FilmLight releases Baselight v7
Baselight v7 brings colourists and post-houses smarter mattes, faster workflows and deeper control
FilmLight, known for its detailed colour toolset and longstanding relationships with creatives around the globe, today announced the release of Baselight v7, the latest version of … Continue reading →
Hamburg Open. Hamburg. 14-15 January 2026
Stand #286310
Discover Nara, the media management tool used by major facilities including Harbor and Molinare.
Nara v2 introduces real-time transcoding, improved project management, advanced analytics, and tighter integration with Baselight – along with … Continue reading →
FilmLight Colour Awards – The Winners
Article courtesy of Deadline
‘The Brutalist’ & Bad Bunny’s ‘Nuevayol’ Music Video Among 2025 FilmLight Colour Award Winners — Camerimage… Continue reading →
Inside the Secret World of Hollywood’s Master Colourists
Article courtesy of The Hollywood Reporter
Once hidden in post-production suites, the artists who make movies and TV shows look the way they do are stepping into the light.… Continue reading →
From SMPTE MTS2025 – Towards Automated Perceptual Shot Matching in Motion Pictures
From the recent SMPTE Media Technology Summit in Pasadena, with FilmLight Image Engineer, Daniele Siragusano, and Research Engineer, Julius Tschannerl.
Matching the colour balance of shots within scenes of motion pictures is a crucial early step during the grading process … Continue reading →
ARTONE FILM integrates Baselight M
Article courtesy of Digital Media World
ARTONE post-house in Tokyo is the first facility in Japan to integrate Baselight M, choosing its precise look development controls to help create natural-looking images in a visual way.… Continue reading →
Harbor rolls out Nara globally
Article courtesy of Televisual
Already live in Los Angeles and rolling out in New York and London, Nara gives producers, colourists, conform artists, and engineering teams faster access to media, enhanced accuracy, and real-time collaboration across locations.… Continue reading →
‘Nosferatu,’ ‘Sinners,’ ‘The Studio’ and ‘Severance’ Colourists Nominated for FilmLight Colour Awards
Article courtesy of The Hollywood Reporter
The awards, celebrating the best of the industry’s colour grading professionals, are now in their fifth year, with work on ‘Andor,’ ‘The Brutalist’ and a Bad Bunny music video also among … Continue reading →
Corrección de color en Chespirito: Sin Querer Queriendo
Article courtesy of Prensario
La serie fue dirigida por Julián de Tavira, Rodrigo Santos, y David “Leche” Ruiz, con dirección de fotografía a cargo de Marc Bellver y Diana Garay.… Continue reading →
Bradford Young named 2025 FilmLight Colour Awards ‘Jury President’
Article courtesy of Cinematography World
FilmLight has finalised the prestigious 2025 FilmLight Colour Awards jury and welcomed award-winning American cinematographer, Bradford Young, ASC, as this year’s Jury President.… Continue reading →
FilmLight showcases Nara 2 and Baselight 7.0 at IBC 2025
Nara takes centre stage at the RAI with Baselight demos and presentations available nearby
20 August 2025 – FilmLight is bringing a suite of innovative new Nara features to IBC 2025 (12-15 September, Amsterdam RAI, Hall 6, Stand C19) and … Continue reading →
IBC. Amsterdam. September 12-15, 2025
Visit us at IBC 2025, with Baselight demonstrations at the Hotel nhow Amsterdam RAI and Nara on the show floor.
Baselight13-14 September
Location »
Meet us at the Hotel nhow Amsterdam RAI, close to the Convention Centre, from Saturday … Continue reading →
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