News Articles

From The Foundry:

The Foundry’s roving report NAB 2016: FilmLight

“Heard us talking about Baselight for NUKE? Find out what’s new for FilmLight this year.”

… Continue reading →

From postPerspective’s YouTube Channel:

NAB 2016: FilmLight’s Peter Postma

“FilmLight America’s managing director, Peter Postma, walks us through what was new from the company at NAB 2016 in terms of its Baselight 5.0, including HDR grading support, remote grading, … Continue reading →

From Studio Daily:

Q&A – FilmLight CEO Wolfgang Lempp on Baselight’s New Base Grade

FilmLight got the attention of color-graders when it announced Base Grade, a new control set that moves Baselight’s focus away from the traditional lift/gamma/gain methods … Continue reading →

Check out this great interview in the Film and Digital Times with Anthony Raffaele, Senior Colourist at Technicolor Postworks New York.

Anthony became involved with Woody Allen’s “Cafe Society” when cinematographer Vittorio Storaro requested a Baselight colourist who could do … Continue reading →

From postPerspective:

Quick Chat – FilmLight CEO Wolfgang Lempp on HDR

FilmLight, creator of the popular BaseLight color grading system, has been making products targeting color since 2002. Over the years they have added other products that surround the … Continue reading →

From BroadcastPro ME, Issue 68, February 2016:

Arab Telemedia Group has upped its game in the regional television market, with an incremental investment in FilmLight’s colour management techniques for its drama productions. BroadcastPro ME take a look … Continue reading →

From Televisual Magazine:

Since first opening its doors back in 2006, Envy has followed a rapid expansion plan, opening up building after building, with a consistent, sophisticated look and feel. The company has … Continue reading →

From Post Magazine’s 30th anniversary issue (December, 2015):

Consumer Behavior and Emerging Technologies

Wolfgang Lempp
CEO, FilmLight

We already know what the technology issues will be in 2016. In movies, we will be talking about higher frame rates and high … Continue reading →

The British Arrows has announced the shortlist for the Craft Awards 2015. We at FilmLight are very proud that the nominees for Best Colourist are 100% Baselight.

Aubrey Woodiwiss for Dunlop Tyres, Forever Forward
Made for Leo Burnett, Frankfurt by … Continue reading →

From SHOOT Online (23 October, 2015):

High-Tech Feedback: Innovations and Insights

Assessments of product intros, developments at IBC2015 and SIGGRAPH, challenges of an evolving marketplace

Wolfgang Lempp
Managing Director
FilmLight Ltd

What’s the most substantive new product you’ve introduced to … Continue reading →

In this article, StudioDaily gets down to the nitty gritty of the Technicolor-PostWorks Media Composer DNxHR Online Workflow for Nat Geo’s Russia’s Wild Arctic – with the grade performed on Baselight.

“It basically opens up the ability to have the … Continue reading →

On the show floor at NAB 2015, postPerspective caught up with FilmLight’s Wolfgang Lempp to hear more about our unique, collaborative colour pipeline – from set to screen.

… Continue reading →