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Yearly Archives: 2017

Graded on Baselight: Pleasure

Director: Victor von Schirach
Colourist: Tomas Lindberg
Release date: 10 May 2017 (France)

Accepted for the Short Film Corner in Cannes 2017.

In the world’s oldest profession, it’s a rough place out there for a young girl. … Continue reading →

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Meet The Colourist: Duncan Russell, Freefolk, London

“It’s a bottomless toolset and I’m still finding new ways to grade with it. I continually share my wonderment with clients, some will geek out with me, and some don’t care as long as it looks how they envisaged their Continue reading →
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postPerspective: Creating the color of Hacksaw Ridge

From postPerspective:

Creating the color of Hacksaw Ridge

Australian colorist Trish Cahill first got involved in the DI on Mel Gibson’s Hacksaw Ridge when cinematographer Simon Duggan enquired about her interest and availability for the film. She didn’t have … Continue reading →

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Baselight delivers client confidence for FutureWorks

Leading Indian post company finishes high-profile work for film and television

FutureWorks Media, the leading Indian post production company, has installed two Baselight grading suites in its finishing facility in Mumbai. The company, which has three locations in the country’s … Continue reading →

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Meet The Colourist: Yoomin Lee, Jogger Studios, London

“To me, Baselight is by far the best grading system out of all the systems that I have used. To achieve the same thing, I can save a lot more time using Baselight with its great functions. It’s good to Continue reading →
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Umedia launches integrated Vancouver studio with Baselight

Umedia assembles renowned Visual Effects and Post Production team to launch new Vancouver facility

International production and post group Umedia has opened its fifth location based in the popular Canadian centre, Vancouver, incorporating high-quality visual effects services with finishing services. … Continue reading →

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Meet The Colourist: Special Video Interview with Peter Doyle, Supervising Colourist, Technicolor London

“The role of a colour grader is changing and it’s starting to morph to almost like a finishing artist. And that skillset is really being learnt as we go.”

Peter Doyle is one of film industry’s most distinguished supervising digital … Continue reading →

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Meet The Colourist: Soichi Satake, Toei Digital Lab, Tokyo

“Along with the ergonomic toolset, Baselight is the only system that offers me satisfaction for both productivity and creativity at same time.”

Toei Digital Lab is based in Tokyo and has three Baselight colour grading and finishing systems.

Soichi Satake … Continue reading →

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Meet The Colourist: Martin Klein, Filmmore

Filmmore operates in Amsterdam and Brussels.

Their colourist, Martin Klein, is a skilled artist who loves his work as well as photography, and keeps bees when he’s not in his colour room.

You can read the full interview here.… Continue reading →

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Graded on Baselight: I, Daniel Blake

Facility: Molinare
Colourist: Gareth Spensley
Release date: 21 October, 2016

Winner: Palme d’Or, Cannes 2016; Outstanding British Film of the Year, BAFTA Awards 2017; and many others…

A middle aged carpenter who requires state welfare after injuring … Continue reading →

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Graded on Baselight: Son of Saul

Facility: Magyar Filmlabor
Colourist: László Kovács
Release date: 29 April, 2016 (UK)

In the horror of 1944 Auschwitz, a prisoner forced to burn the corpses of his own people finds moral survival upon trying to salvage from … Continue reading →

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Graded on Baselight: Fantastic Beasts and Where to Find Them

Facility: Technicolor
Colourist: Peter Doyle
Release date: 18 November, 2016

The adventures of writer Newt Scamander in New York’s secret community of witches and wizards seventy years before Harry Potter reads his book in school.

Watch the … Continue reading →

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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