Visual Impact, a supplier of professional broadcast technology with offices in UK, Europe and South Africa, has purchased a Baselight HD colour grading system from FilmLight for use at its Visuals HDHUB facility in Cape Town. The new Baselight … Continue reading →

Restart Production, a post-house in located in Ljubljana, Slovenia has purchased a Northlight 2 2K|4K film scanner from FilmLight. The company, which provides film restoration, digital intermediate and … Continue reading →

PostFactory, Berlin, has added digital intermediate colour grading for feature films to its service offering through the purchase of a Baselight HD system from FilmLight. They system will be installed in an all-new DI grading theatre, purpose built to … Continue reading →

Seeking to capitalise on the current boom in Dutch film and television production, Amsterdam-based post-house Filmmore has purchased three new Baselight colour grading systems from FilmLight.

In 2002, Filmmore, then known as 50 … Continue reading →

FilmLight, a developer of film scanning, colour grading and colour management technology, has formed a strategic partnership with France’s Aaton, a pioneering manufacturer of motion picture equipment, to market the new AatonK 2K|4K ultra … Continue reading →

At the upcoming International Broadcast Convention (IBC) in Amsterdam, FilmLight will demonstrate a series of groundbreaking enhancements to Baselight, the industry’s leading non-linear colour grading system. They include Parallel … Continue reading →

As part of its current effort to support its growing position in the US commercial market, FilmLight has appointed Fred Medina to the post of Vice President of West Coast Sales. Medina, who arrives from a similar position with … Continue reading →

FilmLight, a leading provider of digital film and video technology, has appointed Richard Senior as Product Specialist. Senior will provide installation assistance, technical support and training for the entire … Continue reading →

Expanding it’s comprehensive offering for Australia’s burgeoning film, television and commercials markets, Sydney post-production house the LaB has acquired a Northlight 2 film scanner and Baselight FOUR and Baselight HD colour grading systems.

The Northlight scanner and Baselight FOUR form … Continue reading →

Splice, a post-production boutique located in Shoreditch, has acquired a Baselight HD from FilmLight and has already started to offer colour grading services to its clients. … Continue reading →

In the clearest indication yet that the era of 4K may have arrived, Post Logic Studios recently used FilmLight’s Baselight EIGHT colour grading system to grade and conform Reach for Me, the first feature to be shot and … Continue reading →

Widely regarded as a landmark achievement in cinematography, Paramount Pictures’ The Godfather (1972) is identical to most films of its era in one respect: it was not properly preserved.

Film-preservation expert Robert A. Harris … Continue reading →