FilmLight develops unique colour grading systems, image processing applications and workflow tools.

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FilmLight Colour Awards – The Winners

Article courtesy of Deadline

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‘The Brutalist’ & Bad Bunny’s ‘Nuevayol’ Music Video Among 2025 FilmLight Colour Award Winners — Camerimage… Continue reading →

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Inside the Secret World of Hollywood’s Master Colourists

Article courtesy of The Hollywood Reporter

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Once hidden in post-production suites, the artists who make movies and TV shows look the way they do are stepping into the light.… Continue reading →

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From SMPTE MTS2025 – Towards Automated Perceptual Shot Matching in Motion Pictures

From the recent SMPTE Media Technology Summit in Pasadena, with FilmLight Image Engineer, Daniele Siragusano, and Research Engineer, Julius Tschannerl.

Matching the colour balance of shots within scenes of motion pictures is a crucial early step during the grading process … Continue reading →

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ARTONE FILM integrates Baselight M

Article courtesy of Digital Media World

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ARTONE post-house in Tokyo is the first facility in Japan to integrate Baselight M, choosing its precise look development controls to help create natural-looking images in a visual way.… Continue reading →

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Harbor rolls out Nara globally

Article courtesy of Televisual

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Already live in Los Angeles and rolling out in New York and London, Nara gives producers, colourists, conform artists, and engineering teams faster access to media, enhanced accuracy, and real-time collaboration across locations.… Continue reading →

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‘Nosferatu,’ ‘Sinners,’ ‘The Studio’ and ‘Severance’ Colourists Nominated for FilmLight Colour Awards

Article courtesy of The Hollywood Reporter

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The awards, celebrating the best of the industry’s colour grading professionals, are now in their fifth year, with work on ‘Andor,’ ‘The Brutalist’ and a Bad Bunny music video also among … Continue reading →

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Corrección de color en Chespirito: Sin Querer Queriendo

Article courtesy of Prensario

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La serie fue dirigida por Julián de Tavira, Rodrigo Santos, y David “Leche” Ruiz, con dirección de fotografía a cargo de Marc Bellver y Diana Garay.… Continue reading →

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Bradford Young named 2025 FilmLight Colour Awards ‘Jury President’

Article courtesy of Cinematography World

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FilmLight has finalised the prestigious 2025 FilmLight Colour Awards jury and welcomed award-winning American cinematographer, Bradford Young, ASC, as this year’s Jury President.… Continue reading →

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FilmLight showcases Nara 2 and Baselight 7.0 at IBC 2025

Nara takes centre stage at the RAI with Baselight demos and presentations available nearby

20 August 2025 – FilmLight is bringing a suite of innovative new Nara features to IBC 2025 (12-15 September, Amsterdam RAI, Hall 6, Stand C19) and … Continue reading →

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IBC. Amsterdam. September 12-15, 2025

Visit us at IBC 2025, with Baselight demonstrations at the Hotel nhow Amsterdam RAI and Nara on the show floor.

Baselight

13-14 September
Location »

Meet us at the Hotel nhow Amsterdam RAI, close to the Convention Centre, from Saturday … Continue reading →

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MPTS. London. May 14-15, 2025

The Importance of Workflow Efficiencies in Post-Production

Wednesday, 14 May
14:40

FilmLight sits down with Sam Lempp, head of business development for Nara, and Molinare’s CTO, Darren Woolfson, to discuss the importance of an efficient post-production pipeline.

They discuss how … Continue reading →

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FilmLight Cocktail Party. Las Vegas. Sunday April 6

Sunday April 6, from 6pm
Easy’s Cocktail Lounge / ARIA Resort & Casino

FULLY SUBSCRIBED

Join us between 6-9pm to meet up with the FilmLight team and your fellow colorists, and enjoy a menu of special cocktails.

Unwind in a … Continue reading →

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Press Contact

We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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