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Baselight helps Donbass meet Cannes deadline

Gritty Ukrainian movie benefits from flexible Baselight pipeline, supporting fast delivery to enable premiere at Cannes Film Festival

Donbass, a new movie by Ukrainian writer/director Sergei Loznitsa, is to be shown as a work-in-progress version at the 2018 Cannes … Continue reading →

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FilmLight launches worldwide colour masterclass tour

Global series of masterclasses on HDR, colour workflows, and new grading and delivery tools

To help colourists, DoPs and the wider production and post industry understand the opportunities and challenges that HDR and new delivery formats bring, FilmLight is taking intensive … Continue reading →

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Broadcast: Suite invests in Baselight for 4K HDR work

From Broadcast

Suite invests in Baselight for 4K HDR work

Purchase is part of facility-wide UHD 4K HDR upgrade

 

Post house Suite TV has upgraded its grading department with a FilmLight Baselight TWO grading suite with a Blackboard … Continue reading →

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postPerspective: NAB 2018 – FilmLight’s Peter Postma

Peter Postma talks to postPerspective at NAB 2018 about the new features in Baselight 5.1, Baselight on Black Panther, BLG for Flame and more…

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FilmLight introduces BLG for Flame at NAB2018

New plugin brings integrated creative colour to the Autodesk visual FX application, saves time for finishing workflows

At NAB2018, FilmLight is launching BLG for Flame as the latest product in the popular Baselight Editions range. BLG for Flame is a … Continue reading →

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Baselight 5 evolves with unrivalled features for HDR, VFX and 360 VR

Popular and proven grading software platform from FilmLight celebrates success by adding even more functionality for future-proof workflows

“Baselight 5 feels like brand new software, improving on foundation features that merge a whole new level of incredible technical precision and … Continue reading →

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The majestic colours of Marvel Studios’ Black Panther

Cinematographer Rachel Morrison, ASC and Colourist Maxine Gervais collaborate on a creative journey

The latest movie from the Marvel Studios stable, Black Panther, is wowing audiences and breaking box office records. Colourist Maxine Gervais of Technicolor Los Angeles was … Continue reading →

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Considerations when shooting and posting HDR for movies

Daniele Siragusano, Image Engineer, FilmLight

HDR has rapidly moved to the forefront in discussions on how to shoot and post premium content. Movies are increasingly choosing HDR as a second order deliverable and are searching for a suitable archive strategy … Continue reading →

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TVB Europe: Adding Colour to The Crown

From TVB Europe:

Molinare’s senior colourist Asa Shoul returned for series two of The Crown. He talks to Jenny Priestley about adding colour to the 1950s and 60s.

FOR THOSE OF US THAT DON’T KNOW, WHAT EXACTLY DOES Continue reading →

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Collaborative colour workflow creates Coney Island for Woody Allen’s 50th movie

Veteran cinematographer Vittorio Storaro previews FilmLight’s graded looks on Wonder Wheel set

For his 50th movie as a director, Woody Allen chose a story set in and around the famous Coney Island amusement park in 1950s New York. To create … Continue reading →

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FilmLight welcomes colourist Andy Minuth

Well-known colourist joins FilmLight to provide seasoned and highly technical support

FilmLight, the leading provider of professional colour grading solutions, has recruited colourist Andy Minuth as Colour Workflow Specialist. He brings a deep technical knowledge of image processing and colour … Continue reading →

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Germany’s nhb expands its reach with Baselight

Post house nhb creates connected workflows for remote grading across Germany, London and the USA

Full service post-production house nhb has recently opened two new facilities, adding a second studio in Hamburg, nhbNEXT, and extending its reach into Munich. These … Continue reading →

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We’re always happy to promote our customers’ work. Whether it’s a press release or a case study, contact:

Caroline Shawley
e: [email protected]

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