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Professional colourists choose Baselight

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

End-to-end workflow

Professional integration



Communicate colour

The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities where they can be accurately read and rendered – without purchasing a licence.

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The professional solution –
with innovative v5 colour tools across the range

Baselight

Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.

Daylight

Professional deliverables that take the colour pipeline from shoot through post.

Prelight

Interactive look research and colour correction right from the start.

Grading Panels

High-precision instruments for artists.



What Baselight colourists say

“I adore my job and with the precise tools Baselight offers, it's become like a fantasy that you don’t want to wake up from.”

Manuel Canchola, Mexico City »

“What I love most about Baselight is the colour science behind it and how smoothly it operates with the colourist’s vision.”

Swapnil Patole, Famous Studios »

“It’s Baselight that’s the gold standard I look for. It makes me sigh with relief when I see it sitting there.”

Matthew Troughton, Creativity Media »

“I learned the colour grading language through Baselight, right from the beginning.”

Park Jin-Ho, Cinemate, Korea »

“Optical Art became Baselight beta testers very early on. We still keep that serial number 0001 on one of our machines.”

Ronney Afortu, Optical Art »

“You get an amazing set of colour tools right there within your editorial platform. This is just truly unbelievable.”

Mike Nuget, New York City »



Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

Grading ‘The Handmaiden’ - scene by scene.

Case Study »
Making ‘Paris ETC’: Bringing cinema quality colour to television.

Case Study »
Latest Marvel Studios’ epic graded on Baselight. Technicolor colourist Maxine Gervais discusses her latest project, Marvel Studios’ Black Panther.

Case Study »
The colour of The Beguiled.

Case Study »
A collaborative colour journey.

DIT Simone d’Arcangelo and colourist Anthony Raffaele on Wonder Wheel

Case Study »

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