FilmLight strengthens collaborative colour pipeline with industry-leading partners at NAB
Camera-to-screen collaboration propelled even further with Baselight and BLG
At NAB 2015, FilmLight demonstrates a total step change in the speed and versatility with which colour graded media can be produced, shared and changed – inexpensively – at every stage … Continue reading →
New top-end finishing house sees first implementation of Baselight’s latest generation of hardware
LA facility, SHED Santa Monica, built around Generation VI for optimum colour
FilmLight today announced that SHED, a new creative finishing boutique in Santa Monica, California, is the launch customer for the latest generation of Baselight multi-GPU hardware platform, which … Continue reading →
At NAB 2015: FilmLight extends flexible and efficient BLG colour workflow
Complete product range for innovative scene-to-screen metadata-based colour workflow now includes new Daylight dailies software and the extension of Baselight Editions
FilmLight’s products for colour grading and finishing have a reputation for being the ultimate in productivity and creativity. With … Continue reading →
Bringing Meaning to Chappie’s Colour
SKYLAB designs an integrated ACES colour workflow with FilmLight’s BLG and Baselight grading system
Leading post-house, SKYLAB (formerly Digital Film Central), recently developed an innovative new workflow to tightly integrate creative grading with both editorial and VFX for Neill Blomkamp’s … Continue reading →
Third Baselight grading suite helps LipSync Post complete acclaimed ‘Wolf Hall’
Leading London facility expands capacity to meet demand from movies and television drama
Top London creative post-house LipSync Post has opened its third grading suite, incorporating a Baselight grading system and Blackboard control panel from FilmLight. The suite has been … Continue reading →
Post Magazine: Technicolor-PostWorks employs Baselight for Avid to enhance the look of ‘Brain Games’
From the March edition of Post Magazine… Find out how colourist Chris DiBerardino uses Baselight for Avid in a new approach for the fourth season of Brain Games…
Technicolor-PostWorks employs a novel approach to color to enhance the… Continue reading →
Technicolor Montreal goes further with Baselight
Doubling of FilmLight grading suites meets increasing demand for film and television finishing in the city
Technicolor, the world leader in production and post-production services, blends innovative technologies with award-winning colourists at its global post facilities, each bringing their own … Continue reading →
3sixtymedia installs Baselight and 20 Baselight for Avid seats
Broadcast post facility integrates grading for a more efficient premium television workflow
3sixtymedia, which provides post-production, creative services and studio crewing for broadcast productions in the north of England, has added a Baselight TWO colour grading system with Blackboard control … Continue reading →
TV-Bay: Fixing It in Parallel
From #97 of the TV-Bay Kitplus magazine (January 2015)…
Fixing it in parallelDaniele Siragusano, Workflow Consultant, FilmLight
Whenever something went wrong in television production, the cry was always “We’ll fix it in post”. Except that there was rarely enough … Continue reading →
2015 Golden Globes – The Winners
Congratulations to all the nominees – and winners – at last weekend’s Golden Globe awards. Of course, we’re particularly proud of the Baselight productions…
‘The Theory of Everything’, graded by Peter Doyle for Technicolor, scored a BEST ACTOR IN A … Continue reading →
The Broadcast Bridge: Molinare Grades Dailies for BBC Esio Trot
“It was the first time we had done this. The show had a permanent pair of human eyeballs instead of predefined LUTs applied arbitrarily.”
Find out about the dailies grading process that London facility Molinare devised for Esio Trot, … Continue reading →
35th London Critics’ Circle Film Awards
The countdown to the annual London Critics’ Circle Film Awards has begun. Baselight was well-represented with nominees in FILM OF THE YEAR, FOREIGN LANGUAGE FILM OF THE YEAR, BRITISH FILM OF THE YEAR and DOCUMENTARY OF THE YEAR.
Leading the … Continue reading →
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