FilmLight Systems Help Facilitate the Shifting Perspectives of “Take”
Colour plays a crucial role in Take, the new indie drama from writer/director Charles Oliver that recently made its world premiere at the Tribeca Film … Continue reading →
London’s The Mill Adds Second Baselight
FilmLight today announces the sale of a Baselight FOUR colour grading system to The Mill, the Academy Award-winning visual effects and post production facility based in London. … Continue reading →
Animal Logic Puts Best “Webbed” Foot Forward with FilmLight’s Truelight
Animal Logic, the Australian visual effects and animation company behind the feature film HAPPY FEET, relied on FilmLight’s Truelight technology for colour management during the … Continue reading →
FilmLight and Grass Valley to Demonstrate Baselight Software Control of Spirit Datacine
FilmLight and Grass Valley (www.thomsongrassvalley.com) will be conducting a joint demonstration at the National Association of Broadcasters Convention in which FilmLight’s Baselight colour grading system will … Continue reading →
Canada’s Newest Post House Selects Filmlight’s Baselight ONE-S for DI
Digital Film Central, Vancouver’s newest post production house, has selected Baselight ONE-S, FilmLight’s ground-breaking, software-based color grading system, as the key component of its digital intermediate pipeline—currently the only complete DI service in British Columbia. Central, as the facility … Continue reading →
Leading Commercial facility Avenue Edit invests in FilmLight systems
FilmLight, a leading provider of digital film and video technology, announced today that leading Chicago based full-service post-production facility Avenue Edit has purchased and installed a Baselight FOUR colour grading system together with FilmLight’s recently launched Northlight 2 … Continue reading →
European DI market chooses FilmLight
FilmLight, a leading provider of digital film and video technology, announced an exceptional end to 2006 with fourteen leading studios and facilities across Europe opting for the FilmLight product range in November and December.
Peter Stothart, Commercial Director, … Continue reading →
FilmLight re-locates and expands North American Headquarters
FilmLight, a leading provider of digital film and video technology, announced today the relocation and expansion of its North American Headquarters based in LA.
The new 4700 square feet premises is situated on Cahuenga Blvd West between Hollywood and … Continue reading →
Award winning TV Drama ‘Doctor Who’ and spin off ‘Torchwood’ graded on Baselight EIGHT at The Mill, London
FilmLight, a leading provider of digital film and video technology, announced today that award winning BBC Sci-fi drama ‘Doctor Who’ (series two) and the spin off ‘Torchwood’ were both graded on FilmLight’s high performance colour grading system Baselight at The … Continue reading →
Channel 4 drama Longford graded on Baselight at The Mill, London
Longford, a controversial TV drama commissioned by Channel 4 and HBO aired last month starring Jim Broadbent as British peer Lord Longford. This feature-length drama is set in the last three decades of Lord Longford’s life during which time … Continue reading →
Casino Royale: Complete DI on FilmLight systems at Framestore CFC
FilmLight, a leading provider of digital film and video technology, announced today that its complete DI (Digital Intermediate) product range; scanning, colour management and grading, was used on the latest James Bond blockbuster movie Casino Royale at London based … Continue reading →
Anthony Minghella’s ‘Breaking and Entering’ graded on Baselight
Breaking and Entering opened across the UK on November 10th and is due for release in the US on December 8th. Directed by Anthony Minghella and starring Jude Law, Juliette Binoche and Robin Wright Penn it tells the story of … Continue reading →
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