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Meet The Colourist

Meet The Colourist: Yoomin Lee, Jogger Studios, London

“To me, Baselight is by far the best grading system out of all the systems that I have used. To achieve the same thing, I can save a lot more time using Baselight with its great functions. It’s good to Continue reading →
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Meet The Colourist: Special Video Interview with Peter Doyle, Supervising Colourist, Technicolor London

“The role of a colour grader is changing and it’s starting to morph to almost like a finishing artist. And that skillset is really being learnt as we go.”

Peter Doyle is one of film industry’s most distinguished supervising digital … Continue reading →

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Meet The Colourist: Soichi Satake, Toei Digital Lab, Tokyo

“Along with the ergonomic toolset, Baselight is the only system that offers me satisfaction for both productivity and creativity at same time.”

Toei Digital Lab is based in Tokyo and has three Baselight colour grading and finishing systems.

Soichi Satake … Continue reading →

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Meet The Colourist: Martin Klein, Filmmore

Filmmore operates in Amsterdam and Brussels.

Their colourist, Martin Klein, is a skilled artist who loves his work as well as photography, and keeps bees when he’s not in his colour room.

You can read the full interview here.… Continue reading →

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Meet The Colourist: Aline Sinquin, Senior Colourist & Founder, FIVEONE COLOR

French born, Aline Sinquin first intended to be a DOP but when she encountered colour grading, she could not let go.

Aline’s creative energy and passion is apparent in her entire body of work where she has worked across many … Continue reading →

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Meet The Colourist: Chris Rodgers, Colourist, Molinare

Meet Chris Rodgers, Colourist at Molinare.

Chris Rodgers joined Molinare’s DI team as Colourist in October 2014, to focus on TV dramas and factual series. Joining from Splice TV, Chris’s drama and comedy credits include Class, Cold Feet and Fungus … Continue reading →

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Special Interview: Ben Gervais, Technical Supervisor, Billy Lynn’s Long Halftime Walk

Check out our Special Interview with Ben Gervais, Technical Supervisor on Ang Lee’s Billy Lynn’s Long Halftime Walk.

The film was shot at 120 frames-per-second (fps), with high dynamic range and extended colour gamut, and in 3D – and … Continue reading →

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Meet The Colourist: Jill Bogdanowicz, Senior Colourist, Deluxe

Meet Jill Bogdanowicz, Senior Colourist, Deluxe.

Jill Bogdanowicz has brought her unique talents to such films as The Grand Budapest Hotel, Gran Torino and Ted, among many others. Her father was a senior film colour scientist for Kodak, … Continue reading →

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Meet The Colourist: Anthony Raffaele, Senior Colourist, Technicolor PostWorks NY

Meet Anthony Raffaele, Senior Colourist, Technicolor PostWorks NY.

Anthony Raffaele began his career with Nice Shoes in 2001 and joined Deluxe in 2009. Now at Technicolor PostWorks, Anthony is one of the most sought-after colourists in the city, recently working … Continue reading →

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Meet The Colourist: Beau Leon, Lead Colourist, Framestore, Los Angeles

Meet Beau Leon, Lead Colourist at Framestore, Los Angeles.

Beau joined Framestore in October 2015. His appointment marked the opening of the LA colour studio, adding further creative firepower to Framestore’s West Coast operation.

You can read the full interview … Continue reading →

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NEW Meet The Colourist: Stuart Fyvie, Freelance Senior Colourist, London

Meet Stuart Fyvie, a freelance colourist based in London.

Stuart has worked on many film and TV productions including director Alan Rickman’s feature film staring Kate Winslet, ‘A Little Chaos’, and more recently BBC drama ‘The Rack Pack’ as well … Continue reading →

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NEW Meet The Colourist: Fernando Medellin, Colourist, Oxido

Meet Fernando Medellin, Colourist at Oxido in Mexico City.

Oxido has two Baselight suites in its Oxido Films operation and has recently expanded with two Daylight on-set systems for dailies services. Colourist Fernando Medellin, an expert in grading for films … Continue reading →

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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