Acclaimed director Ang Lee visits FilmLight at IBC 2016
It was wonderful to have acclaimed director Ang Lee visit the FilmLight stand at IBC on Sunday 11 September, along with Ben Gervais, Production Systems Supervisor on ‘Billy Lynn’s Long Halftime Walk’.
Mr Lee was at IBC to present the … Continue reading →
FilmLight and HS-ART offer new integrated grading and film restoration workflow
The Baselight-DIAMANT combination is already being used successfully at Czech TV
HS-ART and FilmLight have been working together to jointly offer FilmLight’s Baselight colour grading system and HS-ART’s DIAMANT-Film restoration software as a complete, fully integrated workflow for digital cinema … Continue reading →
FilmLight brings end-to-end colour tools and talks to IBC2016
Exclusive colour workshops supplement comprehensive demonstrations of newest platform, Baselight X, and upcoming software version, Baselight 5.0
Underlining its position as the leader in colour science and creative collaborative finishing, FilmLight is presenting its full range of tools at IBC2016, … Continue reading →
Meet The Colourist: Jill Bogdanowicz, Senior Colourist, Deluxe
Meet Jill Bogdanowicz, Senior Colourist, Deluxe.
Jill Bogdanowicz has brought her unique talents to such films as The Grand Budapest Hotel, Gran Torino and Ted, among many others. Her father was a senior film colour scientist for Kodak, … Continue reading →
FilmLight expands creative possibilities for professional post at BIRTV 2016
More leading facilities in China adopt Baselight; new functionality and products complete end-to-end finishing workflow
As China increases its professional post-production market sector, growing rapidly with content creation and adopting sophisticated workflows, FilmLight is planning a major presence at BIRTV … Continue reading →
C+T: DoP Heads Up – From Production to Finish
From C+T:
DoP Heads Up – From Production to Finish
Wolfgang Lempp, CEO and co-founder, FilmLight, reports.
Movies and high quality television programmes are now routinely shot with digital cameras, and completed with a range of extremely powerful post-production … Continue reading →
Technicolor PostWorks creates colour for Café Society
Baselight helps director Woody Allen and cinematographer Vittorio Storaro cross the bridge between film and digital for dailies and finishing
Technicolor PostWorks New York completed the finishing on Café Society, Woody Allen’s first digital motion picture as a director, which … Continue reading →
Meet The Colourist: Anthony Raffaele, Senior Colourist, Technicolor PostWorks NY
Meet Anthony Raffaele, Senior Colourist, Technicolor PostWorks NY.
Anthony Raffaele began his career with Nice Shoes in 2001 and joined Deluxe in 2009. Now at Technicolor PostWorks, Anthony is one of the most sought-after colourists in the city, recently working … Continue reading →
The Legend of Tarzan creates unique 3D and colour collaboration
Prime Focus and Technicolor join forces using FilmLight’s BLG workflow to ensure director can see completed grades throughout stereo conversion process
Director David Yates wanted a big, expansive feel for his fresh take on the Edgar Rice Burroughs classic, The … Continue reading →
postPerspective: Encore colorist Laura Jans Fazio goes dark with ‘Mr. Robot’
From postPerspective:
Encore colorist Laura Jans Fazio goes dark with ‘Mr. Robot’
After watching Mr. Robot when it premiered on USA Network last year, I changed all of my computer passwords and added a degree of difficulty that I’m … Continue reading →
Meet The Colourist: Beau Leon, Lead Colourist, Framestore, Los Angeles
Meet Beau Leon, Lead Colourist at Framestore, Los Angeles.
Beau joined Framestore in October 2015. His appointment marked the opening of the LA colour studio, adding further creative firepower to Framestore’s West Coast operation.
You can read the full interview … Continue reading →
FilmLight demonstrates extended grading creativity at Expo Cine
The Baselight environment, already the most sophisticated suite of creative tools for colour grading, has been boosted with the recent introduction of version 5.0 of the core software. The benefits of render-free, collaborative workflows with Baselight will be demonstrated at … Continue reading →
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