Download Baselight LOOK, Baselight Editions or Daylight today
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Mac-only version of Baselight, developed as a key tool for our Baselight Learning Programme. |
Available for NUKE (Windows, Mac & Linux) and Avid (Windows & Mac). |
Available for Mac. |
| Free Licence | Free Licence | 14-Day Trial |
| 30-Day Trial | 3-Month Subscription | |
| Node-locked | Annual Subscription | |
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| Upgrade to v5 |
Professional colourists choose Baselight
Tips & tricks »️
Best toolset
Ultimate control surfaces
Support that delivers
Unrivalled colour science
Professional integration
Baselight Online Free Training
As part of our Baselight Learning Programme, FilmLight is offering a series of free online training courses. Each session lasts approximately 30 minutes and is open to anyone interested in learning Baselight. Each week one of our in-house training staff covers a different aspect of the system – the first five sessions cover the same content as our popular Baselight 'Essentials' training course.
The professional solution –
with innovative v5 colour tools across the range
Baselight
Fast, creative non-linear grading system in the finishing suite.
Baselight for Avid
Premier colour correction directly within Avid.
Baselight for NUKE
Premier colour correction directly within NUKE.
BLG for Flame
Streamlining the Baselight to Flame workflow for in-context, high quality, complex colour correction.
Daylight
Professional deliverables that take the colour pipeline from shoot through post.
Grading Panels
High-precision instruments for artists.
What Baselight colourists say
“I’ve been working on Baselight for nearly ten years now and it is definitely my favourite grading tool.”
Aljoscha Hoffmann, CinePostproduction »
“When you are in such a competitive business, you need reliability, stability and creativity. Baselight provides all three.”
Ragib Metin Okutay, Nube Studio »
“Storytelling is storytelling whether it’s a chicken commercial or a 60 minute murder mystery.”
Vincent Taylor, Harbor, Los Angeles »
“As colourists, our work should be invisible, but also make you feel something.”
Josh Petok, Freelance, Los Angeles »
“I can’t even imagine grading on anything else now because Baselight just makes so much sense.”
Jodie Davidson, Picture Shop, London »
“The respect with which Baselight treats the media and the finesse of the tools is on another level.”
Raúl Lavado Verdú, Freelance, Spain »
Our client stories
Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.
Case Study » Adding colour to ‘The Amazing Maurice’
Graded in London by colourist Adam Dolniak at Splice.
Case Study »
Colour in animation – ‘Entergalactic’ Doug Delaney handled the colour grading on the Netflix animated special.
Case Study »
Bringing colour to ‘Bardo, False Chronicle of a Handful of Truths’Graded on Baselight at Harbor in Los Angeles, by colourist Damien Vandercruyssen.
Case Study »
Grading the multi-Oscar-nominated movie, RRRDirected by S.S. Rajamouli, RRR (Rise Roar Revolt) is reported to be the most expensive film ever made in Indian cinema.
Case Study »
