Yearly Archives: 2013
Gatsby – A Toast to Post
Read all about the epic post-production effort on The Great Gatsby in the latest issue of Content+Technology ANZ.
Adrian Hauser, Senior Digital Intermediate Colourist at Cutting Edge, performed the grade. You can find out more about him and … Continue reading →
dock10 continues to invest in post services with new Baselight TWO grading system
Facility also selects Sony OLED monitor for enhanced viewing
dock10, the MediaCityUK-based media services provider, has purchased a Baselight TWO system for its new colour grading suite. dock10 recently hired renowned colourist Jamie Parry, who has used Baselight systems to … Continue reading →
Mixing it up: Spice Shop get interesting results in project for Fuse condominium
In Asia Image magazine, find out how Spice Shop and Porjai Films get interesting results in a commercial project for Fuse condominium.
This idea behind this commercial is to show how two different elements can combine to create something … Continue reading →
An exercise in precision: Cutting Edge’s Xtreme sport spot for Subaru Japan
In a high energy campaign designed to push the Subaru XV’s sporty features and image, Cutting Edge recently overcame a mountain of creative and technical challenges, including the need to be millimetre perfect from pre-vis to shoot, right through … Continue reading →
FilmLight at Dimension3 Festival 2013
Latest colour management solutions on display in Paris from 18-19 June
FilmLight will be demonstrating how its award-winning colour grading software and colour management systems can provide a ‘colour pipeline’ at every stage of production at the Dimension3 festival … Continue reading →
Restoring Richard III: VistaVision to 4K
Another great article on the restoration of Richard III, the 1955 film adaptation of the Shakespearean play directed by Laurence Olivier.
The exhaustive project was finished by Colorworks, Sony Pictures’ digital intermediate facility, with grading, conforming, DCP mastering … Continue reading →
Camera D’Or winner graded on Baselight at Technicolor Bangkok
This year’s Camera D’Or prize at Cannes went to the film Ilo Ilo, directed by Anthony Chen. It’s the first Singaporean film to win a major award at the Cannes Film Festival, and it was graded on Baselight TWO … Continue reading →
FilmLight Showcases End-to-End Color Pipeline at Expo Cine, Video y Televisión 2013
Latest solutions on display in Mexico from 04-07 June 2013
FilmLight will be demonstrating its latest products and developments in partnership with AMTEC (Stand A1) at Expo Cine, Video y Televisión 2013, and showing how its award-winning colour grading … Continue reading →
Screen Magazine: Baselight Provides the ‘Vampire Feel’ for Filmworkers and Vitamin
Filmworkers and Vitamin recently provided visual effects and post-production services for a new, national spot about a family of vampires who learn to love mornings thanks to Kellogg’s Nutri-Grain. Colour grading was performed in Baselight, giving the spot a … Continue reading →
FilmLight Kicks-Off Six City European Tour
Latest solutions on display in Amsterdam, Brussels, Cologne, Hamburg, Berlin and Munich
FilmLight will be demonstrating its latest products and developments in six cities throughout Europe, from 14 May – 11 June 2013. The tour will demonstrate how its … Continue reading →
Post FactoryNY Upgrades to Baselight TWO from FilmLight
New York based facility adds Baselight TWO to state-of-the-art screening room
Post FactoryNY, which has served the film, TV and commercials markets for more than 15 years, recently upgraded its state-of-the-art screening room on 6th Avenue with two Baselight … Continue reading →
Colorworks Aids in 4K Restoration of Richard III
Find out how Colorworks, Sony Pictures’ digital intermediate facility, finished an exhaustive restoration Richard III, the 1955 film adaptation of the Shakespearean play directed by Laurence Olivier.
Grading, conforming, DCP mastering and Blu-ray mastering were completed on a … Continue reading →
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