Colour Online Webinars


Register now for our upcoming webinars

Name Date Time
Daylight, operación y automatización de flujos de trabajo Martes, Agosto 4 18:00 BST

Este webinar te llevará de la mano para conocer la interfaz de usuario, importación de media, sincronización de audio, corrección de color, reportes, generación de dailies editoriales, VFX y más.

Además, te enseñaremos las nuevas modalidades de Daylight, FLUX Store, Baselight Render y te presentaremos nuestra plataforma de programación, FilmLight API.



sRGB… We Need To Talk

In times where we base our visual decisions increasingly on remote grading and remote viewing technology, the sRGB standard has become even more significant. As consumers too, we’re viewing a growing amount of content via standard computer monitors.

In this short webinar, Image Engineer Daniele Siragusano explores some of the intricacies of the sRGB standard, and explains the reasoning behind the upcoming changes to the sRGB implementation in Baselight 5.3.


Daylight - Les nouvelles fonctionnalités

Les nouvelles fonctionnalités optimisées pour votre workflow couleur: du plateau à l'étalonnage.

Découvrez toutes les nouveautés de l’écosystème FilmLight, leur interactivité - avec cas pratiques et Q&As
avec Brice Barbier, DIT et directeur technique, Jérôme Brechet, etalonneur, et Matthieu Straub specialiste produits et workflow chez FilmLight

  • Introduction à l’écosystème Filmlight et apercu des nouveautés | Matthieu Straub
  • Introduction et astuces dans Daylight | Jerome Bréchet
  • L’API pour personnaliser votre workflow | Brice Barbier

Delivering Dailies with Daylight

Daylight is FilmLight’s powerful dailies platform for shot management and high-performance transcoding. 

This webinar takes you through every step of using Daylight on a production to manage media, sync audio, colour grade, generate reports, and render out your deliverables for editorial, VFX, and reviews.

Additional topics include:

  • Setting up project templates
  • Managing metadata
  • Applying CDLs and BLGs
  • Exporting stills, ALEs, CDLs, and generating reports
  • Integration with Baselight and other editorial, VFX and finishing platforms

We introduce our new Daylight version on subscription, which is coming soon, and includes support for customer-supplied Linux systems with multiple GPUs.


Colour Online: Baselight Q&A

In this special Q&A webinar, we answer your questions about Baselight’s creative toolset, technical features, workflow, interoperability and more.

Questions covered (use the white dots on the video play bar to navigate to a specific question):

  • What would be the recommended layer stack for using matte channels in an OpenEXR?
  • Can we work scene-referred while retaining the flat-log-look as the starting point? Can there be a look which will emulate the flat look?
  • How does VFX versioning work if I have a date folder within my directory structure?
  • Is Shot/VFX versioning based on Timecode or frame count?
  • What is the best way to handle Video Levels in Baselight?
  • I need to render H264 from Baselight. The image quality of the render is not sufficient. What can I do about it?
  • How do you stabilise images in Baselight?
  • Can you demonstrate adjusting the advanced parameters of the Denoise tool and describe what each does?
    I have found the Denoise tool to be a little challenging to work with and would love an in-depth look at it. I love the results when they work, but I find it tough to troubleshoot this tool when it doesn’t work exactly how I’d expect.
  • I heard you can grade HDR and SDR at the same time using two monitors next to each other. This is awesome, how can I do this?
  • How can you update the file path of a bunch of clips to a different location?
  • When can we expect OFX Support in Daylight?
  • Is there a way to get an image output on the UI Monitor?
  • Is FilmLight working on integrated Remote Grading capabilities?
  • Does Baselight Support Final Cut Pro X-XML?
  • Where is FilmLight regarding ACES 1.2 including AMF and CLF?

Colour Online: Store, Render, Automate with FilmLight

This webinar dives into the latest hardware and software solutions that FilmLight offers to expand the storage, render, automation and productivity strategies in post.

We introduce Baselight RENDER and FilmLight API, and showcase how they can integrate with your existing workflow. Along with FLUX Store, these advanced solutions enable you to increase bandwidth, reliability and collaboration for your colour grading pipeline, while reducing costs.

En français: Colour Online: FilmLight API

Dans cette vidéo, Thomas Eberschveiler présente la section du webinar « Store, Render, Automate » sur le FilmLight API en français.


Colour Online: Managing Complex Timelines in Baselight

In this webinar, we demonstrate how Baselight's rich tool-set supports dynamic post-production workflows. We show you how to manage multiple cuts, constant streams of VFX updates, and complex projects - both large and small - efficiently and with a streamlined approach, so that more time can be devoted to the creative process.

We cover tools and methods aimed at speeding the process for time-pressed colourists and their team, including: using categories, automated handling of shot updates, filtering and sorting the timeline for colour and conform, managing shot metadata, auto-matching of grades between timelines and tracking changes, as well as a preview of new tools coming in Baselight 5.3.


Colour Online: New and Improved Features in Baselight 5.3

This webinar showcased new features coming in Baselight 5.3. After our first webinar, which focussed on the colour management updates in 5.3, Daniele and Andy dive into several different topics.

Baselight 5.3 introduces the new Lens Correction tool, which can add or remove image distortion based on analysis or lens presets. Additionally, you will learn about improvements in tracking, conforming, shapes and many more enhancements. We will also share news about Daylight and more information about our new product, Baselight RENDER.


Colour Online: Iniciación a BASELIGHT, seguido de Q&A

Únase al colorista Raúl Lavado Verdu para una introducción a la corrección de color en Baselight, VFX y la solución de acabado de FilmLight.

Este webinar en vivo de una hora cubre los fundamentos básicos de la corrección de color, Etalonaje, gestion y administracion de color en Baselight.

  • Creación de proyectos en Baselight
  • Introducción a la interfaz de usuario y espacios de trabajo
  • Importación de medios y navegación de escena
  • Introducción a la gestión del espacio de color
  • Baselight más populares Baselight herramientas
  • Panel de Render

Durante esta sesión educativa, Raúl guiará a los coloristas utilizando Baselight STUDENT, la aplicación macOS de FilmLight desarrollada con fines de capacitación y entrenamiento.


Colour Management in Baselight 5.3 followed by Q&A

With FilmLight’s Daniele Siragusano (Image Engineer) & Andy Minuth (Colourist)

Our first webinar dove into the new and enhanced colour management tools coming soon in Baselight 5.3.

What’s new?


  • T-CAM is FilmLight’s well-regarded colour appearance model, which provides the ultimate flexibility to convert images to any viewing condition – both SDR and HDR.
    T-CAM v2 improves appearance matching between viewing conditions, and also includes better shadow details, more saturated shadows and pale skin tones, with less noise in underexposed images.


  • See new native support for Truelight Colour Spaces and T-CAM within Autodesk Flame and OCIO (OpenColorIO) compatible applications.


  • Learn about new Scene Looks, designed to work seamlessly with TCAM v2 as well as providing even more classic looks such as Bleach Bypass, ENR and Autochrome.

… and many more exciting improvements for LUTs, ACES and HDR.


This section contains videos from online webinars.



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