FilmLight Cocktail Party. Las Vegas. Sunday April 6
Sunday April 6, from 6pm
Easy’s Cocktail Lounge / ARIA Resort & Casino
FULLY SUBSCRIBED
Join us between 6-9pm to meet up with the FilmLight team and your fellow colorists, and enjoy a menu of special cocktails.
Unwind in a … Continue reading →
FilmLight introduces Baselight for macOS
Powerful Baselight grading solution now available on macOS subscription, including FilmLight’s unparalleled 24/7 user support
FilmLight has introduced Baselight S and Baselight M, the affordable and accessible software-only subscription versions of its powerful Baselight grading solution running on the Apple … Continue reading →
FilmLight introduces Baselight for macOS
Article courtesy of postPerspective
FimLight has introduced Baselight S and Baselight M, affordable and accessible software-only subscription versions of its Baselight grading solution running on the Apple macOS platform.… Continue reading →
The making of Here – AI, VFX and colour
Article courtesy of British Cinematographer
DoP Don Burgess, VFX supervisor Kevin Baillie and colourist Maxine Gervais pulled their talents together to create a world for the non-linear story of Here, shot from a single camera’s POV.… Continue reading →
Light Iron integrates Nara
Article courtesy of Digital Media World
Light Iron uses Nara to handle file navigation, content streaming and information sharing workflow efficient through a single, secure interface, making workflows simpler and faster.… Continue reading →
Nara – Deep Dive
Article courtesy of Digital Production Germany
Digital Production Germany magazine editor, Bela Beier, recently talked to Nara’s Steve Britnell, Head of Technical Development, and Sam Lempp, Head of Business Development, about all things Nara.… Continue reading →
Creating a supernatural colour grade for ‘Salt Along the Tongue’
Article courtesy of Digital Media World
Colourist Daniel Pardy talks about building a working LUT for this film with a distinctive 16mm film look, helping the production make creative decisions on set, leading to the ideal final… Continue reading →
Luca Guadagnino’s Queer
Article courtesy of Post
The feature brought together a familiar team that included Guadagnino, DP Sayombhu Mukdeeprom and colorist Claudio Del Bravo.… Continue reading →
Behind the look: Disclaimer
Article courtesy of Televisual
The series was shot by cinematographers Emmanuel Lubezki, ASC, AMC (‘Chivo’) and Bruno Delbonnel, ASC, AFC, and the colour was delivered on Baselight at Postworks NYC by supervising colourist Peter Doyle (now at … Continue reading →
FilmLight introduces REMOTE
Article courtesy of TV Technology
FilmLight has officially launched FilmLight REMOTE, a remote colour grading solution that allows post houses and colourists to work remotely without sacrificing the high-quality and low-latency monitoring essential for fast and efficient… Continue reading →
FilmLight introduces REMOTE
FilmLight REMOTE delivers high-quality, low-latency remote grading
FilmLight has announced the introduction of FilmLight REMOTE, a singular solution for remote colour grading, providing post-houses and colourists with the ability to work remotely without sacrificing the high-quality and low-latency monitoring that … Continue reading →
Micro Salon. Paris. Friday February 7
Friday February 7, 11am
Parc Floral de Paris
Rencontre créative : Dans les coulisses de Saint-Ex
FilmLight sera au Micro Salon à Paris le 7 Fevrier à 11h et vous invite à une rencontre avec Pablo … Continue reading →
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