postPerspective: Fear the Walking Dead: Encore colorist teams with DPs for parched look
From postPerspective:
The action of AMC’s zombie-infused Fear the Walking Dead this season is set in a brittle, drought-plagued environment, which becomes progressively more parched as the story unfolds. So when production was about to commence, the show’s principals … Continue reading →
L’espace Vision adds FilmLight grading and high-speed media server
Powerful FLUX Store boosts Baselight productivity in Tokyo facility
Top Tokyo post house L’espace Vision is marking its 30th anniversary by adding a powerful grading suite from FilmLight. As well as a Baselight TWO workstation, with the new version 5.0 … Continue reading →
Pinewood Digital expands use of FilmLight’s Daylight workflow
FilmLight dailies tool provides grading foundation and practical deliverables for Pinewood Digital in the UK and North America
Pinewood Digital, the specialist front-end dailies division of Pinewood Studios Group, is a pioneering user of Daylight and recently extended its investment … Continue reading →
FilmLight releases Baselight 5.0 ahead of IBC2017
Rest of product range to follow soon with next generation colour from 5.0
At IBC2017, FilmLight is celebrating the formal release of Baselight 5.0, as well as exhibiting the 5.0 colour tools across its entire product range.
Offering over 50 … Continue reading →
Technicolor takes Tulip Fever into the Dutch golden age with Baselight
Colourist Jean-Clément Soret underscores the old master look
Technicolor in London has completed the finishing on Tulip Fever, a romantic period drama from The Weinstein Company and directed by Justin Chadwick. As well as performing the grade, conform and … Continue reading →
Latest Baselight for NUKE ensures perfect colour compliance in VFX
Dedicated 5.0 toolkit for animators and compositors allied to render-free colour
FilmLight, the leading colour science and grading specialist, is introducing a powerful new version of Baselight for NUKE at IBC2017 (Amsterdam, 15 – 19 September, stand 7.F31). The plugin … Continue reading →
FilmLight boosts Baselight for Avid functionality and efficiency with 5.0 at IBC
Grading plugin provides Baselight 5.0 toolkit and familiar operation
FilmLight, the leading colour science and grading specialist, is showcasing the latest release of Baselight for Avid, its high-productivity plugin that brings colour control and preview to editing workstations, at IBC2017 … Continue reading →
FilmLight adds Munich office to strengthen European operations
New base ensures high-level colour technology team are available to support growing post-production market across Europe
FilmLight, the leading colour science and grading specialist, has opened a fully-staffed office in Munich. The location has been chosen not just to serve … Continue reading →
Meet The Colourist: Sébastien Mingam, Mikros Image, Paris
Sébastien Mingam joined the team at Mikros in Paris 13 years ago, where … Continue reading →
Meet The Colourist: Olivier Fontenay, Sydney
Meet The Colourist talks to … Continue reading →
Realising your vision – without drowning in colour science
By James Milne, FilmLight’s Lead Developer on Prelight
Prelight & Prelight ON-SET 4.4m1 are now available. Visit our Web Store to buy or try.
When the industry moved to digital cameras, the temptation was to think that it would be … Continue reading →
Transcontinental colour collaboration on VFX-heavy spot for Nissan
The Embassy in Vancouver and Alter Ego in Toronto share FilmLight BLGs to achieve a perfect result for ‘Return of the Snowman’
When you book a commercial into the Super Bowl coverage, you know that the creative and technical quality … Continue reading →
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