Professional colourists choose Baselight

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

End-to-end workflow

Professional integration

Communicate colour

The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities where they can be accurately read and rendered – without purchasing a licence.

The professional solution


Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.


Professional deliverables that take the colour pipeline from shoot through post.


Interactive look research and colour correction right from the start.

Grading Panels

High-precision instruments for artists.

What Baselight colourists say

“Baselight’s evolution and FilmLight’s support with new cameras and deliverables has been a great help.”

Asa Shoul, Molinare »

“With Prelight I could work on the leaves of trees in just a few clicks - those corrections can't be saved in a CDL.”

Nejib Boubaker, Freelance DIT »

“With Baselight, I feel kind of limitless and incredibly confident.”

Andy Minuth, 1000Volt Post Production »

“This job is ever-changing, be it thanks to evolving technology, new clients or challenging projects.”

Luke Morrison, The Mill, Chicago »

“You can push so much with Baselight without breaking the image. It’s very subtle and intuitive. And tracking is superb.”

Yoomin Lee, Jogger Studios »

“Colour grading includes both a technical dimension and an artistic dimension that interact with each other.”

Sébastien Mingam, Mikros Image »

Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

Delivering fast and efficient dailies with Daylight, from Thom Berryman, head of Pinewood Digital International.

Case Study »
Dialing it up to 11 – grading LEGO Batman.

Case Study » Animal Logic logo
Grading and mastering Billy Lynn – the ultimate challenge.

Case Study »
A look at Clint Eastwood’s Sully with Colourist Maxine Gervais.

Case Study »
Frame by Frame: 4K, ACES and creativity in colour.

Case Study » Frame by Frame logo

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