Professional colourists choose Baselight

Tips & tricks »️

Best toolset

Ultimate control surfaces

Support that delivers

Unrivalled colour science

Professional integration

Baselight Online Free Training

As part of our Baselight Learning Programme, FilmLight is offering a series of free online training courses. Each session lasts approximately 30 minutes and is open to anyone interested in learning Baselight. Each week one of our in-house training staff covers a different aspect of the system – the first five sessions cover the same content as our popular Baselight 'Essentials' training course.

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The professional solution –
with innovative v5 colour tools across the range


Fast, creative non-linear grading system in the finishing suite.

Baselight for Avid

Premier colour correction directly within Avid.

Baselight for NUKE

Premier colour correction directly within NUKE.

BLG for Flame

Streamlining the Baselight to Flame workflow for in-context, high quality, complex colour correction.


Professional deliverables that take the colour pipeline from shoot through post.

Grading Panels

High-precision instruments for artists.

What Baselight colourists say

“A colourist can effectively communicate with an audience and help bring the director's vision to life.”

Jennifer Mendes, Loudness Films »

“I love that Baselight is designed first and foremost with the colourist in mind.”

Wade Odlum, alter ego »

“The Baselight toolset is always evolving and the support from FilmLight has never let me down.”

Sebastian Göhs, Freelance, Germany »

“Without knowing it, I was one of the forerunners of grading digitally in the UK, exclusively for feature films at that stage.”

Paul Ensby, Picture Shop, London »

“For me, the magic of the cinema is not in perfection. I’m looking for imperfections. This is where the beauty lies.”

Sonny Sheridan, ENVY, London »

“The respect with which Baselight treats the media and the finesse of the tools is on another level.”

Raúl Lavado Verdú, Freelance, Spain »

Our client stories

Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.

A punch of colour for ‘Hatton’ documentary

Sky Post Production provided final post on the film, directed by multi-award-winning Dan Dewsbury and graded by colourist Mark Mulcaster.

Case Study »
Bringing life to ‘The Killer’

David Fincher’s latest action/thriller movie is based on the French graphic novel series of the same name, and graded by colourist Eric Weidt.

Case Study »
Creating intimacy on screen for Somebody Somewhere

A conversation with Cinematographer Shana Hagan, ASC and Harbor’s Senior Colorist, Nick Hasson.

Case Study »
‘La Última’, also known as ‘Our Only Chance’, is Spain’s first original Disney+ drama series. It was graded on Baselight by senior colourist Raúl Lavado at Madrid FTFcam.

Case Study »
Adding colour to ‘The Amazing Maurice’

Graded in London by colourist Adam Dolniak at Splice.

Case Study »

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