Event roundup: DI colour correction in Baselight and Avid integration
In late February, FilmLight hosted an event in LA for the Editors Guild, focussing on the Baselight colour grading system and its open system integration with Avid and Final Cut Pro.
At this event, Peter Postma demonstrated “non-linear” colour … Continue reading →
Baselight—The system of choice for The Mill New York
World-leading visual effects company—The Mill have added a third Baselight EIGHT colour grading system to the two Baselight EIGHTs already installed in London. The company selected the system for its New York facility, which already includes seven Flame suites, three … Continue reading →
Ireland’s Windmill Lane adds second Baselight
A year on from acquiring their first Baselight FOUR system, Windmill Lane Ltd, the largest post-production house in Ireland, has purchased a second Baselight colour grading system. The company, who have a diverse portfolio and receive work for many feature … Continue reading →
Digital Arts: Prime Focus London posts Anton Corbijn’s Linear film for U2 album
Prime Focus London has completed post production on Anton Corbijn’s latest film, Linear. The project is a companion piece to U2’s new album No Line On The Horizon and will be available in special album formats including digipak and box … Continue reading →
FilmLight Launches Baselight Transfer (BLT)
FilmLight, a leading provider of digital film and video technology, today announced the introduction of Baselight Transfer (BLT), a low cost near-set and post-production solution for rapidly viewing, grading, … Continue reading →
FilmLight continues worldwide success
FilmLight, a leading provider of digital film and video technology, announced an excellent start to 2009, with sixteen leading studios and facilities around the world opting for … Continue reading →
FilmLight not exhibiting at NAB 2009
FilmLight, a leading provider of digital film and video technology, announced today that the company will not be exhibiting at the National Association of Broadcasters Convention (NAB) in Las … Continue reading →
American Cinematographer: An Old Soul – Baselight adds the ‘finishing touches’ to Benjamin Button
FilmLight’s Baselight EIGHT was recently used to create the 2K DI for one of the year’s most eagerly anticipated feature films – THE CURIOUS CASE OF BENJAMIN BUTTON.
As featured in American Cinematographer magazine, read the full article by … Continue reading →
Mill TV Taps Baselight to Work Magic for BBC’s “Merlin”
The legendary kingdom of Camelot, complete with its fire-breathing dragons, winged griffins, sword-wielding knights and “youthful” sorcerer, is brought magically to life in Merlin, a new family-oriented drama produced by Shine for the BBC. The show, which tells the … Continue reading →
London’s Evolutions Adds Baselight as Part of £1 million Upgrade
Evolutions, the largest independent post-production facility in the UK, has purchased a Baselight HD colour grading system and upgraded its existing Baselight FOUR from FilmLight as part of a new £1 million expansion. The system will be installed in … Continue reading →
FilmLight’s Baselight Grades for Godfather DVD and Blu-ray Release
FilmLight’s Baselight colour grading system recently played a crucial role in the restoration of The Godfather and The Godfather, Part II and the creation of a new Digital Intermediate of the Director Cut of Part III for Paramount Home … Continue reading →
Visual Impact Adds Baselight to South African Operations
Visual Impact, a supplier of professional broadcast technology with offices in UK, Europe and South Africa, has purchased a Baselight HD colour grading system from FilmLight for use at its Visuals HDHUB facility in Cape Town. The new Baselight … Continue reading →
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