Baselight Ka-booms in Belfast
Rapidly growing post house adds Baselight grading suite for new BBC broadcast project
Belfast production and post-production facility Ka-boom has installed a Baselight ONE grading suite with Slate control panel to add to its existing Baselight for Avid plugins. Initial … Continue reading →
Baselight 5.0 takes grading to a new level
FilmLight announces Baselight 5.0, a completely fresh approach to colour control
FilmLight, the leading developer of colour management and grading technologies, today announced the introduction of Baselight 5.0, the new version of its high-performance flagship colour finishing system. Baselight 5.0 … Continue reading →
Deadpool comes to life on Baselight
Deluxe’s EFILM post creates look for VFX-heavy movie
Deadpool is already one of 2016’s biggest box office hits. This darkly comic and graphic take on the superhero movie was finished by Tim Stipan on Baselight at Deluxe’s EFILM in Hollywood.… Continue reading →
Filmlab turns to Baselight for subtle and sophisticated grade on Oscar nominee, Son of Saul
Hungary’s Magyar Filmlabor posts Son of Saul from 35mm film shoot to DCP
Son of Saul, László Nemes’ Golden Globe winner, got its subtle grading atmosphere from one of the FilmLight Baselight suites at Budapest facility Magyar Filmlabor (Hungarian Filmlab). … Continue reading →
NEW Meet The Colourist: Fernando Medellin, Colourist, Oxido
Meet Fernando Medellin, Colourist at Oxido in Mexico City.
Oxido has two Baselight suites in its Oxido Films operation and has recently expanded with two Daylight on-set systems for dailies services. Colourist Fernando Medellin, an expert in grading for films … Continue reading →
postPerspective: Quick Chat – FilmLight CEO Wolfgang Lempp on HDR
From postPerspective:
Quick Chat – FilmLight CEO Wolfgang Lempp on HDR
FilmLight, creator of the popular BaseLight color grading system, has been making products targeting color since 2002. Over the years they have added other products that surround the … Continue reading →
BroadcastPro ME: Picture Perfect – Arab Telemedia Group
From BroadcastPro ME, Issue 68, February 2016:
Picture PerfectArab Telemedia Group has upped its game in the regional television market, with an incremental investment in FilmLight’s colour management techniques for its drama productions. BroadcastPro ME take a look … Continue reading →
Dolby chooses Baselight X for ultimate grading and finishing
FilmLight’s latest Baselight system fuels Dolby’s drive for HDR
FilmLight announced today that Dolby, long-term client and technology partner, has taken delivery of one of the first Baselight X systems, the latest and most advanced implementation of the Baselight hardware … Continue reading →
Televisual: ENVY Invests in Fifth Baselight Suite
From Televisual Magazine:
ENVY Invests in Fifth Baselight SuiteSince first opening its doors back in 2006, Envy has followed a rapid expansion plan, opening up building after building, with a consistent, sophisticated look and feel. The company has … Continue reading →
NEW Meet The Colourist: Senem Pehlivan Yagan, Lead Colourist, Imaj Post Production
Meet Senem Pehlivan Yagan, Lead Colourist at Imaj in Istanbul.
Senem first started her career in 2005 as a telecine assistant. She was soon promoted to senior colourist and has worked with many influential directors from around the world. In … Continue reading →
NEW Meet The Colourist: Matt Osborne, Colourist, The Mill
Meet Matt Osborne, Colourist at The Mill in Chicago.
Matt is a member of the renowned international Colour Team at The Mill, having freshly moving offices from London to Chicago. He recently graded a 7-minute epic for H&M starring David … Continue reading →
Post Magazine: Consumer Behavior and Emerging Technologies
From Post Magazine’s 30th anniversary issue (December, 2015):
Consumer Behavior and Emerging Technologies
Wolfgang Lempp
CEO, FilmLight
We already know what the technology issues will be in 2016. In movies, we will be talking about higher frame rates and high … Continue reading →
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