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FilmLight Colour Journey Masterclass. São Paulo. 19 June.

With Estúdios Globo Color Grade Supervisor, Saulo Silva, and Daniele Siragusano, Image Engineer at FilmLight FilmLight organises this exclusive masterclass – free for registered parcipants – to help colourists, cinematographers and the wider production and post industry to understand the opportunities… Continue reading →
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Meet The Colourist: Kyle Stroebel, Refinery, Cape Town

“What I really enjoy about Baselight is there are just limitless ways you can achieve the look. I feel my control of the curve has such versatility from a variety of tools, that when dealing with the varying light tones Continue reading →
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Meet The Colourist: Adam Dolniak, Head of Picture, Splice, London

“Every grade session is essentially a compromise between what you can achieve in the given timeframe and your vision for the finished product. Baselight steps in to bridge that gap so that you can achieve great results quickly without having Continue reading →
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Cannes Film Festival 2019 & Baselight

Congratulations to the winners of this year’s Cannes Film Festival. Eight of the movies in competition were finished on Baselight, among them the winner of the Palme D’or, Joon-ho Bong’s Parasite graded by Kevin Kang at Dexter The Eye, and… Continue reading →
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FilmLight introduces ProRes RAW native support

The latest version of the core Baselight software, version 5.2, and Daylight now support native access to the ProRes RAW format. This is one of the first full implementations of the ProRes RAW format from a world-leading professional colour grading… Continue reading →
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At NAB 2019, FilmLight adds more to modern colour finishing and delivery

With the colour grading suite now the hub for finishing on movies, premium television and commercials, FilmLight is focusing on putting all the right colour tools into the hands of the creatives who need them, and on simplifying the pipeline… Continue reading →
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Latest FilmLight Colour Day to be held at NAB2019

Free colour masterclass demonstrates latest workflows and techniques with leading colourists The next in the series of acclaimed FilmLight Colour Day masterclasses will be held alongside NAB on Monday 8th April 2019. Presented by industry leaders in creative grading, this… Continue reading →
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Camera & Light: ARRI Academy HDR Master Class

In Camera & Light magazine, you can read about the ARRI Academy HDR master class at the San Sebastián Film Festival… “Within the 66th internationalSan Sebastián Film Festival, an event organised by ARRI/VCI and FilmLight was held, dedicated to Continue reading →
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FilmLight activates v5 for Baselight STUDENT

Latest Baselight STUDENT release for professional and aspiring colourists now available Baselight STUDENT, FilmLight’s free macOS application, has been enhanced with the innovative and creative advances from the core Baselight v5 software. Baselight STUDENT v5 will allow those developing their… Continue reading →
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FilmLight illuminates commitment to Japanese creative community at Inter BEE 2018

FilmLight’s Japanese branch, FilmLight KK, to showcase the power of Baselight v5 FilmLight will demonstrate its creative and technical commitment to Japanese television broadcasting and post-production with its own booth at Inter BEE 2018 (Makuhari Messe, Tokyo, 14–16 November, #3311).… Continue reading →
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We're always happy to promote our customers' work. Whether it's a press release or a case study, contact:

Alexa Maza
e: [email protected]

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