Want to find out more about the Baselight Grade file?
Watch our video tutorial to find out more about the BLG – or Baselight Grade – file.
You can also take a listen to the fxguide podcast for an in-the-field discussion of FLIP and the … Continue reading →
Queen’s Award – Financial Times profiles FilmLight
The Queen’s Awards for Enterprise are highly prestigious awards for outstanding achievement by UK businesses in the categories of Innovation, International Trade and Sustainable Development. The awards are made annually by HM The Queen, and are only given for the … Continue reading →
Baselight for Avid Media Composer @ NAB
Baselight Editions make the world’s most powerful colour grading toolset directly available to editors and VFX artists and provide the tightest integration between grading, editorial and VFX available.
At NAB, we previewed Baselight for Avid Media Composer, another product which … Continue reading →
FilmLight adds new products and demonstrates end-to-end colour pipeline solution at NAB 2012
At NAB 2012, FilmLight will underscore the central role colour occupies in file-based film and television workflows by demonstrating innovative solutions for seamlessly managing and manipulating colour at every stage in the production pipeline.
In an NAB first, FilmLight will … Continue reading →
FilmLight Releases Major Baselight Upgrade
FilmLight, designers of Baselight, the world’s leading colour grading system, today announce the release of Baselight 4.3 with a host of powerful new features, introducing a unique “Triple-Head Display”, and representing a generational leap forward in responsiveness, flexibility and productivity.… Continue reading →
Recent reviews received for Baselight for Final Cut Pro
The first reviews for Baselight for Final Cut Pro have been flowing in. Follow these links to see what people have to say about our latest offering.
“I personally believe that it’s a remarkable plugin, and … Continue reading →
FilmLight Releases Baselight for Final Cut Pro
FilmLight today announces the release of Baselight for Apple Final Cut Pro 7. This brings the power and accuracy of the world’s best colour grading system right into the heart of an edit suite.
Designed for editorial houses, post-production facilities, … Continue reading →
‘Beyond Colour’ Presentation Now Available Online
Wolfgang Lempp (co-founder and Director) recently presented a talk entitled ‘Beyond Colour – Grading Suite Technology and Creative Control’ at BVE North. You can now watch this, and other presentations from BVE North, online. To watch, follow the link below.… Continue reading →
Chicago’s Optimus Uses Baselight to Craft an American Icon
A new campaign for American Family Insurance evokes the company’s association with heartland values through finely crafted images of factory workers, motorcycle riders, newborn babies and kids diving into swimming pools. Conceived by Ogilvy & Mather, Chicago, the campaign involved … Continue reading →
Baselight grades Martin Scorsese’s ‘Hugo’ – Post Magazine
As Martin Scorsese’s Hugo arrives, Scorsese and his team have been out on the promotional trail discussing his creative use of 3D as a storytelling device in a largely non-action oriented drama. Among those joining Scorsese on the trail is … Continue reading →
Amerisis Studios Introduces Color Grading to Ecuador Via FilmLight’s Baselight
Amerisis Studios, a newly-launched post production facility in Quito, Ecuador, has purchased FilmLight’s Baselight colour grading system and will use it as the centerpiece of its service offering for film, television and advertising projects.
Offering high-end colour grading and finishing … Continue reading →
Postworks NY grades ‘Bored to Death’ on Baselight
Post Magazine | Oct 1 | Digitally Acquired TV Series
The HBO comedy series Bored to Death is entering its third season, and PostWorks (www.pwny.com) in New York City is again providing on-set editorial systems as well as dailies, color … Continue reading →
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