Yearly Archives: 2025
Graded on Baselight: Marty Supreme
Colourist: Yvan Lucas
Facility: Company 3
Release date: 26 December 2025
Marty Mauser, a young man with a dream no one respects, goes to hell and back in pursuit of greatness.
Watch the trailer now:
Graded on Baselight: Father Mother Sister Brother
Colourist: Joe Gawler
Facility: Harbor
Release date: 18 December 2025
Estranged siblings reunite after years apart, forced to confront unresolved tensions and reevaluate their strained relationships with their emotionally distant parents.
Watch the trailer now:
… Continue reading →
Graded on Baselight: Dogs Trust ‘Thank You for My Happy Place’
Colourist: Peter Oppersdorff
Facility: Absolute Post
Watch the Dogs Trust Christmas 2025 commercial:
https://www.youtube.com/watch?v=O-9ex6cwZcs&t=1s… Continue reading →
Graded on Baselight: Zootopia 2
Colourist: Eliot Milbourn
Facility: Disney Animation
Release date: 28 November 2025
Brave rabbit cop Judy Hopps and her friend, the fox Nick Wilde, team up again to crack a new case, the most perilous and intricate of … Continue reading →
Graded on Baselight: Pillion
Colourist: Toby Tomkins
Facility: Harbor
Release date: 28 November 2025
A directionless man is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.
Watch the trailer now:
… Continue reading →
FilmLight Colour Awards – The Winners
Article courtesy of Deadline
‘The Brutalist’ & Bad Bunny’s ‘Nuevayol’ Music Video Among 2025 FilmLight Colour Award Winners — Camerimage… Continue reading →
Inside the Secret World of Hollywood’s Master Colourists
Article courtesy of The Hollywood Reporter
Once hidden in post-production suites, the artists who make movies and TV shows look the way they do are stepping into the light.… Continue reading →
Graded on Baselight: The Running Man
Colourist: Asa Shoul
Facility: Warner Bros. De Lane Lea
Release date: 11 November 2025
A man joins a game show in which contestants, allowed to go anywhere in the world, are pursued by “hunters” hired to kill … Continue reading →
From SMPTE MTS2025 – Towards Automated Perceptual Shot Matching in Motion Pictures
From the recent SMPTE Media Technology Summit in Pasadena, with FilmLight Image Engineer, Daniele Siragusano, and Research Engineer, Julius Tschannerl.
Matching the colour balance of shots within scenes of motion pictures is a crucial early step during the grading process … Continue reading →
ARTONE FILM integrates Baselight M
Article courtesy of Digital Media World
ARTONE post-house in Tokyo is the first facility in Japan to integrate Baselight M, choosing its precise look development controls to help create natural-looking images in a visual way.… Continue reading →
Graded on Baselight: Parfois ‘The Book Club’
Colourist: Patricia Brewatt
Facility: The Post Office
Ad for the Parfois FW25 collection.
Watch now:
… Continue reading →Press Contact
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