Author Archives: admin
Graded on Baselight: Gisaengchung (Parasite)
Colourist: Kevin Kang
Facility: Dexter The Eye
Release date: 30 May 2019 (South Korea)
Film director Bong Joon-ho wins Palme d’or at the 2019 Cannes Film Festival – the first Korean movie to win this prize – as … Continue reading →
Meet The Colourist: Adam Dolniak, Head of Picture, Splice, London
Graded on Baselight: Oh Mercy! (Roubaix, une lumière)
Colourist: Gilles Granier
Facility: Le Labo Paris
Release date: 22 May 2019 (France)
A police chief in northern France tries to solve a case where an old woman was brutally murdered. The film is directed by Arnaud … Continue reading →
Graded on Baselight: Overcomer
Colourist: Keith Roush
Facility: Roush Media
Release date: 23 August 2019 (US)
Life changes overnight for coach John Harrison when his high school basketball team’s state championship dreams are crushed under the weight of unexpected news. When … Continue reading →
Graded on Baselight: The Victim
Colourist: Alex Gascoigne
Facility: Technicolor
Release date: 8 April 2019 (UK)
A mother seeks the whereabouts of her son’s killer after he is released from prison, unleashing a series of events that surface tragic memories and unexpected … Continue reading →
Graded on Baselight: Breakthrough
Colourist: Maxine Gervais
Facility: Technicolor
Release date: 17 April 2019 (USA)
When her 14-year-old son drowns in a lake, a faithful mother prays for him to come back from the brink of death and be healed.
Watch … Continue reading →
Graded on Baselight: Our Planet
Colourist: Adam Inglis
Facility: Films@59
Release date: 5 April 2019 (USA)
Documentary series focusing on the breadth of the diversity of habitats around the world, from the remote Arctic wilderness and mysterious deep oceans to the vast … Continue reading →
FilmLight introduces ProRes RAW native support
The latest version of the core Baselight software, version 5.2, and Daylight now support native access to the ProRes RAW format. This is one of the first full implementations of the ProRes RAW format from a world-leading professional colour grading … Continue reading →
At NAB 2019, FilmLight adds more to modern colour finishing and delivery
With the colour grading suite now the hub for finishing on movies, premium television and commercials, FilmLight is focusing on putting all the right colour tools into the hands of the creatives who need them, and on simplifying the pipeline … Continue reading →
Latest FilmLight Colour Day to be held at NAB2019
Free colour masterclass demonstrates latest workflows and techniques with leading colourists
The next in the series of acclaimed FilmLight Colour Day masterclasses will be held alongside NAB on Monday 8th April 2019. Presented by industry leaders in creative grading, this … Continue reading →
Graded on Baselight: Captain Marvel
Facility: Technicolor
Colourist: Doug Delaney
Release date: 8 March 2019
Carol Danvers becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races.
Watch the trailer … Continue reading →
Camera & Light: ARRI Academy HDR Master Class
In Camera & Light magazine, you can read about the ARRI Academy HDR master class at the San Sebastián Film Festival…
“Within the 66th internationalSan Sebastián Film Festival, an event organised by ARRI/VCI and FilmLight was held, dedicated to … Continue reading →
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