FilmLight Provides A Taste Of Baselight for Editors
At NAB 2011, FilmLight is previewing a new Baselight colour grading plugin for Apple® Final Cut Pro®. The plugin is aimed primarily at smaller editorial and post-production facilities, … Continue reading →
London’s UNIT Adds Baselight
In a significant boost to its colour grading services for commercials, Soho post-production company UNIT has purchased a Baselight HD colour grading system from FilmLight. The new grading system … Continue reading →
Technicolor & FilmLight Join Forces to Provide On-Location Color
Technicolor (Euronext Paris: TCH), a worldwide provider of production and post-production services, and FilmLight, a developer of film scanning, color grading and color management technology, today announced a … Continue reading →
Creative COW: Restoring Martin Scorsese’s ‘Taxi Driver’ in Sony 4K Digital Cinema
Sony has recently restored Taxi Driver for its 35th anniversary. The restoration used Sony’s Baselight EIGHT and Baselight FOUR systems as part of the process to digitally restore and re-master the film to 4K, for a limited 4K theatrical release … Continue reading →
Glassworks invests in a Baselight HD colour grading system from FilmLight to help expand its customer base
Wanting to offer a more sophisticated service to existing clients, as well as opening itself up to a broader market, Glassworks Amsterdam, the country’s leading visual effects post house, has invested in a Baselight HD colour grading system from Film… Continue reading →
London’s Spring Studios Adds Baselight
Spring Studios, one of Europe’s premiere photographic studios, has purchased a Baselight colour grading system from FilmLight as part of its ongoing diversification … Continue reading →
“The King’s Speech” Graded on Baselight at Molinare
The King’s Speech, this year’s winner of the Academy Award for Best Picture, went through final DI grading on Baselight at the post house Molinare in London. The project reunited DI colourist Gareth Spensley and Director Tom Hooper (the … Continue reading →
Baselight and Avid at work on ‘Jamie Oliver’s 30-Minute Meals’
From acquisition to delivery, Baselight and Avid® provide the modern post-production facility with a total solution for file-based workflows.
Baselight’s editing integration enables truly collaborative non-linear grading within an Avid non-linear editing environment.
Watch Chris Rodgers from Splice discussing the … Continue reading →
One More Production for Baselight
In a move to extend its post-production and grading capabilities, Paris-based visual effects studio, One More Production, has invested in a Baselight colour grading system from Film… Continue reading →
FilmLight upgrades the power of Baselight
FilmLight today announced the release of the latest version of its award-winning Baselight colour grading system. Baselight 4.2 is now available for … Continue reading →
Cincinnati’s Red Echo Post Adds Colour Grading Service via FilmLight’s Baselight
Cincinnati, Ohio post house Red Echo Post has acquired a Baselight colour grading system from FilmLight to serve as the centrepiece of its newly-formed Rage & Color division. In adding colour grading via Baselight to its existing editorial, graphics, animation … Continue reading →
Filmworkers Upgrades Colour Grading Resources with FilmLight’s Baselight
Filmworkers, one of the United States’ leading providers of colour grading and other final post production services, has made a multi-million dollar investment … Continue reading →
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