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Professional colourists choose Baselight

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

End-to-end workflow

Professional integration



Communicate colour

The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities where they can be accurately read and rendered – without purchasing a licence.

Find out more »


The professional solution

Baselight

Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.

Daylight

Professional deliverables that take the colour pipeline from shoot through post.

Prelight

Interactive look research and colour correction right from the start.

Grading Panels

High-precision instruments for artists.



What Baselight colourists say

“My reference point is always the director’s universe. In this case, I love the vision of Edouard Deluc.”

Pierre Cottereau & Sébastien Mingam »

“I like to understand the director as well as the DoP’s vision. What is it that they actually want to achieve from the movie?”

Makarand Surte, Redchillies.Color »

“I remember seeing an early Baselight system on trial. I was smitten. The control surface had me hooked, still does!”

Enge Gray, Platform Post »

“This job is ever-changing, be it thanks to evolving technology, new clients or challenging projects.”

Luke Morrison, The Mill, Chicago »

“Optical Art became Baselight beta testers very early on. We still keep that serial number 0001 on one of our machines.”

Ronney Afortu, Optical Art »

“My Baselight TWO performed fantastically - to the point where we sometimes forgot we were working in 4K at HDR.”

Dan Coles, Technicolor London »



Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

Making ‘Paris ETC’: Bringing cinema quality colour to television.

Case Study »
Latest Marvel Studios’ epic graded on Baselight. Technicolor colourist Maxine Gervais discusses her latest project, Marvel Studios’ Black Panther.

Case Study »
The colour of The Beguiled.

Case Study »
A collaborative colour journey.

DIT Simone d’Arcangelo and colourist Anthony Raffaele on Wonder Wheel

Case Study »
Creating a unique HDR look for Mindhunter.

A Q&A with producer Peter Mavromates and colourist Eric Weidt

Case Study » Netflix logo

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