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In The Press

FilmLight Colour Awards – The Winners

Article courtesy of Deadline

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‘The Brutalist’ & Bad Bunny’s ‘Nuevayol’ Music Video Among 2025 FilmLight Colour Award Winners — Camerimage

Inside the Secret World of Hollywood’s Master Colourists

Article courtesy of The Hollywood Reporter

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Once hidden in post-production suites, the artists who make movies and TV shows look the way they do are stepping into the light.

ARTONE FILM integrates Baselight M

Article courtesy of Digital Media World

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ARTONE post-house in Tokyo is the first facility in Japan to integrate Baselight M, choosing its precise look development controls to help create natural-looking images in a visual way.

Harbor rolls out Nara globally

Article courtesy of Televisual

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Already live in Los Angeles and rolling out in New York and London, Nara gives producers, colourists, conform artists, and engineering teams faster access to media, enhanced accuracy, and real-time collaboration across locations.

‘Nosferatu,’ ‘Sinners,’ ‘The Studio’ and ‘Severance’ Colourists Nominated for FilmLight Colour Awards

Article courtesy of The Hollywood Reporter

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The awards, celebrating the best of the industry’s colour grading professionals, are now in their fifth year, with work on ‘Andor,’ ‘The Brutalist’ and a Bad Bunny music video also among those shortlisted.

Corrección de color en Chespirito: Sin Querer Queriendo

Article courtesy of Prensario

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La serie fue dirigida por Julián de Tavira, Rodrigo Santos, y David “Leche” Ruiz, con dirección de fotografía a cargo de Marc Bellver y Diana Garay.

Bradford Young named 2025 FilmLight Colour Awards ‘Jury President’

Article courtesy of Cinematography World

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FilmLight has finalised the prestigious 2025 FilmLight Colour Awards jury and welcomed award-winning American cinematographer, Bradford Young, ASC, as this year’s Jury President.

FilmLight introduces Baselight for macOS

Article courtesy of postPerspective

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FimLight has introduced Baselight S and Baselight M, affordable and accessible software-only subscription versions of its Baselight grading solution running on the Apple macOS platform.

The making of Here – AI, VFX and colour

Article courtesy of British Cinematographer

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DoP Don Burgess, VFX supervisor Kevin Baillie and colourist Maxine Gervais pulled their talents together to create a world for the non-linear story of Here, shot from a single camera’s POV.

Light Iron integrates Nara

Article courtesy of Digital Media World

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Light Iron uses Nara to handle file navigation, content streaming and information sharing workflow efficient through a single, secure interface, making workflows simpler and faster.

Nara – Deep Dive

Article courtesy of Digital Production Germany

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Digital Production Germany magazine editor, Bela Beier, recently talked to Nara’s Steve Britnell, Head of Technical Development, and Sam Lempp, Head of Business Development, about all things Nara.

Creating a supernatural colour grade for ‘Salt Along the Tongue’

Article courtesy of Digital Media World

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Colourist Daniel Pardy talks about building a working LUT for this film with a distinctive 16mm film look, helping the production make creative decisions on set, leading to the ideal final grade.

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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