Umedia launches integrated Vancouver studio with Baselight
Umedia assembles renowned Visual Effects and Post Production team to launch new Vancouver facility
International production and post group Umedia has opened its fifth location based in the popular Canadian centre, Vancouver, incorporating high-quality visual effects services with finishing services. … Continue reading →
Meet The Colourist: Special Video Interview with Peter Doyle, Supervising Colourist, Technicolor London
Peter Doyle is one of film industry’s most distinguished supervising digital … Continue reading →
Meet The Colourist: Soichi Satake, Toei Digital Lab, Tokyo
Toei Digital Lab is based in Tokyo and has three Baselight colour grading and finishing systems.
Soichi Satake … Continue reading →
Meet The Colourist: Martin Klein, Filmmore
Filmmore operates in Amsterdam and Brussels.
Their colourist, Martin Klein, is a skilled artist who loves his work as well as photography, and keeps bees when he’s not in his colour room.
You can read the full interview here.… Continue reading →
Meet The Colourist: Aline Sinquin, Senior Colourist & Founder, FIVEONE COLOR
French born, Aline Sinquin first intended to be a DOP but when she encountered colour grading, she could not let go.
Aline’s creative energy and passion is apparent in her entire body of work where she has worked across many … Continue reading →
Meet The Colourist: Chris Rodgers, Colourist, Molinare
Meet Chris Rodgers, Colourist at Molinare.
Chris Rodgers joined Molinare’s DI team as Colourist in October 2014, to focus on TV dramas and factual series. Joining from Splice TV, Chris’s drama and comedy credits include Class, Cold Feet and Fungus … Continue reading →
Special Interview: Ben Gervais, Technical Supervisor, Billy Lynn’s Long Halftime Walk
Check out our Special Interview with Ben Gervais, Technical Supervisor on Ang Lee’s Billy Lynn’s Long Halftime Walk.
The film was shot at 120 frames-per-second (fps), with high dynamic range and extended colour gamut, and in 3D – and … Continue reading →
FilmLight provides future-proof picture finishing for Sky
Leading European broadcaster implements extensive FilmLight network to improve time, cost and creativity for short and long form content
Sky, Europe’s leading entertainment company, has extended the capabilities of its post-production department with a suite of high-performance colour tools and … Continue reading →
Gorilla goes large on FilmLight
Broadcast post house boosts collaborative workflows with Baselight upgrades
Gorilla is the largest post-production facility in Wales, with a brand new purpose-built flagship facility in the creative hub of Cardiff Bay. As part of a facility-wide upgrade, Gorilla has boosted … Continue reading →
Azimuth’s investment in Baselight provides high-end colour finishing
Innovative London facility adds world-leading Baselight colour grading system to network seamlessly with Avid
Boutique post house Azimuth has installed a Baselight ONE 24TB grading suite with Blackboard 2 control surface to bolster its newly revamped London Soho premises. The … Continue reading →
The sky is the limit for 4K IMAX HDR “Sully” with Baselight
Technicolor harnesses Baselight’s high-resolution capabilities for big-screen retelling of ‘Miracle on the Hudson’
To find out more about the grade on Sully, read our Case Study where you can also watch our interview with Maxine Gervais.
Technicolor LA recently … Continue reading →
Animal Logic chooses FilmLight Baselight as end-to-end finishing solution
Leading digital animation and visual FX production studio Animal Logic installs Baselight
Award-winning digital animation and visual effects studio, Animal Logic, has installed two Baselight grading systems in its Sydney head office. The company – whose credits range from The … Continue reading →
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