German television producer Grundy UFA has become the first company in Europe to implement newly-developed file sharing technology from FilmLight as part of a “tapeless” workflow for HD television production.

Producers of such popular German soaps as Gute Zeiten, … Continue reading →

FilmLight’s colour management system Truelight On-Set is currently being used by the CBS television series Criminal Minds to set preliminary colour values during production. The system allows cinematographer Greg St. … Continue reading →

Leading a growing trend amongst creative editorial post houses, Chainsaw, based in Hollywood, California, has bought a Baselight HD to integrate with its non-linear post production workflow. To support this latest acquisition, Chainsaw recently hired Andy Lichtstein to be its … Continue reading →

When boutique facility ‘One Of Us’ decided to expand their service offering they looked no further than FilmLight’s colour grading system—Baselight. It was the ‘obvious choice’ for a company who already had many years previous experience with Baselight, knowing … Continue reading →

Oriental Post, in cooperation with Kantana Laboratories, has implemented FilmLight’s industry leading Truelight Colour Management technology throughout their DI, video post-production and film laboratory facilities. The company, which provides film scanning and recording, television transfer, editorial visual effects and … Continue reading →

Oriental Post Vietnam Co. Ltd., has purchased a Baselight HD colour grading system for deployment in their new post-production facility in Ho Chi Minh City, Vietnam. The system … Continue reading →

Nice Shoes, the New York commercial post facility, has recently invested more than $3 million to upgrade its colour-correction rooms from their long-standing da Vinci suites to brand-new Baselight EIGHT systems.

Some 30 percent of the facility’s business is projects … Continue reading →

FilmLight, a leading provider of digital film and video technology, announced today that Mexican-based commercial post-production facility Lomas Post has invested in a Baselight ONE colour grading system. The company prides itself as a ‘one-stop shop solution’ specialising in … Continue reading →

Colorado’s longest running post-house, Crosspoint, required a dedicated colour grading system that would complete their services from start-to-finish, offering clients a non-linear SD to 2K workflow. The company selected Baselight, which enabled Crosspoint to fulfill their needs and ensure high … Continue reading →

Sony Pictures Technologies has chosen FilmLight’s Baselight colour grading system and Truelight colour management to be installed in a dedicated post-production facility at Sony Pictures Entertainment’s Culver City headquarters. The systems include editorial, grading and finishing and will form … Continue reading →

Toronto-based post-production company Posterboy Inc. has become the first customer worldwide to purchase the recently launched Baselight Transfer system (BLT) from FilmLight. A cost effective, digital telecine tool, the BLT enables seamless integration of REDCODE Raw source into standard … Continue reading →

Los Angeles based post-production infrastructure specialist—Film + Data Design have selected FilmLight’s complete product range for a yet to be named client. The total investment worth $2.6 million included—three Baselight colour grading systems, two Northlight pin-registered film scanners and … Continue reading →