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Special Interview: Ben Gervais, Technical Supervisor, Billy Lynn’s Long Halftime Walk
Check out our Special Interview with Ben Gervais, Technical Supervisor on Ang Lee’s Billy Lynn’s Long Halftime Walk.
The film was shot at 120 frames-per-second (fps), with high dynamic range and extended colour gamut, and in 3D – and … Continue reading →
FilmLight provides future-proof picture finishing for Sky
Leading European broadcaster implements extensive FilmLight network to improve time, cost and creativity for short and long form content
Sky, Europe’s leading entertainment company, has extended the capabilities of its post-production department with a suite of high-performance colour tools and … Continue reading →
Gorilla goes large on FilmLight
Broadcast post house boosts collaborative workflows with Baselight upgrades
Gorilla is the largest post-production facility in Wales, with a brand new purpose-built flagship facility in the creative hub of Cardiff Bay. As part of a facility-wide upgrade, Gorilla has boosted … Continue reading →
Azimuth’s investment in Baselight provides high-end colour finishing
Innovative London facility adds world-leading Baselight colour grading system to network seamlessly with Avid
Boutique post house Azimuth has installed a Baselight ONE 24TB grading suite with Blackboard 2 control surface to bolster its newly revamped London Soho premises. The … Continue reading →
Graded on Baselight: Berlin Station
Facility: Deluxe’s Encore
Colourist: Pankaj Bajpai
Release date: Premiered on Epix, October 16, 2016 (USA)
Follows Daniel Miller (Richard Armitage), who has just arrived at the CIA foreign station in Berlin, Germany. Miller has a clandestine mission: … Continue reading →
Graded on Baselight: NAO ‘Bad Blood’
Facility: The Mill
Colourist: Luke Morrison
The Mill’s Luke Morrison teams up again with Ian Pons Jewell at FRIEND and B2Y Production on the grade for Nao’s “Bad Blood”.
Winner of Best Urban Video – UK at the … Continue reading →
Graded on Baselight: Freeview ‘The Other Way’
Facility: ENVY
Colourist: Danny Wood
ENVY teamed up with Anomaly and DBLG to launch an ambitious new campaign for Freeview. ‘The Other Way’ uses 1000 extras to create hundreds of highly contextual TV ads that talk to viewers … Continue reading →
Graded on Baselight: Billy Lynn’s Long Halftime Walk
Colourist: Adam Inglis
Release date: 11 November, 2016 (USA)
19-year-old Billy Lynn is brought home for a victory tour after a harrowing Iraq battle. Through flashbacks the film shows what really happened to his squad – contrasting the … Continue reading →
The sky is the limit for 4K IMAX HDR “Sully” with Baselight
Technicolor harnesses Baselight’s high-resolution capabilities for big-screen retelling of ‘Miracle on the Hudson’
To find out more about the grade on Sully, read our Case Study where you can also watch our interview with Maxine Gervais.
Technicolor LA recently … Continue reading →
Graded on Baselight: Juste La Fin Du Monde
Facility: MELS, Montréal
Colourist: Jérôme Cloutier
Release date: 21 September, 2016 (France)
English title: It’s Only the End of the World
Winner, Grand Prix at Cannes Film Festival 2016.
After 12 years of absence, Louis, a … Continue reading →
Graded on Baselight: Miss Peregrine’s Home for Peculiar Children
Facility: Technicolor
Colourist: Peter Doyle
Release date: 30 September, 2016
When Jacob discovers clues to a mystery that spans different worlds and times, he finds Miss Peregrine’s Home for Peculiar Children. But the mystery and danger deepen … Continue reading →
Animal Logic chooses FilmLight Baselight as end-to-end finishing solution
Leading digital animation and visual FX production studio Animal Logic installs Baselight
Award-winning digital animation and visual effects studio, Animal Logic, has installed two Baselight grading systems in its Sydney head office. The company – whose credits range from The … Continue reading →
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