Los Angeles based post-production infrastructure specialist—Film + Data Design have selected FilmLight’s complete product range for a yet to be named client. The total investment worth $2.6 million included—three Baselight colour grading systems, two Northlight pin-registered film scanners and … Continue reading →

In late February, FilmLight hosted an event in LA for the Editors Guild, focussing on the Baselight colour grading system and its open system integration with Avid and Final Cut Pro.

At this event, Peter Postma demonstrated “non-linear” colour … Continue reading →

World-leading visual effects company—The Mill have added a third Baselight EIGHT colour grading system to the two Baselight EIGHTs already installed in London. The company selected the system for its New York facility, which already includes seven Flame suites, three … Continue reading →

A year on from acquiring their first Baselight FOUR system, Windmill Lane Ltd, the largest post-production house in Ireland, has purchased a second Baselight colour grading system. The company, who have a diverse portfolio and receive work for many feature … Continue reading →

Prime Focus London has completed post production on Anton Corbijn’s latest film, Linear. The project is a companion piece to U2’s new album No Line On The Horizon and will be available in special album formats including digipak and box … Continue reading →

FilmLight, a leading provider of digital film and video technology, today announced the introduction of Baselight Transfer (BLT), a low cost near-set and post-production solution for rapidly viewing, grading, … Continue reading →

FilmLight, a leading provider of digital film and video technology, announced an excellent start to 2009, with sixteen leading studios and facilities around the world opting for … Continue reading →

FilmLight, a leading provider of digital film and video technology, announced today that the company will not be exhibiting at the National Association of Broadcasters Convention (NAB) in Las … Continue reading →

FilmLight’s Baselight EIGHT was recently used to create the 2K DI for one of the year’s most eagerly anticipated feature films – THE CURIOUS CASE OF BENJAMIN BUTTON.

As featured in American Cinematographer magazine, read the full article by … Continue reading →

The legendary kingdom of Camelot, complete with its fire-breathing dragons, winged griffins, sword-wielding knights and “youthful” sorcerer, is brought magically to life in Merlin, a new family-oriented drama produced by Shine for the BBC. The show, which tells the … Continue reading →

Evolutions, the largest independent post-production facility in the UK, has purchased a Baselight HD colour grading system and upgraded its existing Baselight FOUR from FilmLight as part of a new £1 million expansion. The system will be installed in … Continue reading →

FilmLight’s Baselight colour grading system recently played a crucial role in the restoration of The Godfather and The Godfather, Part II and the creation of a new Digital Intermediate of the Director Cut of Part III for Paramount Home … Continue reading →