUKE at IBC2017 (Amsterdam, 15 – 19 September, stand 7.F31). The plugin… Continue reading →
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baselightforavid5ui

FilmLight boosts Baselight for Avid functionality and efficiency with 5.0 at IBC

Grading plugin provides Baselight 5.0 toolkit and familiar operation FilmLight, the leading colour science and grading specialist, is showcasing the latest release of Baselight for Avid, its high-productivity plugin that brings colour control and preview to editing workstations, at IBC2017… Continue reading →
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Munich Office

FilmLight adds Munich office to strengthen European operations

New base ensures high-level colour technology team are available to support growing post-production market across Europe FilmLight, the leading colour science and grading specialist, has opened a fully-staffed office in Munich. The location has been chosen not just to serve… Continue reading →
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capture

Graded on Baselight: Alt-J : Deadcrush

Facility:  The Mill (London)
Colourist: Oisin O’Driscoll
Release date: 13 July 2017 Australia-bound British trio AltJ has recently released a new dark sci-fi music video, this time for their single “Deadcrush” The video was directed… Continue reading →
Posted in Graded on Baselight | Leave a comment

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We're always happy to promote our customers' work. Whether it's a press release or a case study, contact:

Alexa Maza
e: [email protected]

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