Technicolor invests in Baselight X to meet increasing demands for HDR finishing
Technicolor, the world leader in production and post-production services, has extended its colour grading capabilities in Hollywood with FilmLight’s Baselight X system. Baselight X is the latest and most powerful implementation of the Baselight colour grading and finishing system.
HDR … Continue reading →
Meet The Colourist: Rahul Purav, Futureworks, Mumbai
Meet The Colourist visits Rahul Purav, Senior Colourist at Futureworks in Mumbai.
Rahul … Continue reading →
Watch now: What is FilmLight showing at NAB2017?
Peter Postma, Managing Director of FilmLight Americas, explains in more depth what you can see on the FilmLight booth at NAB2017.
Fore more information about the benefits of 5.0 everywhere, you can also read our press release.
FilmLight announces Baselight STUDENT
New offering allows experienced or future talent to move up to Baselight with support from FilmLight
At NAB2017, FilmLight will preview their latest product, Baselight STUDENT, a software-only macOS application that answers the call from a growing number of facilities … Continue reading →
Prelight 5.0 provides on-set look creation at NAB2017
Interest grows in simple software that ensures true visualisation pre- and on-set
After a promising start to the Prelight beta programme – with over 700 users joining since it was announced – FilmLight will demonstrate Prelight 5.0 at NAB2017 (booth … Continue reading →
FilmLight rolls out 5.0 across its entire product range
At NAB2017 (booth SL3828, Las Vegas Convention Center, 24–27 April), FilmLight will demonstrate its version 5.0 advanced colour tools. Users will benefit from the same powerful toolkit, and a consistent and familiar user experience, from the flagship Baselight colour grading … Continue reading →
Lowepost: Base Grade and the Evolution of Grading Tools
From Lowepost:
Base Grade and the Evolution of Grading Tools
WRITTEN BY ANDY MINUTH
The color-grading specialist FilmLight caused a bit of stir in the colorist community at NAB 2016. They introduced Base Grade, a new grading operator for … Continue reading →
Meet The Colourist: Duncan Russell, Freefolk, London
postPerspective: Creating the color of Hacksaw Ridge
From postPerspective:
Creating the color of Hacksaw Ridge
Australian colorist Trish Cahill first got involved in the DI on Mel Gibson’s Hacksaw Ridge when cinematographer Simon Duggan enquired about her interest and availability for the film. She didn’t have … Continue reading →
Baselight delivers client confidence for FutureWorks
Leading Indian post company finishes high-profile work for film and television
FutureWorks Media, the leading Indian post production company, has installed two Baselight grading suites in its finishing facility in Mumbai. The company, which has three locations in the country’s … Continue reading →
Meet The Colourist: Yoomin Lee, Jogger Studios, London
Umedia launches integrated Vancouver studio with Baselight
Umedia assembles renowned Visual Effects and Post Production team to launch new Vancouver facility
International production and post group Umedia has opened its fifth location based in the popular Canadian centre, Vancouver, incorporating high-quality visual effects services with finishing services. … Continue reading →
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