Celebrate Colour with FilmLight
We’re hosting a series of events to ring in the New Year. Click the link below to find out more, and to let us know if you can make it…
Tuesday, January 28
2pm – Workshop
ARRI, Paris
6pm – Drinks… Continue reading →
Golden Globe Awards 2020
Congratulations to all the winners of this year’s Golden Globes, announced on January 5 2020. Four of the main award-winners were finished on Baselight…
Best Motion Picture – Musical or Comedy
Once Upon a Time…in Hollywood
Graded by Yvan Lucas at … Continue reading →
Meet The Colourist: Nick Dalby, UNIT Studios, London
Nick Dalby has been with UNIT Studios in London for over … Continue reading →
Technicolor uses Baselight to create light and shade in ‘His Dark Materials’
Colourist Jean-Clément Soret integrates CGI and atmospheric shooting
One of the most awaited drama series of 2019, His Dark Materials, produced by Bad Wolf for BBC and HBO, was finished at Technicolor in London. With a story set in … Continue reading →
Meet The Colourist: Julien von Schultzendorff, nhb studios, Germany
Colour masterclasses at Camerimage 2019: 11-12 November
Monday 11 November, 12:00-13:30 & Tuesday 12 November, 14:00-15:30
CKK Jordanki
Understanding visual adaptation for multi-delivery projects
Coding of sensory information changes depending on stimulation and environment. Visual adaptation is a highly dynamic process. It continuously regulates our perception and … Continue reading →
Directors Cut upgrades to Baselight for HDR and 4K
Independent London post house Directors Cut Films – owned and operated by its creative staff – has invested in a Baselight TWO colour grading workstation with a Blackboard 2 control panel. Directors Cut works primarily in premium long-form television, as … Continue reading →
Power of Baselight X on display at the heart of Inter BEE
Yoko Kimura joins to spearhead sales and marketing in region
FilmLight is to demonstrate the state of the art in creative colour and efficient workflows for production and post on its booth at Inter BEE 2019 (13–15 November, Makuhari Messe, … Continue reading →
Fifty Fifty adds second Baselight grading suite
Experienced long-form colourist, Joe Stabb, to push boundaries of 4K and HDR deliveries
Leading London boutique post house Fifty Fifty has added a second Baselight grading suite as part of its expansion programme. With the growing interest in top end content … Continue reading →
Getting started with Baselight. New York. October 23.
Join FilmLight and Light Iron for an introduction to Baselight, FilmLight’s colour grading, VFX and finishing solution.
This free one-day course covers the core fundamentals of colour grading, colour spaces and media management in Baselight v5. The course combines demonstrations … Continue reading →
Artjail raises the bar with Baselight colour grading
Independent VFX boutique Artjail has added a Baselight grading suite in each of its locations: one in its New York studio, and one in Toronto their newest studio that opened in January. Bringing grading and VFX together will strengthen the … Continue reading →
Fast-forward to creative results with FilmLight at IBC2019
New Blackboard Classic control panel on show, as well as workflow improvements for VFX, dailies, broadcast and more.
At this year’s IBC, FilmLight (Amsterdam, 13-17 September, stand #7.A45) is demonstrating new colour management tools and products designed to improve efficiency … Continue reading →
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