NEW Meet The Colourist: Stuart Fyvie, Freelance Senior Colourist, London
Meet Stuart Fyvie, a freelance colourist based in London.
Stuart has worked on many film and TV productions including director Alan Rickman’s feature film staring Kate Winslet, ‘A Little Chaos’, and more recently BBC drama ‘The Rack Pack’ as well … Continue reading →
Technicolor PostWorks Provides Finishing Services for Oscar-Winning Doc “A Girl in the River”
A Girl in the River: The Price of Forgiveness, winner of this year’s Academy Award® for Best Documentary, Short Subject, recently made its world premiere on HBO. Directed by Sharmeen Obaid-Chinoy (who also won an Oscar® in 2012 of Saving … Continue reading →
Nice Shoes take Pink Through The Looking Glass in “Just Like Fire”
For Pink’s song “Just Like Fire”, the signature song for Disney’s new film Alice Through The Looking Glass, director Dave Meyers of Zanmi Films and Strange Invention’s VFX Supervisor Todd Sarsfield teamed with Nice Shoes to bring the singer through … Continue reading →
Broadcast Beat at NAB 2016: 4K, 8K and HDR
From Broadcast Beat:
NAB Show LIVE: 4K, 8K and HDR
Janet West hosts this panel for Broadcast Beat, including Wolfgang Lempp, Ceo of FilmLight, alongside Robert Carroll, Senior Director of Content Solutions at Dolby Laboratories, and Janet Lafleur, Senior … Continue reading →
The Foundry’s roving report NAB 2016: FilmLight
From The Foundry:
The Foundry’s roving report NAB 2016: FilmLight
“Heard us talking about Baselight for NUKE? Find out what’s new for FilmLight this year.”
postPerspective: NAB 2016 – FilmLight’s Peter Postma
From postPerspective’s YouTube Channel:
NAB 2016: FilmLight’s Peter Postma
“FilmLight America’s managing director, Peter Postma, walks us through what was new from the company at NAB 2016 in terms of its Baselight 5.0, including HDR grading support, remote grading, … Continue reading →
Studio Daily: Q&A – FilmLight CEO Wolfgang Lempp on Baselight’s New Base Grade
From Studio Daily:
Q&A – FilmLight CEO Wolfgang Lempp on Baselight’s New Base Grade
FilmLight got the attention of color-graders when it announced Base Grade, a new control set that moves Baselight’s focus away from the traditional lift/gamma/gain methods … Continue reading →
Film and Digital Times: Vittorio Storaro: Passage from Film to Digital
Check out this great interview in the Film and Digital Times with Anthony Raffaele, Senior Colourist at Technicolor Postworks New York.
Anthony became involved with Woody Allen’s “Cafe Society” when cinematographer Vittorio Storaro requested a Baselight colourist who could do … Continue reading →
FilmLight and Avid launch ‘Professional Colour’ bundle for editors at NAB 2016
FilmLight today announced a new collaboration with longstanding collaborator, Avid®, which will see both companies introduce a new Professional Colour bundle for editors at NAB2016 (18–21 April, Las Vegas Convention Center).
FilmLight first showed Baselight Editions on Avid Media Composer® … Continue reading →
FilmLight adds free Mac app for on-set colour decisions
Prelight allows cinematographers to generate and review looks and look metadata
At NAB2016 (18–21 April, Las Vegas Convention Center), FilmLight introduces Prelight, a freely licensed Mac OS X application designed to help DoPs and other professional creatives to author and … Continue reading →
FilmLight’s Baselight 5.0 extends HDR grading capabilities
FilmLight’s new Baselight 5.0, to be unveiled at NAB2016, introduces a completely fresh look to colour control and is the most sophisticated yet intuitive grading tool ever presented to professional colourists and creative artists across the production process. The latest … Continue reading →
Baselight Ka-booms in Belfast
Rapidly growing post house adds Baselight grading suite for new BBC broadcast project
Belfast production and post-production facility Ka-boom has installed a Baselight ONE grading suite with Slate control panel to add to its existing Baselight for Avid plugins. Initial … Continue reading →
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