
▶️ Colour Online: Creating the look for Netflix’s ‘Tribes of Europa’. Friday, March 5
with Stephan Kuch, Colourist at PANOPTIMO, DoP Christian Rein, and Andy Minuth, FilmLight Colour Workflow Specialist
In this exclusive discussion, FilmLight interviews the talent behind the new sci-fi TV series from Netflix. Released on February 19, Tribes of Europa tells … Continue reading →

FilmLight strengthens its position in Russia
English version | Русская версия
To support the rapidly growing market for content creation in Russia, FilmLight has recently extended its reach in the country by welcoming two new customers, as well as performing a full system upgrade for the … Continue reading →

FilmLight releases Baselight 5.3
New features developed to promote control, creativity, confidence and collaboration
FilmLight today announced Baselight 5.3, the latest release of the company’s renowned colour grading platform.
This release includes many improvements to boost control throughout the grading process, such as Partial … Continue reading →

▶️ Colour Online: Colour at Camerimage 2020. Thursday, December 10
Presenting the outstanding colour and talent behind the best movies from Camerimage 2020
In this exclusive discussion, FilmLight interviews the colourists behind some of the biggest hits of the 2020 Camerimage International Film Festival.
We introduce you to five films graded on … Continue reading →

illuminate upgrades to Baselight for HDR and 4K
Los Angeles post-production and production studio illuminate Hollywood (aka HTV) has added a second Baselight TWO colour grading workstation to their broad portfolio of services. Both Baselight systems use the Blackboard 2 control panel for the ultimate proficiency for their colourists.… Continue reading →

▶️ Colour Online: Developing Digital Images. Tuesday, October 27
with Andy Minuth, FilmLight Colour Workflow Specialist
In this new live webinar, Andy Minuth demonstrates best practice for developing digitally acquired images and for building a layer stack.
Andy will focus on establishing a robust and creatively encouraging environment, where … Continue reading →

Meet The Colourist: Aljoscha Hoffmann, Colourist, CinePostproduction, Munich

▶️ Colour Online: Advanced Copy and Paste Techniques. Thursday, September 10
Baselight has a whole host of powerful features to help you copy grades and parameters quickly and easily across the Baselight timeline. Join us for this webinar, where Andy Minuth will demonstrate how to make the … Continue reading →

▶️ Colour Online: Daylight, operación y automatización de flujos de trabajo. Martes, Agosto 4
Con la colaboración de Victor Reyes & Francisco Monje de FilmLight
Daylight es un producto de FilmLight para el manejo & administración de media, con un gran poder de procesamiento de dailies.
Este webinar te llevará de la mano para … Continue reading →

Meet The Colourist: Naotaka Takahashi, Senior Colourist, L’espace Vision, Tokyo

▶️ Colour Online: sRGB… We Need To Talk. Thursday, July 23
with FilmLight’s Daniele Siragusano
In times where we base our visual decisions increasingly on remote grading and remote viewing technology, the sRGB standard has become even more significant. As consumers too, we’re viewing a growing amount of content via standard computer monitors.… Continue reading →

From Avid: Teaming up with Baselight for Avid. Thursday, July 09
Thursday, July 09
11:00 EST
See how Baselight’s colour tools can enhance your scene, and how the new Multi-Paste feature allows for easy copying of colour correction between sequences. Using Baselight for Media Composer, … Continue reading →
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