Yearly Archives: 2025
Graded on Baselight: Industry (season 3)
Colourist: Sam Chynoweth
Facility: Picture Shop
Release date: 04 January 2025 (USA)
Young bankers and traders make their way in the financial world in the aftermath of the 2008 collapse.
Watch the trailer now:
… Continue reading →
Graded on Baselight: Drive Back Home
Colourist: Eric Whipp
Facility: Alter Ego
Release date: 04 January 2025 (USA)
In 1970, a gruff New Brunswick plumber travels to Toronto to bail out his estranged gay brother jailed for public indecency. Reluctantly driving home together … Continue reading →
Graded on Baselight: Aashram (season 3 – part II)
Colourist: Abhiishek Mehta
Facility: Identical Brains
Release date: 19 February 2025 (India)
A duplicitous, aashram based, Indian Godman’s good deeds serve activities criminal and unholy, such as rapes, murders, drugs, vote bank politics and forced male emasculation. … Continue reading →
Graded on Baselight: Vietnam: The War That Changed America
Colourist: Enge Gray
Facility: Racoon
Release date: 31 January 2025 (TV Series)
50 years since the end of the USA’s involvement in the Vietnam conflict, this series tells some of the stories from those involved. It’s a … Continue reading →
Light Iron integrates Nara
Article courtesy of Digital Media World
Light Iron uses Nara to handle file navigation, content streaming and information sharing workflow efficient through a single, secure interface, making workflows simpler and faster.… Continue reading →
Nara – Deep Dive
Article courtesy of Digital Production Germany
Digital Production Germany magazine editor, Bela Beier, recently talked to Nara’s Steve Britnell, Head of Technical Development, and Sam Lempp, Head of Business Development, about all things Nara.… Continue reading →
Creating a supernatural colour grade for ‘Salt Along the Tongue’
Article courtesy of Digital Media World
Colourist Daniel Pardy talks about building a working LUT for this film with a distinctive 16mm film look, helping the production make creative decisions on set, leading to the ideal final… Continue reading →
Luca Guadagnino’s Queer
Article courtesy of Post
The feature brought together a familiar team that included Guadagnino, DP Sayombhu Mukdeeprom and colorist Claudio Del Bravo.… Continue reading →
Behind the look: Disclaimer
Article courtesy of Televisual
The series was shot by cinematographers Emmanuel Lubezki, ASC, AMC (‘Chivo’) and Bruno Delbonnel, ASC, AFC, and the colour was delivered on Baselight at Postworks NYC by supervising colourist Peter Doyle (now at … Continue reading →
FilmLight introduces REMOTE
Article courtesy of TV Technology
FilmLight has officially launched FilmLight REMOTE, a remote colour grading solution that allows post houses and colourists to work remotely without sacrificing the high-quality and low-latency monitoring essential for fast and efficient… Continue reading →
FilmLight introduces REMOTE
FilmLight REMOTE delivers high-quality, low-latency remote grading
FilmLight has announced the introduction of FilmLight REMOTE, a singular solution for remote colour grading, providing post-houses and colourists with the ability to work remotely without sacrificing the high-quality and low-latency monitoring that … Continue reading →
Micro Salon. Paris. Friday February 7
Friday February 7, 11am
Parc Floral de Paris
Rencontre créative : Dans les coulisses de Saint-Ex
FilmLight sera au Micro Salon à Paris le 7 Fevrier à 11h et vous invite à une rencontre avec Pablo … Continue reading →
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