What Baselight colourists say about Baselight 6.0

“X Grade has refined the process of selective colour work. It offers a cleaner, less convoluted way of interacting with imagery.”

Peter Doyle, PostWorks NY »

“Baselight 6.0 adds great new creative tools - things that make the arduous task of grading actually fun. I don’t think any other software comes close.”

Eric Weidt, Freelance Colourist »

“The new UI is great, being able to collapse big timeline stacks is a really useful feature, and being able to lock grades to do trim passes is brilliant.”

Paul Harrison, Residence Pictures »

“Baselight 6.0 feels like suddenly discovering you can breathe underwater. You thought it would be interesting, but the reality of it is astounding.”

Seamus O’Kane, The Post Arm »

“Chromogen is incredibly unique and I believe we will look back on its release as a key moment in the evolution of DI – as the first true look development tool.”

Jack Jones, Roundtable Post »

“Face Track revolutionises the way we can perfect skin tones, delivering unparalleled precision in facial tracking.”

Raúl Lavado Verdú, Freelance Colourist »

Professional colourists choose Baselight

Tips & tricks »️

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

Professional integration

Baselight Online Free Training

As part of our Baselight Learning Programme, FilmLight is offering a series of free online training courses. Each session lasts approximately 30 minutes and is open to anyone interested in learning Baselight. Each week one of our in-house training staff covers a different aspect of the system – the first five sessions cover the same content as our popular Baselight 'Essentials' training course.

Watch »          Find out more »

The professional solution


Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.

BLG for Flame

Streamlining the Baselight to Flame workflow for in-context, high quality, complex colour correction.


Professional deliverables that take the colour pipeline from shoot through post.

Grading Panels

High-precision instruments for artists.

Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

A punch of colour for ‘Hatton’ documentary

Sky Post Production provided final post on the film, directed by multi-award-winning Dan Dewsbury and graded by colourist Mark Mulcaster.

Case Study »
Bringing life to ‘The Killer’

David Fincher’s latest action/thriller movie is based on the French graphic novel series of the same name, and graded by colourist Eric Weidt.

Case Study »
Creating intimacy on screen for Somebody Somewhere

A conversation with Cinematographer Shana Hagan, ASC and Harbor’s Senior Colorist, Nick Hasson.

Case Study »
‘La Última’, also known as ‘Our Only Chance’, is Spain’s first original Disney+ drama series. It was graded on Baselight by senior colourist Raúl Lavado at Madrid FTFcam.

Case Study »
Adding colour to ‘The Amazing Maurice’

Graded in London by colourist Adam Dolniak at Splice.

Case Study »

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