Company update
With the COVID-19 outbreak, FilmLight, like many other companies, is taking measures to minimise risks to its staff and customers.
We have always supported our customers in a flexible manner, whether by WeChat, email, WhatsApp or phone, and this will … Continue reading →
FilmLight teams up with ARRI in Paris creative community
First 2020 Colour Day hosted in Paris on 28 January
Following the appointment of Matthieu Straub as the company’s technical and operational consultant to France and the Benelux countries in the summer of 2019, FilmLight is delighted to announce that … Continue reading →
Baselight helps to polish ‘Uncut Gems’
Uncut Gems is the latest movie from directing duo, the Safdie Brothers. The movie tells the story of a charismatic New York City jeweller and gambler (Adam Sandler), and is set in the diamond industry of New York. So it … Continue reading →
Celebrate Colour with FilmLight
We’re hosting a series of events to ring in the New Year. Click the link below to find out more, and to let us know if you can make it…
Tuesday, January 28
2pm – Workshop
ARRI, Paris
6pm – Drinks… Continue reading →
Golden Globe Awards 2020
Congratulations to all the winners of this year’s Golden Globes, announced on January 5 2020. Four of the main award-winners were finished on Baselight…
Best Motion Picture – Musical or Comedy
Once Upon a Time…in Hollywood
Graded by Yvan Lucas at … Continue reading →
Meet The Colourist: Nick Dalby, UNIT Studios, London
Nick Dalby has been with UNIT Studios in London for over … Continue reading →
Technicolor uses Baselight to create light and shade in ‘His Dark Materials’
Colourist Jean-Clément Soret integrates CGI and atmospheric shooting
One of the most awaited drama series of 2019, His Dark Materials, produced by Bad Wolf for BBC and HBO, was finished at Technicolor in London. With a story set in … Continue reading →
Meet The Colourist: Julien von Schultzendorff, nhb studios, Germany
Colour masterclasses at Camerimage 2019: 11-12 November
Monday 11 November, 12:00-13:30 & Tuesday 12 November, 14:00-15:30
CKK Jordanki
Understanding visual adaptation for multi-delivery projects
Coding of sensory information changes depending on stimulation and environment. Visual adaptation is a highly dynamic process. It continuously regulates our perception and … Continue reading →
Directors Cut upgrades to Baselight for HDR and 4K
Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as … Continue reading →
Power of Baselight X on display at the heart of Inter BEE
Yoko Kimura joins to spearhead sales and marketing in region
FilmLight is to demonstrate the state of the art in creative colour and efficient workflows for production and post on its booth at Inter BEE 2019 (13–15 November, Makuhari Messe, … Continue reading →
Fifty Fifty adds second Baselight grading suite
Experienced long-form colourist, Joe Stabb, to push boundaries of 4K and HDR deliveries
Leading London boutique post house Fifty Fifty has added a second Baselight grading suite as part of its expansion programme. With the growing interest in top end content … Continue reading →
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