FilmLight showcases Nara 2 and Baselight 7.0 at IBC 2025
Nara takes centre stage at the RAI with Baselight demos and presentations available nearby
20 August 2025 – FilmLight is bringing a suite of innovative new Nara features to IBC 2025 (12-15 September, Amsterdam RAI, Hall 6, Stand C19) and … Continue reading →
IBC. Amsterdam. September 12-15, 2025
Visit us at IBC 2025, with Baselight demonstrations at the Hotel nhow Amsterdam RAI and Nara on the show floor.
Baselight13-14 September
Location »
Meet us at the Hotel nhow Amsterdam RAI, close to the Convention Centre, from Saturday … Continue reading →
MPTS. London. May 14-15, 2025
Wednesday, 14 May
14:40
FilmLight sits down with Sam Lempp, head of business development for Nara, and Molinare’s CTO, Darren Woolfson, to discuss the importance of an efficient post-production pipeline.
They discuss how … Continue reading →
FilmLight Cocktail Party. Las Vegas. Sunday April 6
Sunday April 6, from 6pm
Easy’s Cocktail Lounge / ARIA Resort & Casino
FULLY SUBSCRIBED
Join us between 6-9pm to meet up with the FilmLight team and your fellow colorists, and enjoy a menu of special cocktails.
Unwind in a … Continue reading →
FilmLight introduces Baselight for macOS
Powerful Baselight grading solution now available on macOS subscription, including FilmLight’s unparalleled 24/7 user support
FilmLight has introduced Baselight S and Baselight M, the affordable and accessible software-only subscription versions of its powerful Baselight grading solution running on the Apple … Continue reading →
FilmLight introduces Baselight for macOS
Article courtesy of postPerspective
FimLight has introduced Baselight S and Baselight M, affordable and accessible software-only subscription versions of its Baselight grading solution running on the Apple macOS platform.… Continue reading →
The making of Here – AI, VFX and colour
Article courtesy of British Cinematographer
DoP Don Burgess, VFX supervisor Kevin Baillie and colourist Maxine Gervais pulled their talents together to create a world for the non-linear story of Here, shot from a single camera’s POV.… Continue reading →
Light Iron integrates Nara
Article courtesy of Digital Media World
Light Iron uses Nara to handle file navigation, content streaming and information sharing workflow efficient through a single, secure interface, making workflows simpler and faster.… Continue reading →
Nara – Deep Dive
Article courtesy of Digital Production Germany
Digital Production Germany magazine editor, Bela Beier, recently talked to Nara’s Steve Britnell, Head of Technical Development, and Sam Lempp, Head of Business Development, about all things Nara.… Continue reading →
Creating a supernatural colour grade for ‘Salt Along the Tongue’
Article courtesy of Digital Media World
Colourist Daniel Pardy talks about building a working LUT for this film with a distinctive 16mm film look, helping the production make creative decisions on set, leading to the ideal final… Continue reading →
Luca Guadagnino’s Queer
Article courtesy of Post
The feature brought together a familiar team that included Guadagnino, DP Sayombhu Mukdeeprom and colorist Claudio Del Bravo.… Continue reading →
Behind the look: Disclaimer
Article courtesy of Televisual
The series was shot by cinematographers Emmanuel Lubezki, ASC, AMC (‘Chivo’) and Bruno Delbonnel, ASC, AFC, and the colour was delivered on Baselight at Postworks NYC by supervising colourist Peter Doyle (now at … Continue reading →
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