FilmLight Appoints Restar Communications in Japan
Article courtesy of Content + Technology
FilmLight has appointed Restar Communications Corporation as its local reseller in Japan, with immediate effect…… Continue reading →
FilmLight appoints Restar Communications in Japan
Japanese reseller to add high-end colour grading solutions to product portfolio
FilmLight has appointed Restar Communications Corporation as its local reseller in Japan, with immediate affect. The new partnership strengthens FilmLight’s presence in Japan...
Sexy Beast: Anatomy of a Grade in 02’27”
Article courtesy of Televisual
Sexy Beast: Anatomy of a Grade in 02’27” from Ross Baker, Head of Grading, Molinare…… Continue reading →
Celebrating Look & Colour during the Berlinale. Wednesday 21 February
Look development goes hand-in-hand with the visual identity of a film, making it an essential step for cinematographers and their teams.
An exclusive day for cinematographers, colourists, DITs and more. Brought to you by Rotor Film, WeFadeToGrey, Vantage … Continue reading →
Whetting the Palette: Colouring The Taste of Things
Article courtesy of ASC
Colorist Yov Moor helps cinematographer Jonathan Ricquebourg, AFC set the visual table for this romantic slice of culinary cinema…… Continue reading →
Baselight colour grade brings cinematic realism to ‘A Piece of Sky’
Article courtesy of Digital Media World
Timo Inderfurth graded A Piece of Sky, Best Film award winner at the 2023 Swiss Film Awards, playing a central role in the visual atmosphere of this story set in the … Continue reading →
FilmLight releases Baselight 6.0
Article courtesy of Televisual
FilmLight has released the latest version of its Baselight grading software, Baselight 6.0 following an extensive beta programme…… Continue reading →
FilmLight releases Baselight 6.0
FilmLight celebrates official release of Baselight 6.0 and introduces Face Track, a revolutionary new tool based on machine learning (ML)
FilmLight has announced the release of the latest version of its highly regarded Baselight grading software, Baselight 6.0. Following an … Continue reading →
BTS: creating the look for Priscilla
Article courtesy of Televisual
The movie reunited Coppola with cinematographer and colourist duo, Philippe Le Sourd and Damien van der Cruyssen at HARBOR…… Continue reading →
Finessing Killers of the Flower Moon at Company 3
Article courtesy of ASC
Cinematographer Rodrigo Prieto, ASC, AMC worked with senior colorist Yvan Lucas of Company 3 on the film’s lookup tables (LUTS) and grading.… Continue reading →
Baselight 6.0 at Scanwerk. Thursday 7 December
Donnerstag, 7. Dezember, 17 Uhr
Blütenstr. 15, München
Baselight 6.0 im Praxistest bei Scanwerk – erfahre mehr über das neue Look Development und die kreativen Grading Tools von Baselight.
Dieser Showcase richtet sich an Kameraleute, TV- … Continue reading →
Post-production uncovered: Sky Post on Hatton (Sky Documentaries)
Article courtesy of Broadcast
Responsible for bringing the colour together for this emotive series, was Sky Post Production’s colourist, Mark Mulcaster, who was recently shortlisted for the Broadcast Tech Innovation awards in the ‘Excellence in Grading (Non-Scripted)’ … Continue reading →
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