Gareth Spensley, Company 3, London
“I think colour is considered at all levels of a Wes Anderson film – through costume design, production design, props and of course cinematography – culminating in the colours that are delivered to the grading suite, having been curated incredibly carefully.”
Gareth Spensley joined Company 3 in late 2020 after a long and successful tenure heading the colour grading department at boutique post facility Molinare TV & Film in London.
Recent projects include the highly-acclaimed series Killing Eve from creator Phoebe Waller-Bridge, Jed Mercurio’s international hit Bodyguard, the Downton Abbey movie, and the award-winning The Father.
In this interview, Gareth takes us behind the scenes of director Wes Anderson’s latest movie, The French Dispatch…
You can read the full interview here.