Download Baselight Editions or Daylight today
 |
Prelight is now in open beta. Prelight is a new Mac OS X application designed to allow a DoP and other creatives to freely author, apply and modify looks. The commercial version, Prelight On-Set, extends these tools for the DIT for use during pre-production, production and post. |
Join the Open Beta Programme for Prelight
 |
Baselight Editions is available for NUKE (Windows, Mac & Linux) and Avid (Windows & Mac). |
| Free Licence | 30-Day Trial | Node-locked | Floating | |
| Licence type » | Free | Trial | Permanent | Permanent |
| View BLG |  |
|
|
|
| Render grade | |
|
|
|
| Adjust grade |  |
|
|
|
| Floating licences | |
|
|
|
 |
Daylight is available for Mac. |
| 14-Day Trial | 3-Month Rental | Buy Now | ||
| Licence type » | Trial | Time-limited | Permanent |
Professional colourists choose Baselight
Best toolset
Ultimate control surfaces
Support that delivers
Unrivalled colour science
End-to-end workflow
Professional integration
Communicate colour
The process is fast, efficient and render-free with the Baselight Linked Grade (BLG).
And now, with the ability to use Baselight Editions in Free Reader mode, you can pass grades to colleagues or other facilities
where they can be accurately read and rendered – without purchasing a licence.
The professional solution
Baselight
Fast, creative non-linear grading system in the finishing suite.
Baselight for Avid
Premier colour correction directly within Avid.
Baselight for NUKE
Premier colour correction directly within NUKE.
Daylight
Professional deliverables that take the colour pipeline from shoot through post.
FLIP
On-set preview with real-time application of LUTs & looks.
Prelight
Interactive look research and colour correction right from the start.
Grading Panels
High-precision instruments for artists.
What Baselight colourists say
“The challenge was not only to design the look but also to ensure that the colour narrative flows along with the story.”
Rahul Purav, Futureworks »
“In cinematography the first image doesn’t have to be perfect, it just has to be the starting point.”
Vittorio Storaro, Cinematographer »
“With Baselight, I feel kind of limitless and incredibly confident.”
Andy Minuth, 1000Volt Post Production »
“Baselight is simply the bee’s knees of colour grading systems.”
Martin Klein, Filmmore »
“You can push so much with Baselight without breaking the image. It’s very subtle and intuitive. And tracking is superb.”
Yoomin Lee, Jogger Studios »
“Baselight is the only system that offers me satisfaction for both productivity and creativity at same time.”
Soichi Satake, Toei Digital Lab »
Our client stories
Our clients range from major film studios and national broadcast television providers, to production and post-production companies both large and small.
Case Study »
Grading and mastering Billy Lynn – the ultimate challenge.Case Study » A look at Clint Eastwood’s Sully with Colourist Maxine Gervais.
Case Study »
Frame by Frame: 4K, ACES and creativity in colour.Case Study »
Baselight Ka-booms in Belfast: rapidly growing post house adds Baselight grading suite for new BBC broadcast project, Can’t Touch This.Case Study »
