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What Baselight colourists say about Baselight 6.0

“X Grade has refined the process of selective colour work. It offers a cleaner, less convoluted way of interacting with imagery.”

Peter Doyle, PostWorks NY »

“Baselight 6.0 adds great new creative tools - things that make the arduous task of grading actually fun. I don’t think any other software comes close.”

Eric Weidt, Freelance Colourist »

“The new UI is great, being able to collapse big timeline stacks is a really useful feature, and being able to lock grades to do trim passes is brilliant.”

Paul Harrison, Residence Pictures »

“Baselight 6.0 feels like suddenly discovering you can breathe underwater. You thought it would be interesting, but the reality of it is astounding.”

Seamus O’Kane, The Post Arm »

“Chromogen is incredibly unique and I believe we will look back on its release as a key moment in the evolution of DI – as the first true look development tool.”

Jack Jones, Roundtable Post »

“Face Track revolutionises the way we can perfect skin tones, delivering unparalleled precision in facial tracking.”
 

Raúl Lavado Verdú, Freelance Colourist »



Professional colourists choose Baselight

Tips & tricks »️

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

Professional integration



Baselight Online Free Training

As part of our Baselight Learning Programme, FilmLight is offering a series of free online training courses. Each session lasts approximately 30 minutes and is open to anyone interested in learning Baselight. Each week one of our in-house training staff covers a different aspect of the system – the first five sessions cover the same content as our popular Baselight 'Essentials' training course.

Watch »          Find out more »


The professional solution

Baselight

Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.

BLG for Flame

Streamlining the Baselight to Flame workflow for in-context, high quality, complex colour correction.

Daylight

Professional deliverables that take the colour pipeline from shoot through post.

Grading Panels

High-precision instruments for artists.



Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

Graded on Baselight 6.0 – ‘Érase Una Vez En El Caribe’ (‘Once Upon a Time in the Caribbean’)

The movie was one of the first to be graded on Baselight 6.0 – by senior colourist, Edgar Lebron at Reaktor Post in Puerto Rico.

Case Study »
The Zone of Interest – crafting authenticity through a naturalistic grade

The colour grading, overseen by Gareth Bishop at Dirty Looks, plays a pivotal role in conveying the mood and atmosphere of the story.

Case Study »
Enhancing cinematic realism through colour grading for Drii Winter

The scenic film, captured by DoP Armin Dierolf, took home best feature film at the 2023 Swiss Film Awards. It was graded by Timo Inderfurth at Cinegrell in Zurich.

Case Study »
Creating colour and connection for Priscilla

The movie reunited director Sofia Coppola with cinematographer and colourist duo, Philippe Le Sourd and Damien van der Cruyssen at HARBOR.

Case Study »
A punch of colour for ‘Hatton’ documentary

Sky Post Production provided final post on the film, directed by multi-award-winning Dan Dewsbury and graded by colourist Mark Mulcaster.

Case Study »

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