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Meet The Colourist Special Interview: Wes Anderson brings ‘The French Dispatch’ to Cannes

Gareth Spensley, Company 3, London

“I think colour is considered at all levels of a Wes Anderson film – through costume design, production design, props and of course cinematography – culminating in the colours that are delivered to the grading suite, having been curated incredibly carefully.”

Gareth Spensley joined Company 3 in late 2020 after a long and successful tenure heading the colour grading department at boutique post facility Molinare TV & Film in London.

Recent projects include the highly-acclaimed series Killing Eve from creator Phoebe Waller-Bridge, Jed Mercurio’s international hit Bodyguard, the Downton Abbey movie, and the award-winning The Father.

In this interview, Gareth takes us behind the scenes of director Wes Anderson’s latest movie, The French Dispatch

You can read the full interview here

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