What Baselight colourists say about Baselight 6.0

“X Grade has refined the process of selective colour work. It offers a cleaner, less convoluted way of interacting with imagery.”

Peter Doyle, PostWorks NY »

“Baselight 6.0 adds great new creative tools - things that make the arduous task of grading actually fun. I don’t think any other software comes close.”

Eric Weidt, Freelance Colourist »

“The new UI is great, being able to collapse big timeline stacks is a really useful feature, and being able to lock grades to do trim passes is brilliant.”

Paul Harrison, Residence Pictures »

“Baselight 6.0 feels like suddenly discovering you can breathe underwater. You thought it would be interesting, but the reality of it is astounding.”

Seamus O’Kane, The Post Arm »

“Chromogen is incredibly unique and I believe we will look back on its release as a key moment in the evolution of DI – as the first true look development tool.”

Jack Jones, Roundtable Post »

“Face Track revolutionises the way we can perfect skin tones, delivering unparalleled precision in facial tracking.”

Raúl Lavado Verdú, Freelance Colourist »

Professional colourists choose Baselight

Tips & tricks »️

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

Professional integration

Baselight Online Free Training

As part of our Baselight Learning Programme, FilmLight is offering a series of free online training courses. Each session lasts approximately 30 minutes and is open to anyone interested in learning Baselight. Each week one of our in-house training staff covers a different aspect of the system – the first five sessions cover the same content as our popular Baselight 'Essentials' training course.

Watch »          Find out more »

The professional solution


Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.

BLG for Flame

Streamlining the Baselight to Flame workflow for in-context, high quality, complex colour correction.


Professional deliverables that take the colour pipeline from shoot through post.

Grading Panels

High-precision instruments for artists.

Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

Creating The Gentlemen

The colour for the series was completed on Baselight by Company 3 colourists Jean-Clément Soret and Matthieu Toullet.

Case Study »
Creating George Miller’s graphic prequel: Furiosa: A Mad Max Saga

Graded by Eric Whipp of alter ego, who worked on Baselight 6.0 across three locations: alter ego in LA and Toronto as well as Spectrum Films in Sydney.

Case Study »
Developing the look for ‘Shōgun’

The colour was led by Elodie Ichter, who worked closely with director Van Tulleken and the production team on look development and testing from the beginning.

Case Study »
Graded on Baselight 6.0 – ‘Érase Una Vez En El Caribe’ (‘Once Upon a Time in the Caribbean’)

The movie was one of the first to be graded on Baselight 6.0 – by senior colourist, Edgar Lebron at Reaktor Post in Puerto Rico.

Case Study »
The Zone of Interest – crafting authenticity through a naturalistic grade

The colour grading, overseen by Gareth Bishop at Dirty Looks, plays a pivotal role in conveying the mood and atmosphere of the story.

Case Study »

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