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illuminate upgrades to Baselight for HDR and 4K

Los Angeles post-production and production studio illuminate Hollywood (aka HTV) has added a second Baselight TWO colour grading workstation to their broad portfolio of services. Both Baselight systems use the Blackboard 2 control panel for the ultimate proficiency for their colourists.… Continue reading →
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▶️ Colour Online: Developing Digital Images. Tuesday, October 27

with Andy Minuth, FilmLight Colour Workflow Specialist
In this new live webinar, Andy Minuth demonstrates best practice for developing digitally acquired images and for building a layer stack. Andy will focus on establishing a robust and creatively encouraging environment, where… Continue reading →
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Meet The Colourist: Aljoscha Hoffmann, Colourist, CinePostproduction, Munich

“I’ve been working on Baselight for nearly ten years now and it is definitely my favourite grading tool. I really like its colour management and its very, very stable performance. When the Base Grade tool came up, it was really Continue reading →
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▶️ Colour Online: Advanced Copy and Paste Techniques. Thursday, September 10

with FilmLight’s Andy Minuth
Baselight has a whole host of powerful features to help you copy grades and parameters quickly and easily across the Baselight timeline. Join us for this webinar, where Andy Minuth will demonstrate how to make the… Continue reading →
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▶️ Colour Online: Daylight, operación y automatización de flujos de trabajo. Martes, Agosto 4

Con la colaboración de Victor Reyes & Francisco Monje de FilmLight
Daylight es un producto de FilmLight para el manejo & administración de media, con un gran poder de procesamiento de dailies. Este webinar te llevará de la mano para… Continue reading →
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Meet The Colourist: Naotaka Takahashi, Senior Colourist, L’espace Vision, Tokyo

“By constantly working on a variety of projects, I can maintain a fresh eye for colour. And by meeting all kinds of people in this line of work, I’ve been able to adopt other perspectives that I would have never Continue reading →
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▶️ Colour Online: sRGB… We Need To Talk. Thursday, July 23

with FilmLight’s Daniele Siragusano
  In times where we base our visual decisions increasingly on remote grading and remote viewing technology, the sRGB standard has become even more significant. As consumers too, we’re viewing a growing amount of content via standard computer monitors.… Continue reading →
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From Avid: Teaming up with Baselight for Avid. Thursday, July 09

with FilmLight’s Peter Postma
Register here Thursday, July 09
11:00 EST See how Baselight’s colour tools can enhance your scene, and how the new Multi-Paste feature allows for easy copying of colour correction between sequences. Using Baselight for Media Composer,… Continue reading →
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▶️ Colour Online: Daylight – Les nouvelles fonctionnalités en français 25 Juin

avec Brice Barbier, DIT et directeur technique, Jérôme Brechet, etalonneur, et Matthieu Straub specialiste produits et workflow chez FilmLight
Jeudi, Juin 25
09:00 Los Angeles | 12:00 New York | 17:00 London | 18:00 Paris Les nouvelles fonctionnalités optimisées… Continue reading →
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Colour Online: Delivering Dailies with Daylight – in English 18 June / en français 25 Juin

Daylight is FilmLight’s powerful dailies platform for shot management and high-performance transcoding.  Prior to the release of our new Daylight version on subscription, we’re hosting two webinars on our powerful dailies platform – one in English and the other in FrenchContinue reading →
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