Author Archives: admin
Encore turns to Baselight to colour the story of Picasso
Deluxe finishes ‘Genius: Picasso’ for National Geographic
The second series of National Geographic’s popular series Genius focuses on the extraordinary life of painter Pablo Picasso. Colourist Pankaj Bajpai at Encore in Hollywood was charged with creating the look that evoked … Continue reading →
Meet The Colourist: Manuel Canchola, Mexico City
Meet The Colourist talks to Manuel Canchola, a freelance colourist based in Mexico … Continue reading →
Baselight helps Donbass meet Cannes deadline
Gritty Ukrainian movie benefits from flexible Baselight pipeline, supporting fast delivery to enable premiere at Cannes Film Festival
Donbass, a new movie by Ukrainian writer/director Sergei Loznitsa, is to be shown as a work-in-progress version at the 2018 Cannes … Continue reading →
FilmLight launches worldwide colour masterclass tour
Global series of masterclasses on HDR, colour workflows, and new grading and delivery tools
To help colourists, DoPs and the wider production and post industry understand the opportunities and challenges that HDR and new delivery formats bring, FilmLight is taking intensive … Continue reading →
Broadcast: Suite invests in Baselight for 4K HDR work
From Broadcast:
Suite invests in Baselight for 4K HDR workPurchase is part of facility-wide UHD 4K HDR upgrade
Post house Suite TV has upgraded its grading department with a FilmLight Baselight TWO grading suite with a Blackboard … Continue reading →
postPerspective: NAB 2018 – FilmLight’s Peter Postma
Peter Postma talks to postPerspective at NAB 2018 about the new features in Baselight 5.1, Baselight on Black Panther, BLG for Flame and more…
FilmLight introduces BLG for Flame at NAB2018
New plugin brings integrated creative colour to the Autodesk visual FX application, saves time for finishing workflows
At NAB2018, FilmLight is launching BLG for Flame as the latest product in the popular Baselight Editions range. BLG for Flame is a … Continue reading →
Baselight 5 evolves with unrivalled features for HDR, VFX and 360 VR
Popular and proven grading software platform from FilmLight celebrates success by adding even more functionality for future-proof workflows
“Baselight 5 feels like brand new software, improving on foundation features that merge a whole new level of incredible technical precision and … Continue reading →
The majestic colours of Marvel Studios’ Black Panther
Cinematographer Rachel Morrison, ASC and Colourist Maxine Gervais collaborate on a creative journey
The latest movie from the Marvel Studios stable, Black Panther, is wowing audiences and breaking box office records. Colourist Maxine Gervais of Technicolor Los Angeles was … Continue reading →
Considerations when shooting and posting HDR for movies
Daniele Siragusano, Image Engineer, FilmLight
HDR has rapidly moved to the forefront in discussions on how to shoot and post premium content. Movies are increasingly choosing HDR as a second order deliverable and are searching for a suitable archive strategy … Continue reading →
TVB Europe: Adding Colour to The Crown
From TVB Europe:
Molinare’s senior colourist Asa Shoul returned for series two of The Crown. He talks to Jenny Priestley about adding colour to the 1950s and 60s.
FOR THOSE OF US THAT DON’T KNOW, WHAT EXACTLY DOES … Continue reading →
Collaborative colour workflow creates Coney Island for Woody Allen’s 50th movie
Veteran cinematographer Vittorio Storaro previews FilmLight’s graded looks on Wonder Wheel set
For his 50th movie as a director, Woody Allen chose a story set in and around the famous Coney Island amusement park in 1950s New York. To create … Continue reading →
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