Yearly Archives: 2023
Graded on Baselight: En plein feu
Colourist: Gilles Granier
Facility: Le Labo Paris
Release date: 08 March 2023 (France)
An immersive and sensorial experience where we’re feeling a scary and suffocating atmosphere building up and a son reconnecting with his father and grieving … Continue reading →
Graded on Baselight: Limbo
Colourist: Sebastian Guest
Facility: Terrassen Post
Release date: 12 February 2023 (TV Series)
A late-night phone call changes everything for Ebba, My and Gloria. The news that their sons have been involved in a serious car crash … Continue reading →
Graded on Baselight: Queens of Mystery (season 2)
Colourist: Ella Soryl
Facility: Platform Post
Release date: 10 January 2023 (TV Series)
Three crime-writing sisters and their 28-year old niece use their extensive knowledge of crime to solve whodunit style murders in the picturesque English village … Continue reading →
Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’
Article courtesy of Digital Media World
The movie was graded on Baselight in London by colourist Adam Dolniak at Splice, who took the job as his inaugural animation project…… Continue reading →
Modern broadcast workflows #3: Collaboration in modern post-production
Article courtesy of Broadcast
The final instalment of our series on modern broadcast workflows examines how departments can work together across the post-production workflow…… Continue reading →
Doug Delaney on Colour Grading Animated Film Entergalactic
Article courtesy of postPerspective
Delaney handled the colour grading on the Netflix animated special Entergalactic – a music television special created by American musician and actor Kid Cudi.… Continue reading →
NAB. Las Vegas. April 15-19, 2023
April 15-19, 2023
Meeting Room #W2574 – West Hall
If you are interested in scheduling a 1:1 meeting, checking out the new tools under development in Baselight, or learning more about cloud technology, contact your local … Continue reading →
Modern broadcast workflows #2: IT in modern broadcast
Article courtesy of Broadcast
The second instalment of the FilmLight series takes a look at IT systems in post-production…… Continue reading →
Colour in modern broadcast post-production
IT in modern broadcast
Collaboration in modern post-production
His Dark Materials S3: The Grade
Article courtesy of UK Screen Alliance
Picture Shop Colourist Sam Chynoweth, graded the series in UHD SDR and HDR using FilmLight’s Baselight…… Continue reading →
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