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What Baselight colourists say about Baselight 6.0
“X Grade has refined the process of selective colour work. It offers a cleaner, less convoluted way of interacting with imagery.”
Peter Doyle, PostWorks NY »
“Baselight 6.0 adds great new creative tools - things that make the arduous task of grading actually fun. I don’t think any other software comes close.”
Eric Weidt, Freelance Colourist »
“The new UI is great, being able to collapse big timeline stacks is a really useful feature, and being able to lock grades to do trim passes is brilliant.”
Paul Harrison, Residence Pictures »
“Baselight 6.0 feels like suddenly discovering you can breathe underwater. You thought it would be interesting, but the reality of it is astounding.”
Seamus O’Kane, The Post Arm »
“Chromogen is incredibly unique and I believe we will look back on its release as a key moment in the evolution of DI – as the first true look development tool.”
Jack Jones, Roundtable Post »
“Face Track revolutionises the way we can perfect skin tones, delivering unparalleled precision in facial tracking.”
Raúl Lavado Verdú, Freelance Colourist »
Professional colourists choose Baselight
Tips & tricks »️
Best toolset
Ultimate control surfaces
Support that delivers
Unrivalled colour science
Professional integration
Baselight Online Free Training
As part of our Baselight Learning Programme, FilmLight is offering a series of free online training courses. Each session lasts approximately 30 minutes and is open to anyone interested in learning Baselight. Each week one of our in-house training staff covers a different aspect of the system – the first five sessions cover the same content as our popular Baselight 'Essentials' training course.
The professional solution
Baselight
Fast, creative non-linear grading system in the finishing suite.
Baselight for Avid
Premier colour correction directly within Avid.
Baselight for NUKE
Premier colour correction directly within NUKE.
BLG for Flame
Streamlining the Baselight to Flame workflow for in-context, high quality, complex colour correction.
Daylight
Professional deliverables that take the colour pipeline from shoot through post.
Grading Panels
High-precision instruments for artists.
Our client stories
Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.
A discussion with director Neels Castillon, cinematographer Eric Blanckaert and colourist Sylvain Canaux.
Case Study » Squid Game: Season 2
Exploring the creative journey with DoP Kim Ji-yong and colourist Park Jin Young.
Case Study » Infinite Dreams – grading AI with live action
Colour and lighting were key to keeping everything cohesive and the makers worked closely with colourist Raúl Lavado.
Case Study » The colour of ‘Dreams (Sex Love)’
The third part of Dag Johan Haugerud’s trilogy, shot by DoP Cecilie Semec with colour grading led by Christian Wieberg-Nielsen at Storyline Studios in Norway.
Case Study »
Creating two distinct looks for ‘Disclaimer’
The series was shot by cinematographers Emmanuel Lubezki, ASC, AMC and Bruno Delbonnel, ASC, AFC, and the colour was delivered by supervising colourist Peter Doyle.
Case Study »
