Yearly Archives: 2008

Post Boutique Grading Series for Discovery and Channel 5; Takes Aim at Features

Splice, a post-production boutique located in Shoreditch, has acquired a Baselight HD from FilmLight and has already started to offer colour grading services to its clients. … Continue reading →

In the clearest indication yet that the era of 4K may have arrived, Post Logic Studios recently used FilmLight’s Baselight EIGHT colour grading system to grade and conform Reach for Me, the first feature to be shot and … Continue reading →

4K capability was key to success

Widely regarded as a landmark achievement in cinematography, Paramount Pictures’ The Godfather (1972) is identical to most films of its era in one respect: it was not properly preserved.

Film-preservation expert Robert A. Harris … Continue reading →

Lumeni Productions Inc., one of Hollywood’s top full-service producers of feature film trailers, main titles and other movie marketing media, has invested in a Baselight HD from FilmLight. The company plans to use the system for colour grading theatrical … Continue reading →

“For Commercials, It’s the Best System Available” says CEO Anders Hägglund

Morgankane, one of the largest suppliers of post-production services in Scandinavia, has invested in a Baselight HD from FilmLight enabling it to offer colour grading services for the … Continue reading →

Facility Plans New Collaborative Workflow for Commercial Post

Nice Shoes, New York’s largest provider of post-production services to the advertising industry, has agreed to purchase more than $3 million in new colour grading technology from FilmLight. The purchase includes … Continue reading →

DI Workflow Features Five Baselight colour grading systems and a Northlight 2

Adlabs, part of the Reliance Anil Dhirubhai Ambani Group and India’s largest entertainment conglomerate, has made a major investment in state-of-the-art 4K film scanning, colour grading and colour … Continue reading →

At the National Association of Broadcasters Convention in Las Vegas, Thomson Grass Valley and FilmLight will conduct a groundbreaking demonstration in which FilmLight’s Baselight colour grading system will control a Thomson Grass Valley Spirit as a telecine controller. … Continue reading →

Affordable Colour Management for Third Party Applications

At the National Association of Broadcasters Convention, FilmLight will introduce a radical extension of its industry-leading Truelight colour management system that will include support for the most widely used third-party colour correction, … Continue reading →

At the upcoming NAB Show (National Association of Broadcasters Convention), Sony and FilmLight will demonstrate grading and display of uncompressed 4K imagery in real-time. The demonstrations will be conducted at both the Sony booth (SU906) and the FilmLight … Continue reading →

Facility’s New 2K/4K DI Workflow Aimed at Features & Commercials

Windmill Lane Ltd, the largest post-production house in Ireland, has become the first facility in the country to purchase FilmLight’s Baselight colour grading system. The company plans to install … Continue reading →

Truelight On-Set to Debut at NAB

FilmLight has developed a version of its industry-leading colour management technology, Truelight, for use by film and television productions in performing basic colour correction functions on-set or on-location. Truelight On‑Set is aimed at the … Continue reading →